Catalog: Antiques: Regional Art (482)

Pair of black satin weave cotton fabric with white silk satin stitched thread embroidered floral design. very good condition. Each panel measures 7" x 29" Embroidered section measures 4"X 19"

Leather products were rare and expensive during the Qing Dynasty in China. Fans were in common usage and a quality fan would have required a proper protective case. A wealthy woman could have afforded this suede fan case and would have considered it as the acceptable accessory to properly detail her finery.

The case is 9+ inches long with silk cord for drawstrings, elaborately knotted and tasseled.

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.

Women of the Miao Chinese minority did not cut their hat...when the hair was worn "bun Style" on the top of the head, the comb would be positioned horizontally, with the tynes pushed under the "bun"...and the silver dangles would hang down...the actual "comb" is hand carved and covered with silver for decoration...

Spectacles were only affordable for the very wealthy in China during the 1800's. The lenses were ground from crystal of various shades. Because of the cost, if a lens or frames were broken the remaining pieces would be refitted into a replacement set...as happened with this pair of antique Chinese eyeglasses. The vestiges of the original fitting remain on the left lens.

This small old Chinese wood sculpture of a mounted horseman is probably of famous warrior or legendary character. Carved from wood and painted the horse and rider are fixed to the original wooden stand. Original paint with some loss and one arm missing. 6 inches high including stand and a charming artifact of centuries past.

the woman of many Chinese Ethnic Minority groups did not cut their hair. It was often worn on the top of the head in a bun,and sometimes intertwined with lengths of an ancestors hair for added protection from evil spirits.

The hair was often (especially for festivals) decorated with added silver ornaments and/or hairpins.

After hand-weaving their home spun yarn, the Miao women of Na Dan would use contrasting thread colors to create an intricate embroidery of geometric patterns on their precious baby carriers. These pieces were highly prized, used primarily for festival, and were handed down through succeeding generations.

The pouch at the top of the tassel most likely contains various herbs to bring health and good fortune to the baby...

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.

This Hagoita depicts the princess in the Kabuke play Musume Dojo-Ji. This paddle is a wonderful example of the folk art of Japanese folded fabric into deeply sculptured relief. Though rarely used now, the paddles today are valued as an ornament that is believed to bring good luck.

Unfortunately, though in otherwise excellant condition this Meiji period princess has lost some of the foil pedals from her headdress.

This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming

This Manchu style jacket is out of Northern China during the late Qing Dynasty...Hand loomed heavy weight cotton fabric with wool sleeve borders and embroidery trim. fits small woman...and makes an impressive wall display

Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

This antique pair of Chinese lotus shoes were worn by a woman in He Bei Province during the end of the 1800's. Small bits of Leather are nailed to the heals because the women of that time liked the sound of the heal hitting the floor as they walked. A delicate floral motif was carefully embroidered to both sides of each shoe.

there are no rips and no tears but clearly these shoes were worn numerous times.

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom