Catalog: Antiques: Regional Art (482)

This traditional summer weight Manchu style (side closing)vest is from late Qing Dynasty. The lush deep blue silk fabric has a jacquard weave with an all over fret design. The lining is of deep maroon silk..the vest is entirely hand sewn, and fits a small to medium size woman.

This set of Chinese dolls were made with wire bodies covered with fabric padding and then silk clothing. Their heads, lower arms and feet are made from some kind of composition material and then painted. Because of their wire construction, their arms, legs, and bodies etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well...

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif...

Set of 3 Meiji Kanzashi, Japanese hair pin sticks, have deep black lacquer background with ornate swirls of red and black lacquer and inlays of abalone shells. 1 stick is 9 inches long 2 sticks are 7.75 inches long

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand

This small hand carved wooden container would have been used to store smoking tobacco, and would have been worn hanging from a belt the same as a Japanese inro. Although similar types of containers would have used by both traditional Han Chinese and ethnic minority Chinese, this particular container is definately traditional Han Chinese. One side has a carved scene of a bird and branch, the other side has written characters...

Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.

This ingenious antique Chinese pillow expands and contracts so it can be used as either a double and single pillows. The wooden ends have hand carved floral decoration. The head rest areas are bamboo and the individual rails are wooden. As expected,there are a few nicks to the finish which are consistent with a 100 yrs plus daily use item.

This small Chinese traditional oil lamp is complete with the original hand-blown globe and cover. The base has several rows of ornate grillwork. The cover is engraved on one side with a couple. The other side has a poem. The chinese is old in both character and language and difficult to translate.

The lamp is only 5 inches tall and of higher silver content than usual for China at that time, which indicates an owner of wealth...

For centuries, before there was electricity, throughout Asia, Puppetry Arts were a popular form of traveling entertainment... A platform with a cloth screen, lit from the back by candlelight, provided the stage.... The shadow images were black against the white "background". Hence, the puppets had a minimum of color and only the necessary intricate cut outs for personality as they were sometimes presented to the audience with the "handlers" after a performance...

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

During the Qing Dynasty, Chinese court gentlemen and ladies used elaborate hair styles. To assist in these construction of the "hairdo's", they used a wire form was covered with a mesh fabric. This particular "cap" was used to cover a bun of hair on the center of the head. The silver flat "hairpin" was used to hold the cap in place by pushing it through one side hole, between the hair bun and the scalp and through the other side hole. The inside of the cape clearly shows its age and use.

This rural Mongolian bucket is made from lemon wood and was used daily to draw water from the local village well. Truely an ethnographic relic with original iron fittings, and evidence of constant use and old repairs. It is both large and heavy. The diameter of the bucket is 18" and the bucket alone is 14" deep, add another 11" for the handle and iron toggle fitting. The weight is approx 15 lbs. Originally made about 250 yrs ago and probably used constantly for a couple of centuries.

This antique Chinese circular lidded container was made from a single valuable horn. It is a tribute to both the horn and the skill of the craftsman. Horn can be cut, and carved, but it is not a flexible material. According to my Chinese friends, the thinner and more translucent the horn, the more it is valued. The cross-section of an ox (buffalo)horn is oval, but a Yak horn is circular. This is a prized horn. Approx 4" high and 2.5" diameter.

This lacquered leather pillow would have been owned by a wealthy family during the Qing dynasty. Each end has a hand painted floral design with Chinese "well wishing" saying.

This charming pair of old Chinese lotus shoes were made from a sturdy cotton fabric and embroidered with cotton thread. The lack of silk matterials would indicate that the maker/wearer was probably from a less afluent family. The soles indicate are well worn but the vamps are in very good condition.

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This pair of traditional short boots were made and worn by the Miao women of Anshun. They are in very good condition but the upper boot areas have some soiling and the soles show signs of wear.

This charming footed small teapot has handle wrapped with bamboo and is etched all over with a floral design...no signature of any kind...

In China, older age was/is respected and valued... During the late Qing Dynasty, many wealthier Chinese used eyeglasses to appear older...sometimes clear glass lenses were used for those with good eyesight Personally, I never colored my hair before traveling to China.... This eyeglass case was carved from water buffalo horn...It has the original hand twisted string and a small movable stop.... and a few minor scratches from use and age

I call him sweet face...a bit dirty with age... Japanese hina aka girls day doll from late Edo period. lost his drum..6inches high including hat

This old Indo-Persian Bronze bowl has ornate repousse pattern and is heavily patinated with use and age. The upper rim edge has a few small chips from ages past. The bowl is 4.5 inches in diameter and about 2.3 inches high. The bowl is an artifact from the early 1800'S.

These old Chinese tinted eyeglasses date from the Qing Dynasty. There is a tiny bat on the nose bridge, and ornately detailed hinged temple and ear pieces.

An unidentified hard wood was used to carve this set of 4 matching wooden saucers. They would have been used for tea bowls and have traditional red/orange lacquer paint over a treebark carved pattern on the front surface. Each saucer was carved into a diamond shape with gently curved sides and are each was carved into a thin, shallow bowl shape. This is a rare and unusual set in very good condition.

Each piece measures 5 inches x 4 inches and 1 inch deep.

In China for centuries various civil officials showed their rank by the finial worn on their hat. The color of the central stone at the top of the metal finial indicated the rank of the wearer... Brass/gold was the lowest rank... The hats were further decorated with a long ring of red silk tassels attached between the finial and the hat... This antique court hat finial along with the circle of tassels is from the Qing dynasty the finial and the ring of tassels are displayed on top of ...

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

This antique Japanese small drawstring fisherman's bag is woven from hand rolled cording using indigenous natural plant fibers. It would be used for carrying home the catch at the end of day. The bag shows some areas of staining and one small area near the bottom where a few fiber cords have split. these condition areas are to be expected of a folk art item of this age and use. ,,,,,

the bag is roughly 10 x 12 inches and has a generous amount of cording for adjustable straps.

These 3 Japanese porcelain cups and saucers were hand painted with a delicate landscape scene. They are the matching set to the previously listed Japanese chocolate pot dealers number J157 or troc #1008113. Thought the set was made for chocolate, it can easily be used for tea.

Instead of shoes, sandals such as these were worn in villages throughout India. Hand carved from indigenous woods, frequently teak and fitted to the individual wearer. The knob on the toe prevented the sandals from falling off and no other attachment was used.

These 3 small oil lamps were brought back to the US by a Baptist missionary who lived and traveled extensively throughout China. Oil lamps like these were used for light source extensively throughout rural China by poor peasants. Simply made, presumed cut from scraps of tin and soldered into shape.. the lids come off for filling with oil and some original home made wicks remain in place. The tallest is 5 inches high...

This old Mongolian artifact was made from leather hides sewn together with leather cord and then formed into a servicable shape approximating an irregular bottle. Handling and pouring was aided by the wooden handles.

A folk art object approx 150 years old and used for many years as a sake container saki. It is approx 19 inches high and 16 inches at the widest point about 10 inches deep.

This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.

The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This Chinese wood carving from the Qing Dynasty portrays a seated nobleman. The surface is covered with remains of the original multi layers of lacquer paint. There are no marks on the bottom. Hand carved and only 4 inches high this is a charming piece of old folk art, an artifact from the glory days of old China.