Catalog (603)

This matched set of Japanese lacquer consists of a 10 inch diameter shallow serving bowl and 5 plates, 5.75 inches in diameter. Each piece has a silver rim and nashiji finish with a decorative motif of bamboo leaves with abalone shell inlay flowers.

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

An artifact of past Chinese Culture, this old Abacus has hand made beads of what appears to be clay, specifically stoneware. The frame is a dark hardwood, probably walnut. It is approx 5 long.

This old Chinese ethnic minority needle case is hand carved with geometric marking from end to end. Needle cases were essential tools for all indigenous cultures and frequently became important objects of decorated folk art.

Sourced from southern China, this ethnic minority tobacco container has a hinged lid and "belt clip". I suspect that it is Yi minority.

Using these Chinese lotus-shaped lacquer tea saucers simplified passing and serving hot tea. Traditional Chinese symbols are delicately painted with copper color over a black lacquer background. There is a double happiness symbol at each end along with clouds, water waves and lucky bat symbol in the center. The back side is traditional Chinese red.

This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.

Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high

This Miao Chinese ethnic minority jacket would have been worn by a teenage girl for festival. All the batik work was hand-painted and all stitches and embroidery was done by hand. The row of silver hemisphere's across the back represent the "bubble" in the Miao creation myth.

The jacket is approx 70 years old and is from Zhi Jin

This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.

The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact. He has dropped 3 "scales...

This old Mongolian artifact was made from leather hides sewn together with leather cord and then formed into a servicable shape approximating an irregular bottle. Handling and pouring was aided by the wooden handles.

A folk art object approx 150 years old and used for many years as a sake container saki. It is approx 19 inches high and 16 inches at the widest point about 10 inches deep.

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

This antique Korean serving tray would have been used for serving tea or individual meals. The signature characters on the bottom are followed by the symbol for "student", presumably the tray was carved by an apprentice. The bottom also has rough darken areas for a more secure gripping surface and shallow attached feet which also have rough bottoms.

The tray has a delicately upturned lip, a deep rich red brown color. It is approx 13" x 9.5 inches. No cracks or chips but the surface does h...

This antique bracelet from Tibet is both thick and weighty, but it is very small for a Western wrist. The opening measures a scant 1 inch.

This hollow silver anklet is from the Nuristani area of Afghanistan. With the loose metal rattle rolling inside the hollow space, a soft noise was created as the wearer moves. This anklet has nice patina and has a few minor dents, which attest to the age and travels of the artifact.

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences. This particular lamp s...