Catalog (429)

Bashofu kimono made of several different pieces of bashofu with stripes. It is roughly sewn together, so it might be worn for a work wear. Both weft and warp are hand-plied. In good condition except for some stains. The first half of the 20th century. 124cm x 126cm

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree. Both wefts and warps are hand-plied. The brown warp kasuri yarns are dyed with extract liquid from tree or root of "sharinbai", which is a family of rose, and the very dark blue weft kasuri yarns are dyed with Ryuku-ai, vegetable indigo in Okinawa. Bashofu has been woven in many Islands in Okinawa for everyday kimono or work wear. 20th century. It has some stains and holes. W:106cm, L:116cm

Bashofu kimono hand-woven of banana fiber for both wefts and warps. The yarn is rather thicker and tougher comparing with very fine yarn for thinner and higher quality bashofu, so that it is for a everyday kimono or work wear. Brown stripes are also banana fibers. Late 19th to early 20th century. In good condition except for a mending near the lower side in the back and wear near neck. 104cm x 115cm

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

A cloth made of 4 pieces of cotton cloth with sashiko which are vegetable indigo dye and hand-spun cotton. The sashiko yarn is cotton. 20th century. 62cm x 55cm

This is a piece of noh drama costume which is called "Choken". Choken is made of silk gauze or weft silk gauze with woven designs with gold and colored threads. It is worn by a dancer or noble man in the noh stage. This choken has woven design of Hagi ( Japanese clover ) and Nadeshiko ( Dianthus ) with gold threads. In excellent condition. 20th century. 40cm x 160cm

Pilgrim's cotton hanten (hakue) with many stamps of sacred places in Shodo-shima in Kagawa prefecture. They are called "Shodo-shima Hachiju-hachi Kasho", 88 Sacred Places in Shodo Island. It is said Kobo-Taishi (Kukai) had ascetic practice and prayer at those places, who founded Shingon Mikkyo in late 8th century. In good condition except for light stain in the upper back sleeve. The first half of the 20th century. 128cm x 93cm

Pilgrim's hanten made of thin white cotton with many stamps of the sacred sites that are called "Shodo-shima Hachiju-Hachi-kasho Reijo (Shodo Island 88 holy places) located in Kagawa prefecture in Shikoku. The pilgrimage route was opened in late 17th century. The head band has stamps from Omine-san (Mt.Omine) in Nara prefecture. No sign of a place in the belly band. In good condition but has a few stains. The first half of the 20th century. Hanten:120cm x 64cm, Head Band:30cm x 92cm, Belly Band:...

Junrei's hakui (pilgrim's hanten) with many stamps of holy places in Shikoku, which is made of white hand-spun cotton. The ink letters reads "Shikoku Hachiju-hachi-ka-reisho" which means eighty eight holy places in Shikoku. It seems that the pilgrim visited all the eighty eight holy places. In good condition. The first half of the 20th century. 114cm x 87cm

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset. They learned not only kimon...

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset. They learned not only kimon...

Sakiori obi for a casual kimono whose wefts are strips recycled from black cotton cloth and warps are silk yarn in green, brown and white. In excellent condition. 20th century. 12cm x 2m64cm

Sakiori obi handwoven of strips from silk kimono for weft and cotton yarn for warp. In excellent condition. 20th century. 14cm x 2m72cm

Sakiori obi for an everyday kimono. It is handwoven of cotton and silk strips of old kimono and cotton yarn for warps. Some wefts are from kimono with kasuri. In excellent condition. 20th century. W:16.5cm, L:2m92cm

Sakiori obi hand-woven of cotton strips recycled from old cloth as wefts and hemp yarn as warps. Generally good condition for the age, but has some wear, thin parts. The first half of the 20th century. 12cm x 2m40cm

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

sakiori obi whose wefts are strips from old silk and cotton kimono and warps are brown silk yarn. In excellent condition. 20th century. 9.3cm x 2m34cm

Sakiori sodenashi (vest) handwoven of cotton strips recycled from old kimono for weft and asa (hemp) yarn for warp. It has beautiful mixed color of indigo, brown, purple etc. In good condition. The first half of the 20th century. W:48cm, L:73cm

Sakiori sodenashi (vest) whose wefts are cotton strips recycled from old cloth. Warps are asa (hemp) and it has hand-stitched sashiko in the upper back. The indigo cotton cloth in both sides are replaced and machine-sewn. In excellent condition. The first half of the 20th century. 44cm (top) x 74cm

A piece of rug made of cotton cloth, one side is vegetable indigo dye plain and the other side is stripe. It has roughly sewn sashiko (quilting) and has four layers of cloth. In good condition but it has some stains and indigo faded parts. The first half of the 20th century. 164cm x 166cm

Se-ate (kind of vest only for back) hand-woven of mawata (floss silk) and vegetable indigo dyed. It is very light and warm so that was worn under kimono in cold weather or in cold region. In excellent condition. Late 19th to mid 20th century. 32cm x 54cm

Five pieces of cotton diaper with Sekka shibori pattern which is one kind of clamp-board dye. They are all unused and in excellent condition. Hand^sewn in ring shapes. 20th century. 34cm x 63cm

Cotton cloth with shibori (tie-dye) seigaiha (waves) pattern and dyed with akane (madder). In excellent condition but akane color is faded and one mending patch and a few tiny holes. The first half of the 20th century. 35cm x 136cm

Shonai obi (sash) hand-woven of cotton for warps and paper yarn for wefts. It is made in Shonai region in Yamagata prefecture in Tohoku district. It is dyed with vegetable indigo and has beautiful tassels in both ends. In excellent condition except for a few tiny stains. The first half of the 20th century. 29cm x 3m56cm

Shonai-obi hand-woven of wash yarn (Japanese handmade paper) for weft and cotton yarn for warp. It is produced in Shonai region in Yamagata prefecture in Tohoku district. It has beautiful tassels in both ends. The dyes are vegetable indigo and brown. In excellent condition. The first half of the 20th century. 25.5cm x 3m52cm

Lined woman's kimono made of high quality silk crepe with geometric pattern which is katazome (stencil-resist-dye). In good condition except for a few minor stains. 1920s or 30s. 124cm x 148cm

Silk crepe kimono with modern design whose techniques are katazome (stencil-resist-dye) and hand-painting. In excellent condition except for a few stains in the top collar, however unvisible as it is folded inside, and light blue color slightly faded in the jointing parts of the body and sleeves. 1960s or 70s. 130cm x 146cm

Han-haba (half width) obi for casual kimono. Wefts are silk yarn and warps are also black silk yarn. It has softer texture and thinner than sakiori obi. In excellent condition. 20th century. W:15.5cm x 2m92cm

Man's silk juban (under kimono) with shibori design whose motif is shogi-no-koma (pieces of Japanese chess) with Chinese characters. It also has hand-painting with gold. In excellent condition. The first half of the 20th century. W:134cm L:131cm

Silk kimono worn on the stage of Kyogen which is a traditional short comedic drama. It is often performed with Noh drama. The kimono is made of thin plain silk with katazome lattice pattern and brush dye for green parts. The lining is pongee silk. The dye is all vegetable and sumi. Kataginu and hakama (kamishimo) is worn over this kimono on the Kyogen stage. In excellent condition. 20th century. 142cm x 134cm

Arai-hari meisen cloth for one kimono. Arai-hari means a kimono is unsewn, washed and dried on the board, which is a traditional way of cleaning kimono. In excellent condition except for minor spots in one part (10th image). It is strong enough so that good for remaking. Two pieces for the body part, each one has different width in the middle, shoulder part (11th image). W:35cm and 23cm x 3m24cm Two okumi (front panel) cloth. W:17.5cm x 2m16cm Two sleeve cloth, sewn in one cloth. W:2m16cm 1...

Meisen haori (jacket) with dots pattern, which are double kasuri. Both warp and weft kasuri yarns are stencil-resist-dye. It has hand-braided cords in front. Mid 20th century. Generally, in good condition except for a few stains in the white silk lining. W:123cm, L:90cm

Silk meisen kimono without lining. It has double ikat checker board pattern. In excellent condition. Mid century (1930s to 1940s) 128cm x 148cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is off-white silk yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however we call the one also sakiori whose wefts are bunch of yarns. In good condition but has folded line along the length. 20th century. 25cm x 3m42cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is black cotton yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however, we call the one also sakiori, whose wefts are bunch of yarns. In excellent condition. Black borders are recycled cotton strips. 20th century. 13cm x 2m56cm

A sashi (obi) made of plain weave silk with katazome design whose motifs are Edo Hikeshi (fireman) such as hanten (jacket) with brigade's marks, matoi (brigade's symbol) etc. Lining is twill weave black silk cloth. In excellent condition. The first half of the 20th century. 31cm x 4m12cm

Rare item. Two fragments which are thick silk crepe (oni-chirimen) with katazome Ainu design. It might be haori (jacket) or kimono. In good condition but has some light stains and a hole (1cm x 0.5cm) The first half of the 20th century. Left one: 39cm x 96cm, Right one: 39cm x 116cm

A fisherman's work wear hand-woven of hemp for both wefts and warps. Both natural color and indigo stripes are hemp yarn, which are hand plied. It is from Tsushima in Nagasaki prefecture, an island located between Korean Peninsula and north Kyushu, and the textile is called Tsushima-asa. It had been woven till 1930s, but haven't been woven since then, so it is precious, especially in this excellent condition one. The first half of the 20th century, 110cm x 116cm

Two pieces of yogi (bedding) which are hand-sewn by a girl student at the sewing school which were established around 1880. It is called "hinagata" and generally one third of measurement of a real one. The left one is sodenashi yogi (sleeveless top cover) and the right one is yogi (top cover with sleeves). The purpose of making sewing samples is efficiency for time and material. It has been made till 1940s in the sewing school of which students are mostly girls. Each hinagata has a student's nam...

Thin wool unlined kimono with katazome dots pattern. The wool kimono was made in 1950s. The ground is off-white and dots are red. It looks it was barely worn and in excellent condition. 1950s. 130cm x 154cm

A wood bowl used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:15.8cm, H:6.5cm

Three pieces of wood plates with red and black urushi (lacquer). The bottom two are same ones but the top one is a bit different. Generally in good condition but have some minor flaws. Top: 10.3cm x 3cm, Bottom two: 10cm x 2.5cm

Four sheets of Chiyo-gami which is woodblock print on washi (handmade paper). It is originated in Kyoto and developed in Edo later. It is used for paper dolls and paper crafts. The first half of the 20th century. 53cm x 38cm (the largest one)

Katagami which is used for katazome (stenci-resist-dye), made of many layers of washi (Japanese handmade paper). It is painted with kakishibu (persimmon tannin) for waterproof and strength. The pattern "Kanze-mizu" is derived from the crest of the Noh drama player Kanze Dayu which is whirl of water. He was the founder of Kanze style Noh (15th century). In good condition. 20th century. 38cm x 45cm

4 sheets of Chiyo-gami with autumn leaves designs which are woodblock prints. The paper is washi, a handmade paper made from mulberry fiber. Chiyo-gami was originated in Kyoto and developed in Edo later. It was used for paper dolls and paper crafts. Generally the larger one is the older. Clockwise from top left: 53cm x 37cm, 52cm x 37.5cm, 41cm x 32cm, 53cm x 37cm The top left one has rather thick texture and others have thin texture. The fourth one has a break in the corner. The first half of...

A folding pillow made of wood used on travel. It has two cushions made of cotton velour. Women had a largely fixed hair with wearing kimono, so this kind was used. It has carved letters "Beppu" and the scenery, so that it was made or sold there. Beppu is famous for onen, hot spa, located in Oita prefecture in Kyushu. In good condition. The first half of the 20th century. L:21.5cm, W:5.8cm (folded)

Ema (pictorial offering) with a pair of "Aka Oni and Ao Oni"(red and blue ogres) which is hand-painted. It is an offering at Kijin Shrine in Saitama prefecture next to Tokyo which is the one of four shrines worshipping ogres in Japan. In good condition. The first half of the 20th century. 14cm x 8cm x 0.8cm

Wood board used by a "nushi", a lacquer-ware artisan in charge of lacquering urushi. It has natural dripping and dried glue(natural) while lacquering. Both sides are beautiful. In good condition. The first half of the 20th century. 9.5cm x 91cm x 0.9cm

A pair of wood candle stand painted with colorful urushi. The plate for candle on the top is made of metal. In excellent condition except for some tiny chips on the rim of the top plate and urushi came off in the bottom of one candle. 20th century. H:37cm Diameter of the bottom:10cm

A wood suzuri-bako (ink stone box or writing box) which has layers of colors of urushi inside. It has a memo that it belonged to a noted Japanese painter, however it is not proven. The first half of the 20th century. It has some hair lines and cracks in the painting. 17cm x 27cm x 4.8cm

A large wood tray in red and black urushi (lacquer ware). Generally in good condition, but minor hairline in the surface and some parts where urushi came off and wear in the back. 20th century. Diameter:40cm, H:4cm

A pair of miniature wood sculpture of Ebisu and Daikoku which are two of the Japanese Seven Dieties believed to bring good luck. Ebisu is a diety of fishery which brings plentiful catch and Daikoku is a diety of agriculture which brings good harvest. Both are in excellent condition with an original wood box. 20th century. H:5cm each, w:3.6cm each.

Beautiful Okinawan uchikui which is a furoshiki (wrapping cloth) with cherry blossom design. The dye technique is tsutsugaki and bingata-zome which is traditional Okinawan dyeing technique adding colorful vegetable color or pigment. Uchikui is dyed with either tsutsugaki or katazome (stencil-resist-dye). Uchikui is used for not only wrapping but also covering gifts. This uchikui is two panels sewn together. Wefts are choma (ramie) and warps are cotton. Uchikui has same family crest in the last p...

"Muji Hakeme Chawan" which is brushed with white engobe over dark color paste containing iron, and then burned with clear glaze. It is made in Korea in 15th to 16th century during the Joseon Dynasty (1392∼1912). It has kintsugi (mending with urushi and gold powder). It has a paulownia matching box. Diameter:17cm Height:7.5cm

Chogappo made of fragments of choma (ramie) whose wefts and warps are hand-plied. "Pojagi" is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patch-worked with asa (mainly choma, ramie) fragments.(reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995) It has white and light beige natural color choma fragments. Late 19th to early 20th century. In good condition and all hand-sewn ...

Chogappo made of fragments of choma (ramie), one of bast fibers, which is recycled from white and dyed ramie textiles. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied for all fragments. Ramie one is for wrapping summer clothing ma...

Chogappo made of fragments of asa (choma,ramie or hemp) whose wefts and warps are hand-plied. "Pojagi" is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patch-worked with asa or silk fragments.(reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995) Late 19th to early 20th century. In excellent condition except for one hole in the longest belt. All hand-sewn. The four belts are ...

Chogappo made of fragments of ramie which is recycled from old textiles. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied. Hemp or ramie ones are for wrapping summer clothing. In excellent condition except for a mending and two pin...

Chogappo made of fragments of ramie which is recycled from old bast fiber, hemp or ramie and indigo dyed. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied. Hemp or ramie ones are for wrapping summer clothing. In excellent condition...

Chogappo made of fragments of choma (ramie), one of bast fibers, which is recycled from ramie textiles and dyed with sumi (ink) later. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied for all fragments. Ramie one is for wrapping su...