Catalog (221)

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make fantastic pattern. Size 11.8cm(D: BODY) 10.8cm(H)

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. This insence container is called "Garan" that means basement stone of big Buddhist temple. It seems as a natural rock. Size 5.5cm(W) 4.7cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make beautiful pattern. It could be used as small vase. Size 7.7cm(W) 12.8cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. It could be used as small vase. Size 7.8cm(W) 14.0cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.0cm(W) 4.1cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

This piece is baked in "Anagama" for 10days, so it is naturally covered by ashes of red pine fire woods and has been firing- denatured on surface in natural. We Japanese call this change "窯変　Yohen", This vase is able to use by two ways, hanging or setting. It is suitable for tea ceremony very well. Movie/YouTube: https://www.youtube.com/watch?v=hSOywHuZPSs Accessary : wooden box with signature of artist Size: 9.2cm (D) 17.5cm (H)

The Goryeo celadon at initial time is famous for its beauty like jade. This vase was made in the middle of Goryeo era and the color has become to a little bit dark. On the contrary, it has been loved by the masters of tea ceremony i Japan who pursues "wabi sabi". Certification: written by Noriki Shimazu the famous Asian antique researcher in Japan. YouTube https://www.youtube.com/watch?v=Qas4rO0XZYk&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=35&t=9s Size: D/14.0cm H/26.8cm

The bottle like this is seemed originally used as water bottle in ancient Korea. After they were exported to Japan they has been used as vases especially at tea ceremony. Japanese people realized that the beauty with them and they were suitable for "chabana" which is very important at the tea ceremony. They were called "俵壷/rice bag bottle" and valued by people with refined tastes. Certification: written by Noriki Shimazu the famous Asian antique researcher in Japan. YouTube https://www.youtube.com/watch?v=c-F1GAs8who&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=38 Size: lengthwise/13.1cm crosswise/23.7cm height/14.5cm

In Japan Muromachi period 15th century, tea master Juko Murata had been putting forward "wabi-cha" that has become the mainstream of tea ceremony afterwards. And then he had the idea that wabi-cha should have noble mood hidden inside though it seemed coarse at glimpse. He had changed the tea ceremony in Chinese style to Japanese-like style. He picked up a coarse celadon tea cup made in Song dynasty. He thought it was suitable for wabi-cha. The tea cup like this has been called "Juko-seiji" in honor of him afterwards. Certification: written by Noriki Shimazu the famous Asian antique researcher in Japan. YouTube https://www.youtube.com/watch?v=63bMZ01XAwg&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=36&t=7s Size D:17.0cm H:6.4cm Accessary : wooden box

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece was made as "manaitasara" to be used at Japanese cuisine or tea ceremony. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natural glaze. Artificial glaze is not used. Size: 21.5cm(L)/51.2㎝（W）/25.4cm(H) Accessories: wooden boxes(signed by the artist)

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. *Tachibana Daiki is well known that former Arkansas Gov. Bill Clinton or Cap.Armstrong asked for teaching. This piece was made in '02 and not used. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natural glaze. Artificial glaze is not used. Size: 21.0cm(D)/25.4cm(H) Accessories: wooden boxes(signed by the artist and named by Daiki Tachibana)

Blue & white pieces in Jingdezhen Ming dynasty like these are called "古染付 kosome" and loved by Japanese tea masters.Especially natural chips on the mouth edge are loved and called "虫喰　mushikui" that means worm eating marks. They are suited to "wabi sabi" feeling. These pieces have five horses painted in free and easy style. accessary : old wooden box made in Japan YouTube https://www.youtube.com/watch?v=pABoSggRLKM&feature=youtu.be

Bizen ware has been made from 16th century for 500 years and well known as one of 6 old kilns in Japan. At the Bizen kilns, no artificial glaze is used and expressions are by just effects of burning fire woods. The effects are by flame and clay and by ashes. The color of clay is grey before firing and changes to red, white and brown after burning. This piece was made by expert artist Satoshi Watanabe and burned in the Samukaze big kiln 52m long. Size D:10.0cm H:14.0cm Accessary /wooden box

Bizen ware has been made from 16th century for 500 years and well known as one of 6 old kilns in Japan. At the Bizen kilns, no artificial glaze is used and expressions are by just effects of burning fire woods. The effects are by flame and clay and by ashes. The color of clay is grey before firing and changes to red, white and brown after burning. This piece was made by expert artist Satoshi Watanabe and burned in the Samukaze big kiln 52m long. Size D:10.0cm H:13.9cm Accessary /wooden box

Henan kiln of Cizhou kiln group is famous for black glaze ware. It is supposed that 4 handles were used to tie up the lid with rope. Condition is almost perfect except some chips. Certification : written by Noriki Shimazu the famous Asian antique researcher in Japan. Size: D:17.0cm/ H:19.5cm YouTube https://www.youtube.com/watch?v=4CkbrsztjPc&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=29

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. The chamfered vase is very rare on late Joseon. This piece is seemed to be made at a folk kiln in Bun-in. Certification : written by Noriki Shimazu the famous Asian antiques researcher in Japan. Size/ D:16.4cm H:14.5cm

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. The plate with leg like this had been made for the dedication to god. Certification : written by Noriki Shimazu the famous Asian antiques researcher in Japan. Size / D:16.0cm/ H:6.5cm

Phan kiln had been producing royal tableware for Lanna dynasty and very sophisticated works. However it had ended in a short time of period. Among of them the celadon works are famous for their elegant beauty. Certification : written by Noriki Shimazu the famous Asian antique researcher in Japan. Size/ D:26.4cm H:7.5cm

Yue-zhou-yao"越州窯”is well known as the oldest kiln to produce celadon works. This piece is very rare because of iron speckles and almost perfect condition though it has repaired crack at the bottom. Certification : written by Noriki Shimazu the famous Asian antique researcher in Japan. Size: D:18.2cm/H:22.1cm

Henan kiln of Cizhou kiln group is famous for black glaze ware. This piece is very rare because of white spotted. Condition is perfect. Certification : written by Noriki Shimazu the famous Asian antique researcher in Japan. Size: D:9.5cm/ H:8.8cm

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. This piece with autumn flower has "wabi-sabi" feeling. In spite of damage of mouth, the repair part by lacquer and gold rather give more "wabi-sabi" feeling. Certification: written by Noriki Shimazu the famous Asian antique researcher in Japan. Size: D:9.8cm /H:13.9cm

This piece has thin body and permeability by Jingdezhen characteristic. Most of all, the color development by cobalt is beautiful. Certification: written by Noriki Simazu the famous antique researcher in Japan. Size: D:14.2cm/ H: 4.4cm

The Longquan celadon in Song dynasty is well known as clear and beautiful color. And this piece also has a clear olive green color and influence of Song dynasty is seen. Perfect condition and no repairs. Certification: written by Noriki Shimazu the famous Japanese researcher of Asian antiques. Size: D:6.5cm/H:16.0cm

The natural cobalt had become to be imported to China again at Jiajing period, and so color development of blue had become very clear. And the technology exchange of government kiln and folk kiln had become popular and abundant types of pieces were produced. This plate has a picture of surreal scene from tale. Large plate like this is very rare. Size: 31.8cm(D) 6.5cm(H)

The technique of famille rose has born united western and eastern technology on the Kangxi period. And the oil painting expression had been possible on a chinese ceramic by that. This piece has the seal mark of Big Qing Qianlong(大清乾隆年製）on the back. Size: 19.7cm(D) 3.1cm(H) Accessary : box

The Kangxi(康熙）period is the day when the ceramic industry ruined at the last Ming dynasty had been rebuild, and many excellent pieces had been produced at both government kiln and folk kiln. This piece has picture of flushou (福禄寿）and the superlative seal mark of folk kiln on the back. Notable thing is the record in the box indicates it has had by Aixinjueluo Pujio(愛新覚羅溥傑),younger brother of the last emperor. Size: 19.5cm(D) 3.5cm(H) Accessary: box

Famous the Jianyao bowl was produced to aim real black one, however various types was born because of the change of kiln condition, for example higher temperature or air inflow etc. These small cups were used for the sake of examination of water at the tea ceremony called "Tocha/Japanese, Gedou cha/Chinese". This type is called 禾目天目"Nogime Tenmoku"in Japan and called 兎毫盞 ”Hare'fur"in China. CERTIFICATION : by the famous antique researcher in Japan Noriki Shimazu Size D:9.4cm H:4.1cm

This piece have very sophisticated picture of iron glaze by the professional painter, the motif are plum tree and crythansmom. Plum tree is the symbol of early spring and crythansmom is one of autumn, they are loved among the eastern Asia people from ancient. The picture are painted under transparent glaze with iron glaze. And it have long neck just like the nose of a gun, this feature is seen in many pieces at 18th century. Youtube: https://www.youtube.com/watch?v=A0PTlbOI4bg&feature=youtu.be Size: 16.5cm(D)/28.0cm(H) Accessary : wooden box

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with oribe glaze (green glaze) that was made in 16th century in Japan. It is seemed Japanese tea pot at a glance however the creator has made it as a vase. The handle is made by dried Japanese wild ivy, SIZE:10.0cm(length)17.5cm(width)/19.0cm(height)included handle

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen karatsu glaze (black&white) trditional glaze in Karatsu. It would be used for pouring sake or dressing and bowl at cuisine. It is also suitable for western cuisine. His table ware is very popular. SIZE: 17.0cm(length)/12.0cm(breadth) /7.0cm(height)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara karatsu glaze traditional in Karatsu and perfect hand made. It would be used for pouring sake or dressing. His table ware is very popular. SIZE: 9.0cm(D)/11.0cm(H)

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with kuro-oribe glaze that the great tea master Oribe Furuta was fond of. It is small size so it would be easy to use at not only for matcha but also for green tea. SIZE:9.5cm(D)/6.8cm(H)

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with kiseto glaze (yellow and green) that was made in 16th century in Japan. It is small size so it would be easy to use at not only for matcha but also for green tea. SIZE:9.7cm(D)/7.0cm(H)

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). These pieces are created with kuro-oribe(black oribe)glaze ,kiseto glaze and ash glaze. These would be easy to use at any purpose. SIZE: 14.0cm (sides) 4.3cm (height)

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with kuro-oribe(black oribe) glaze that the great tea master Oribe Furuta was fond of. It is a little bit small so it would be easy to use. SIZE:12.0cm(D)/6.5cm(H) ACCESSORY: wooden box with signature by the artist

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. *Tachibana Daiki is well known that former Arkansas Gov. Bill Clinton or Cap.Armstrong asked for teaching. This piece was made in '02 and not used. He is famous for traditional pottery, these cups are made for Japanese cuisine as "tsutsu-mukou"cylindrical cup. However these works could be also used as cups or small vases. 1. "oribe" green glaze 2."e-oribe" green glase with pattern 3."kohiki" white slip 4."shibukami" yellow glaze 5.blacck glaze Size:6.0cm(D)/12.6cm(H) a little bit different one by one Accessary: wooden box with signature

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with painted Japanese traditional pattern as small bowl. It is also suitable for western cuisine. His table ware is very popular. SIZE: 13.0cm(D)/5.1cm(H)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with black&white glaze(chosen-karatsu) as plate. It is also suitable for western cuisine. His table ware is very popular. SIZE: 17.0cm(D)/3.8cm(H)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze as small bowl. It is also suitable for western cuisine. His table ware is very popular. SIZE: 12.0cm(D)/5.1cm(H)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze and carved as plate. It is also suitable for western cuisine. His table ware is very popular. SIZE: 18.5cm(D)/1.7cm(H)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze as plate. His table ware is very popular. SIZE: 16.6cm(D)/3.6cm(H)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze changed in the kiln as sake cup. His sake cup is very popular. SIZE: 6.3cm(D)/5.2cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work painted rabbit pattern with as sake cup. His sake cup is very popular. SIZE: 4.2cm(D)/6.6cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with Chidori pattern as sake cup. His sake cup is very popular. SIZE: 7.2cm(D)/4.3cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white) glaze and carved as sake cup. His sake cup is very popular. SIZE: 8.6cm(D)/3.4cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with karatsu-ido glaze aiming to ancient Korea as sake cup. His sake cup is very popular. SIZE: 8.1cm(D)/5.5cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white)changed in the kiln as sake cup. His sake cup is very popular. SIZE: 6.1cm(D)/5.9cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white)glaze as sake cup. His sake cup is very popular. SIZE: 6.0cm(D)/6.6cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work aiming to ancient Korea pottery as a sake cup. His sake cup is very popular. SIZE: 8.0cm(D)/5.2 m(H) ACCESSORY: wooden box with signature by the artist

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 6 Japanese lacquer black Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 5 Japanese lacquer red Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series No.4 Old Japanese short poem by Kinotsurayuki slender writing by ink. Method: DRY/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 3 Japanese old cloth/ apple Method: DRY/ Light from the front

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 2 wood curving Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 1 Cylindrical Container with HEART SUTRA slender writing by brush. Method/OIL Light from the side

Phan kiln had been producing appliances for the loyal family of ｌanna Thai kingdom, however it was abandoned in short term, so Phan kiln is called "mysterious kiln" and prized among collectors. Phan kiln is famous for elegant pale green of ceradon. This piece has been stored by a famous Japanese collector with wooden box. There are seen a small chip at the back of fringe and a small hole at the bottom fringe, please refer photo 7 and 8. Size D(mouth):255mm H:64mm

The products of Sukhothai kiln had been exporting to neighboring countries, this piece was found in Philippines. It is covered with white slip and expressed fish by iron paint. The fish has a expression like human and humorous, so it has been popular in Japan, This piece was stored by famous Japanese collector with wooden box. There are seen small peeled glaze places(about 6 places) round fringe, please refer photo 10,11,12, Size D:265mm H:74mm

Kho Noi kiln is one of the Si Satcharanai kilns. This kiln had been making appliances for the loyal family of Skhothai kingdom and the works are very sophisticated among the Sawanakhalok kilns. The color of celadon is very refreshing green and comparable to Chinese one. This piece is stored by a famous collector in Japan with wooden box. There are some small chips at the bottom fringe. No repairs. SIZE D:187mm H:99mm