Catalog (218)

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with Chidori pattern as sake cup. His sake cup is very popular. SIZE: 7.2cm(D)/4.3cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white) glaze and carved as sake cup. His sake cup is very popular. SIZE: 8.6cm(D)/3.4cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with karatsu-ido glaze aiming to ancient Korea as sake cup. His sake cup is very popular. SIZE: 8.1cm(D)/5.5cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white)changed in the kiln as sake cup. His sake cup is very popular. SIZE: 6.1cm(D)/5.9cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white)glaze as sake cup. His sake cup is very popular. SIZE: 6.0cm(D)/6.6cm(H) ACCESSORY: wooden box with signature by the artist

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work aiming to ancient Korea pottery as a sake cup. His sake cup is very popular. SIZE: 8.0cm(D)/5.2 m(H) ACCESSORY: wooden box with signature by the artist

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 6 Japanese lacquer black Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 5 Japanese lacquer red Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series No.4 Old Japanese short poem by Kinotsurayuki slender writing by ink. Method: DRY/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 3 Japanese old cloth/ apple Method: DRY/ Light from the front

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 2 wood curving Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 1 Cylindrical Container with HEART SUTRA slender writing by brush. Method/OIL Light from the side

Phan kiln had been producing appliances for the loyal family of ｌanna Thai kingdom, however it was abandoned in short term, so Phan kiln is called "mysterious kiln" and prized among collectors. Phan kiln is famous for elegant pale green of ceradon. This piece has been stored by a famous Japanese collector with wooden box. There are seen a small chip at the back of fringe and a small hole at the bottom fringe, please refer photo 7 and 8. Size D(mouth):255mm H:64mm

The products of Sukhothai kiln had been exporting to neighboring countries, this piece was found in Philippines. It is covered with white slip and expressed fish by iron paint. The fish has a expression like human and humorous, so it has been popular in Japan, This piece was stored by famous Japanese collector with wooden box. There are seen small peeled glaze places(about 6 places) round fringe, please refer photo 10,11,12, Size D:265mm H:74mm

Kho Noi kiln is one of the Si Satcharanai kilns. This kiln had been making appliances for the loyal family of Skhothai kingdom and the works are very sophisticated among the Sawanakhalok kilns. The color of celadon is very refreshing green and comparable to Chinese one. This piece is stored by a famous collector in Japan with wooden box. There are some small chips at the bottom fringe. No repairs. SIZE D:187mm H:99mm

The Sankampaeng kiln is well known as an ancient kiln in northern Thai area. The kiln made the appliances for the loyal family of Lanna Thai kingdom,so the style of this kiln is famous for sophisticated and elegant. This piece has collected in Japan with old wooden box. No damages and no repairs are seen. Size D:205mm H:46mm

In northern Vietnam the ceramic industry had been developing under Chinese influence and especially the art of blue & white glaze was excellent just comparable with YUAN DYNASTY pieces.They used the　cobalt glaze imported from Persian so coloring of blue is very beautiful. 「福」Chinese letter　means "happiness". SIZE D:170mm H:98mm

Korean celadon had begun to be made in early 10th century under influence by Chinese. Especially in the early stage the color of celadon was very clear to be comparable to fine Chinese celadon. This work is presumed to have been made in the early stage, examining the color and the shape. It has a small repaired crack at the adoral edge and there is a small part that the glaze does not lay on, near the inside bottom. This tea bawl was excavated in mid 20th century and used as a tea ceremony instrument chawan in Japan. SIZE: 14.0cm(D)/4.6cm(H) ACCESSORIES: BAG, WOODEN BOX