Catalog (189)

A Japanese molded dish with a barbed rim. The centre with a dragon coiled around a tablet of calligraphy. The back has an apocryphal Ming reign mark for Chenghua. 4 spur mars. Circa 1780.

Approximately 22 cm diameter. There is a filled flake to the front edge at roughly 12 o’clock, otherwise fine.

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A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

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A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

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An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 22 cm diameter. Perfect condition.

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A Japanese Arita Export porcelain spoon tray after a design by Frederik Van Frytom. Within the foot-rim is found an eccentrically written apocryphal Chinese reign mark, a feature seemingly of most wares the with Van Frytom designs. The shape is taken from an European silver dish and the porcelain clearly intended to be exported to the West.

A spoon tray of this design was included in a Christie’s auction in 2009.

Approximately 13.2 cm long.

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An unusual shallow Japanese porcelain plate (#1) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter. Fine condition with only slight wear to the gold.

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An underglaze blue and polychrome enamelled Arita bowl and saucer with panels of chrysanthemums supported by canes that suggest crucifixes, separated by panels of bird and trellis design. Early 18th century.

The cup is approximately 8cm diameter, the saucer is 14.8cm diameter. Perfect condition.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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An unusual Arita enamelled wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.

Approximately 16.7cm long. Perfect condition with only a little wear to the enamels from use.

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A French porcelain octagonal vase and cover after a Kakiemon original by Samson of Paris, 19th century. This is very close to the original as can be seen when compared to a pair of vases on ormolu stands in the Tokyo National Museum.

Approximately 21.5cm high. The top of the neck has been damaged and pieces glued into place. The stopper is also glued into the neck. Slight loss to enamels here and there.

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A set of five Japanese porcelain bowls of tapering square form, the corners with shallow concave chamfers, decorated with alternating panels of flowers and Ho-0 birds.

Each base has a ‘Fuki Choshun’ four-character mark in underglaze blue.

Two similar bowls are illustrated in the Catalogue of the Shibata Collection, #2673 and #2674. Dated to 1690~1730.

Approximately 9.5 cm square at the mouth and 6.8 cm high. One with a little very light age related non-stained crazing on...

A shaped Arita blue & white porcelain dish in the form of Mt. Fuji, circa 1680 - 1700.

A similar but smaller example is illustrated in The Complete Catalogue of the Shibata Collection, item 2276.

Approximately 16.5 cm wide. Perfect condition.

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A small Japanese Satsuma koro with a pierced metal cover by an unknown maker, late 19th century. The vase is decorated with the Imperial chrysanthemum crest and three family crests, including the Paulownia of the Toyotomi clan, the Hollyhock leaves of the Tokugawa shoguns and the cross of the Shimazu clan who ruled over Satsuma, Ōsumi and Hyūga.

At the top corners can be found quarter-flower heads delicately painted in red and gold. Each mon is finely detailed. The metal lid might ...

A North Indian steel Katar, known as a push or punch dagger. 19th century.This form of weapon is found only in India and was considered to be a high status weapon.

Constructed from steel in one piece it is a very strong weapon. The deeply fullered blade widens in depth towards the tip to strengthen it when used against chain mail or armour.

Just over 40cm length, the blade is 24cm (and sharp!) Good condition. It has an old armourer’s brazed repair to one arm. This might have be...

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

An oval Thewa pendant from Rajasthan in northern India. Thewa is the technique invented around 400 years ago where filigree gold designs are fused onto a coloured glass ground, then backed with silver foil. This pendant depicts prey being attacked in what looks like a palace garden. The work is very fine and I have had to show the photographs oversize to show the detail. The pendant is missing its frame but still has a small card protector and the green silk backing.

Approximately 5...

A Tibetan Bronze figure of Shakyamuni, 19th century or earlier.

Buddha sat in a mediative pose, one hand in his lap, the other connects to the earth. The head has been dressed with gold paint, the hair exhibits traces of blue. A good quality sculpture that seems to have had a hard life and has seen better days. There is a bruise to each upper arm, one larger than the other and some distortion to the bottom of the lotus base.

Approximately 9.5 cm high.

Pleas...