A small jar made of dark polished Yixing clay for the Thai market. The mouth with a metal sheathing. The stopper made of wood and metal. Condition: the base with a tiny chip, few traces of usage. Dimension: 12 cm high, weight: 242 g.

This is a nice small southern Song dynasty (1127-1279) qingpai funerary grain storage house. It stands on a slightly short footrim with a recess base. The outer ring of the footrim is shaved inward. From the footrim, it slightly curved outwards to a bulb like body with a wide open mouth rim. The cover of the jar has a tradition Chinese rooftop design. The top of the roof has a ruyi like or cloud design and the four corners of the roof has a raised tile and at the end it, it curved back upward...

This is a small Ming dynasty longquan or celadon vase. The longquan vase stand on a short foot rim with a recessed base. The outer footrim is slightly shaved inward. From the footrim, it everted upward into a bulbous body and then narrow upward to a long thin neck with a slightly widen rim mouth. Longquan vase of such shape is harder to come by compared to the longquan/celadon plate or bowl.

There are very minute glaze friting as shown in picture no...

This is a small Ming dynasty moulded sancai funerary covered box with ribbed sides. On top of the covered box, it has a moulded design of the plum blossom or meiping plant with flowers. It has a low footrim with a mildly recessed base. It also has a square seal mark which reads as "Da Ming Nian Zhao" from left to right instead of the usual right to left.

As a funerary object, abrasion, minor chips(see picture no.5) and minor production flaws can be expected...

A nice piece of qingpai bowl shard. It has a high foot rim with recess base and a U-shaped body with an everted mouth rim. The body is lightly incised with slanted lines. A character, which is not very clear is painted in the centre of the foot rim.

Condition as shown in all the photographs.

The dimesnion of the qingpai bowl: the height is 6.5 cm and the diameter estimate is 12.5cm.

Song Dynasty, ca. 900/1000

Glazed with a clear glaze of slight greenish tone over a buff porcelanous stoneware body. It rests on a medium-tall footring with a base that is carved in the Song manner to a subtle point at its center. The interior has a carved rib design that is partially obscured by the glaze. An unglazed ring, exposing the greyish buff paste encircles the interior of the base. The bowl is in very good condition with no restorations, chips or cracks...

This is a small and beautiful qingpai ewer of very mild greenish hue. It stands on a short recessed base and then everted upward to a bulbous body, with a sligltly sloping shoulder and the a short slanted neck towards a bowl like mouth rim. Under the sunlight, the ewer has a mild greenish appeareance. Under normal sun light, the ewer has a mild greenish hue but under normal room light, it appears to have a greyish hue. It is a bit trying to get the actuakl colour of this piece...

This is a Northern Song dynsty qingpai hexafoil bowl from the well known hetian yao or hetian kiln. It has a very artistically free hand incised flower on the cavetto and center of the bowl. It has a beautiful sky blue colour.

Generally it is in very good condition. The glaze condition is good with some minor manufacturing faults and glaze crazing as shown in the pictures. There is only a small nick which has a restoration on it, as shown in picture 3...

This is a Western Jin Dynasty yueh yao of dark olive green glazed "chicken head" or also commonly known as "cock head" ewer. Slightly of gobular body with two lug handles and a spout in the form of chicken's head with a neck. It has a looped slender handle and a averted mouth rim. The dark olive glazed stopped before the foot-rim exposing the red stoneware earth. The flatten base is slightly shrinking inward.

Generally in good condition. No repair, chip or restoration...

This is a tall and handsome classical pouch ewer from the Liao dynasty(907-1125)...

From our Early Chinese Collection, a large and magnificent Southern Song Dynasty qingbai funerary urn (960 - 1279 AD). Based upon published and nearly identical examples dated to 1209 AD, we can probably safely date this piece closer to circa 1190 - 1230 AD. The lower bell of this extraordinary lidded urn is smooth and glazed, while the upper section is deeply ribbed and glazed featuring hand-formed and applied figures of people and animals, including a coiled dragon, a tortoise, a cockerel, a...

From our Early Chinese Collection, a very rare, large, and striking Song Dynasty (960-1279 AD) stoneware jar with lid, executed in a straw colored glaze over buff colored stoneware (or proto-porcelain as it is sometimes referred to, which is clay fired at higher temperatures than pottery but lower temperatures than true porcelain, which had yet to be invented at that time). The jar has four sets of very distinctive and unusual udder-shaped protuberances in columns of 5, and four illegible, presu...

From our Early Chinese Collection, a fine and rare pair of Song Dynasty (960 – 1279 AD) qingbai vases on integral bases, with a molded six panel floral sprig design and flared petal-form aperture. The glaze is a very good and very attractive translucent blue/blue green color, deeper where pooled in the recesses. The underside is burnt orange-brown from the firing. They bear exhibition labels from the "1953 South Africa National Gallery Chinese Exhibition," and also the "Henry Brown Collection....

This is rare bean shaped black glazed cizhou pillow from the Song - Jin Dynasty. It is rare because only a handful of black glazed cizhou pillow are known to be in existence. The outline on the pillow shows clearly how the pillow is being constructed. The bean shaped pillow has a flat base rising straight up to another layer of uneven flatten top piece. Behind the back of the pillow, there is a small hold to let the hot air out during the firing of the pillow.

There is no repair or re...

This is an elegant Jun yao tripod censer with the purple splashes, in the classical bronze censer form, in perfect condition and the bluish glaze of clear sky colour is simply eye catching and wonderful. Please enquire for more infos and photos. Thank You.

This is an elegant bluish white Jun yao jar that come with its original cover, in very nice form and built, it is with the purple splashes on one side of the jar and some on its cover to add to its' beauty as one of the best chinese classical ware since Sung Dynasty, the bluish white of he moon colour give us amusement and feelings that make us wonder how the potter make it in those by-gone era with such wonder glaze and technology of that time. Please enquire for more infos and photos. Thank Y...

This is an elegant Jun yao vase, in very nice/perfect condition and with the whitish splashed on one side to add to its' beauty as one of the best chinese classical ware since Sung Dynasty, the bluish glaze of clear sky feeling make u wonder how the potter make it in those by-gone era. Please enquire for more infos and photos. Thank You.

This is a Junyao ware used as brush licker, in very nice colour and with purple splash, some glaze corrosion and chips on the rim. Please enquire for more photos, thank you very much

This is a large green glazed Ming dynasty funerary figure modelled as a palaquin bearer or attendant. It stand on a step and waisted hexagonal plinth with six feet. The right hand and left hand of the palaquin bearer or attendant is seem to be holding onto a pole towards his chest with the long sleeve covering the arm, exposing only the hand. The slash at the waist is unglazed, exposing a slightly redish clay.

There are some abrasion and minor chip which can be expected from funerary ...

This is a large green glazed Ming dynasty funerary figure modelled as a palaquin bearer or attendant. It stand on a step and waisted hexagonal plinth with six feet. The right hand of the palaquin bearer or attendant is resting on his chest with the long sleeve covering the arm, exposing only the hand. The other arm is within the long sleeve. The slash at the waist is unglazed, exposing a slightly redish clay.

There are some abrasion and minor chip which can be expected from funerary ...

Another niece piece of Ming dynasty funerary sancai glazed foreign groom and horse. The groom is foreign looking with a white slash on the waist and downward. The cap looks like from the western part of the county, probably from the one of the tribes. The groom wears a brown coloured clothe with a long sleevless outer coat in green with white collar and button. The horse is cream white in colour with green glazed harness and green saddle cloth on the horse back. The saddle is glazed in brown co...

Fine and rare roof ridge tile figure group consisting of a horse and groom made during the Ming Dynasty (AD 1368 - 1644). Condition - unusually very good - age related wear to glazes and minor chipping (please see enlargement 8 for most noticable chip) but no significant losses and no restoration. 36cm (14.1 inches) high; 33cm 13 inches long

明代马俑屋顶瓦(1368-1644)
稀有的明代(1368-1644)马俑ì...

A nice piece of Ming dynasty funerary sancai glazed groom and horse. The horse is in light brown glazed while the groom wears a black cap, with a moustache and wearing a light green overcoat with white collar. The horse has a green glazed harness,tussles and saddle cloth. The saddle is brown in colour.

There is only a chip to the horse ear as shown in picture no.4 by the circle. The chip on the horse ear can be easily repaired by an expert restorer. It would make the object look perfect...

This is a Ming dynasty funerary sancai glazed horse.

There are no repair, restoration or chip. As a funerary horse object, a certain degree of abrasion, wear, soil calcificatio and degradation can be expected.The decolouralisation, abrasion, degradation and calcification can be seen in the photographs.

The height of the funerary horse is 20.6cm, the length is 20.75cm and the width is 10cm.

This is a large Song dynasty cizhou glazed rectangular shaped pillow. The top of the pillow is incised with a single stalk of lotus flower in a pond within a carttouche inside a double line rectangular frame.

Some minor chips as shown in the picrures, especially number 4, along the edges. There are also some soil calcification especially can be seen on the top left hand of the pillow, abrasion and wear. Overall in good condition.

The measurement of the Song dynasty cizhou g...

A beautiful Tang dynasty changsa stoneware bowl with an abstract plant/weed motive, with long thin leaves all painted in green and iron brown colour. A very artistic, creative and free hand drawing in an abstarct form. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light pinkish buff clay. A must have piece for the discerning collector. This is an opportunity not to be missed.

Some restoration.

The dim...

A beautiful Tang dynasty changsa stoneware bowl with and abstract flower motive. The flowers look like crocus with it long thin leaves embedded beside a rock, all painted in green and iron brown colour. A very artistic, creative and free hand drawing in an abstarct form. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light buff clay. A must have piece for the discerning collector. This is an opportunity not to be missed.

A beautiful Tang dynasty changsa stoneware bowl with ruyi motive along the cavetto of the bowl and in the center with a dot with radiating lines towards the ruyi, all painted in green and iron brown colour. The 5 ruyi motives is design in such a way that no matter which angle you focus on, it is designed in a star formation. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light pinkish clay. A must have piece for the discer...

The bowl is of greenish-gray glazed standing on a short recessed foot rim. The height is 6.3cm and the diameter is 17.3cm. A minor chip shown on picture 4. Otherwise it is generealy in good condition.

This an unique and rare ge ware but enamelled to become famille rose type with flora and butterfly design, it is from early Qing probably YongCheng-Qianlong period's scholar brushwasher, it is in good condition, some enamel peeling of, but there is no crack, chip or repair, Size 17cm in diameter, please feel free to enquire for more photos..Thanks

A shipwreck Sung brown glaze jarlet, with four handles. Jar in good condition no damage, no crack, no restoration, except one manufaturing defect small chip off surface on the body. Glaze degradation caused by sea water corossion ...please ask for more photos Ship free

This is a large northern Song green glazed incised bowl. Generally in good condition. The dimesion, the height is 7.4cm and the diameter is 18.3cm

This is a greenish glazed bowl dated to the Northern Song Dynasty. It stands on a short foot rim with a recess base.

The bowl is in very good conditions with the glaze intact.

The height of the green glazed bowl is 6.0cm and the diameter is 15.4cm.

This is a greenish glazed bowl dated to the Northern Song Dynasty. It stands on a short foot rim with a recess base.

The bowl is in very good conditions with the glaze intact.

The height of the green glazed bowl is 6.0cm and the diameter is 15.4cm.

This is a greenish glazed bowl dated to the Northern Song Dynasty. It stands on a short foot rim with a recess base. On the cavetto, it is divided into four sections of incised abstract cloud like drawings. It has a shade of greenish-grey glaze.

The bowl is in very good conditions with the glaze intact. There is a small chip as shown in picture 3. It has an overglaze on it. Other than that, in the center of the bowl it has a samll sand grits and bits from the incised motives. Overall,...

This is a greenish glazed bowl dated to the Northern Song Dynasty. It stands on a short foot rim with a recess base. On the cavetto, it is divided into five sections of incised abstract cloud like drawings.

The bowl is in very good conditions with the glaze intact. There is a manufacturing fault that looks like chip. This is shown in picture 1 at 12 o'clock and picture 4. It has an overglaze on it. Other than that, in the center of the bowl it has minute sand grits or shaving bits fro...