Qianlong or Jiaqing period, late 1700s

Molded in the form of a sauce dish with an attached handle in the shape of a stylized dragon, this was an item of fairly high quality made for the Chinese market—not for export. It is covered with a thick imperial yellow glaze on the exterior and the interior is enameled in turquoise. It is raised on a tall foot of which the interior and base is clear glazed with a slight bluish tone...

A good early Qing 17th century Shunzhi - early Kangxi period famille verte baluster jar, rounded side with globular body, short neck, and flat base, jar painted with red, green, yellow, and aubergine enamel, decorated with Buddhist emblems, rock, weave, and flower motif.
Jar is in very good condition no damage, no chip, no crack, no restoration, minor glaze crackled at inner wall and base.
Size: 31 cm height.

A rare well-carved 'boxwood' mirror frame made in 'chinoiserie' style for export to Europe circa 1810-1820 (late Jiaqing reign). Condition - very good. No damages. 10.25 inches (26cm) High x 6.8 inches (17.4cm) Wide...

An unidentified hard wood was used to carve this set of 4 matching wooden saucers. They would have been used for tea bowls and have traditional red/orange lacquer paint over a treebark carved pattern on the front surface. Each saucer was carved into a diamond shape with gently curved sides and are each was carved into a thin, shallow bowl shape. This is a rare and unusual set in very good condition.

Each piece measures 5 inches x 4 inches and 1 inch deep.

Guangxu sealmark and period, 1874-1908

This orange-brown pottery brush pot, possibly produced at the Yixing Kilns, is hand-sculpted to simulate an old gnarled tree trunk with various crevices, stumps of limbs and peeling bark. It is incised with two Chinese characters, one in archaistic style, the other in cursive script. On the base, there is an impressed Guangxu sealmark. Though unglazed, it has an old patina from use and possibly remnants of colorless lacquer...

1700s or earlier

This solid porcelain water pot fits comfortably in the hand and its size and heavy weight indicates dual use as a paperweight for the calligrapher’s table. The form is that of a Chinese drum with bosses encircling the perimeter of the top and bottom imitating nail heads. The underglaze blue decoration is hastily painted with floral-like flourishes around the side. The top is painted with four Chinese characters around the central opening for containing water...

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head...

An attractive Chinese soapstone carving of the Daoist Immortal Zhong Hanli. This item was made circa 1790-1820 either late in the Qianlong reign or during the reign of the Jaiqing Emperor. Condition very good. There are natural flaws in the stone and much of the original paint can still be seen. 14cm (5.5 inches) High 10cm (4 inches) Wide...

A fine early 18th Century blue and white bowl attractively painted to the exterior with a continuous scene of ladies at leisure in a fenced riverside garden. The interior is painted with a central roundel of the Three Friends of Winter. The base carries the six character mark of the Yongzheng Emperor and was made during his reign (1723-1735)...

A richly enameled and well modeled Kannon seated upon a purple scrolled tailed beast of green. Measuring 10" in height and 10" in length, the figure is well preserved. There is a chip to the right foot of the Kannon and three enamel flakes to the hair. No cracks or repairs.

A large Yuan 13th - 14th century longquang celadon dish, rounded side with flattened rim and deep center, decorate with large dragon chasing flaming pearl motif at the center, inner wall decorate with carved weave motif, outer wall decorate with raised lotus petal motif, covered with green glaze...

A magnificent Yuan Qingbai large ewer with dragon shape handle and bird head spout, body with bird and flower motif, cover with qilin, unglazed base.
Very good condition with part of the rim and spout damage, restored / re-attach no missing part, complete...

An exceptionally well decorated and finely potted bowl made to the best Imperial standards. The base carries the six character reign mark of the Chenghua Emperor enclosed within a double circle. This item was made later - during the reign of the Kangxi Emperor - probably in imitation of or as a replacement for a 15th Century Ming original. There are eight chips to the rim. There is a 2.5cm light hairline running from the rim. 17cm (6.7 inches) Diameter 7.5cm (3 inches) High...

This is a 30" Cizhou stoneware urn painted in iron brown over a white slip with exposed lugs to the shoulder. Circa 1000AD

1800s, possibly earlier

The body is formed by a fairly thinly turned jade tube that is fitted with a turned hardwood plug for the base. The wooden bottom is visible on the interior base of the jade tube and it is turned to form a stand that compliments the simplicity of the jade form...

Probably 1800s, possibly earlier

This finely cast figure, seated in vajrasana or lotus position on a double lotus base, holds in the left hand a stem of lotus with the right middle finger touching the thumb. The flowing robe is open at the chest and drapes over the right shoulder. The borders and lower portions of the robe are incised with scrolling floral motifs. The facial features with slight downcast eyes are crisply rendered and the hair is well-defined. Attached to the back of the fi...

1700s

Used for grinding ink sticks to make ink for painting and calligraphy. These two palettes were fashioned on the potter’s wheel from dense, thick porcelain. The upper surface is left unglazed for ink grinding. The circular grinding area is slightly concave and is surrounded by a channel for water used in the ink-making process. Both are incised with a design of stylized bats encircling the perimeter of the body and glazed with a deep, vibrant cobalt blue. The buses and footrings are...

A superbly carved yellow soapstone seal in the form of a boulder. The legend on the base seems to read: Hua pa chou shang yin, or "Huapa (Flowery Loquat) seal of congratulation". On one side is a design of archaic dragons sporting around a traditional emblem of wealth, the copper cash with a square hole. Three inscriptions are carved on the faces of the boulder, much as ancient inscriptions were carved on suitable rock faces in the mountains. They appear to be seven-character poems containing ph...