A Japanese paulownia wood Kashi-ki “sweet box” with leaves and flowers motifs, decorate with kijimakie lacquer design and gold parts, mother of pearl inlays and lead foil. Edo period 19th century Sizes: 13 x 10 x 6,5cm. Condition report: Good condition

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

A rich color profusion with well executed brush strokes done in a rapid fashion that demonstrates the power of a Japanese artisan. This truly unique Japanese brush and seal box is a must have for the serious Oriental arts collector; dated to the late Meiji period C. 1910, this box is in excellent antique condition, considering the delicate lacquer and paint job this box would be considered a rarity in both its beauty and condition...

Suzuribako (writing box) in lacquer decorated with clematises and kakis trees in black and gold lacquer and kirigane lacquer on a nashi-ji background. This suzuribako is composed of an ink rock, a small water pot and two side compartments in nashi-ji lacquer. Several mon in shape of fans are also present.

Japan, Edo period (1603-1868)

Depth: 2” - 5cm
Length: 9.4” - 24 cm
Width: 8.6” - 22 cm

Distressed Japanese Iki mask with crystal eyes. Gofun finish over dry lacquer composition. Details including veins, wrinkles and furrows. The surface is in a distressed state with significant losses and some 'alligatored' texture possibly from exposure to elements. Would make a worthy conservation project for someone with the patience to recoat and touch up losses (the missing left ear being most challenging.) Length, about 9 1/4 inches (23.49 cm)

Large Antique Japanese Zushi, or portable Buddhist shrine, with black lacquer exterior decorated by large areas of metal plating embossed with intricate floral designs and double-jointed doors. The interior is gilt lacquered with emblems of mandarin orange blossoms on the top paneling, associated with the Tachibana family. Early 19th Century. Size: 33" H x 27" L x 19.5" D

Meiji (1868-1912) Period Japanese Silver Maki-e Lacquer Box

It is 1.5 inches (3.8 cm) tall by 3.3 inches (8.6 cm) long and 2.7 inches (7.1 cm) wide. It is 44.5 gram.

It is tarnished and has surface wears and scratches (as seen in the photos).

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Mini suzuribako (writing set) in black and gold hiramaki-e lacquer with water plantain (Alisma plantago-acquatica) decoration and non-identified kanji. Interior in nashi-ji lacquer, with a rectangular water cup and a retractable brush.

Japan – Meiji era (1868-1912)
Height: 1.06 in. (2.7 cm) – width: 2.44 in. (6.2 cm) – depth: 3.94 in. (10 cm)

Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.

Dramatic and large Japanese antique shodana display tansu, lacquered all over with beautiful scenes of birds, flowers, butterflies, and fans, inlaid scenes of flowers and butterflies and a scroll of a figure by a waterfall, 3 sections, Meiji Period. Size: 87 1/2" high x 50 1/2" wide x 20" deep.

Meiji (1868-1912) Japanese Makie Lacquer Miniature Kodansu Cabinet Box with Drawers

It is 4.25 inches (10.8 cm) tall by 5.1 inches (13 cm) long and 3.4 inches (8.7 cm) wide. It is 369 gram (0.8 Lb).

It has chips, cracks, missing lacquer pieces, peeling of lacquer, and surface wears and scratches (as seen in the photos).

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Antique Japanese gold lacquer inro with 4 compartments. Decorated with a scene depicting a cottage high in the mountains. On one side, a small stream meanders by a thatched roof building with doors opening to a garden surrounded by a low fence and opened by a tall gate. A large, blossoming plum tree stretches it's branches dramatically over the roof and a mist floats over the top of the scene. The other side of the inro depicts a churning river with ragged outcroppings of rock...

Small namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Mon style decoration (family emblem) of ginkos and chrysanthemums framed by friezes alternating three grooves and mother-of-pearl inlays...

Antique Japanese red lacquer trunk. Hardware is made of copper and ornately incised. Papered on the inside.

Meiji Period (1868-1912)

Dimensions: 14" high x 24" wide x 16 1/4" deep.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

A circular form rising to a shallow point at the center, this jingasa is made of hide and cloth shaped in a mold, then finally black lacquered. It is decorated in front with a gold lacquered mon of an enzo which represents eternity. Mounted on a custom iron stand.

Edo Period 19th Century

Size: 18.5" diameter x 4" H (29.5" H on stand)

Incense burner in lacquer, hexagonal and curved shaped, decorated with hira and takamaki-e in gold and silver lacquer on a nashi-ji background, peonies along the banks of a river and a mount. The lid has a cruciform opening.
A mon is affixed to one side of the diffuser. It is the mon of the family Ōkubo (大久保氏)a family belonging to the Fudai-Daimyo house (the vassals of the Tokugawa family).
The head of the family was created Daimyo by the Tokugawa family in 1684...

Antique Japanese fine lacquered kogo box for holding incense. Comprised of 3 stacking compartments, the lower of which has a gilt copper lining. The overall shape is that of a textile knot (musubi) with ornate patterns in gold takamaki-e on black and nashiji lacquer. The sides of the box are further decorated with a landscape of trees on a rocky outcropping, a village of thatched roof huts, and low hills near a lake, all on a fine nashiji ground. With signed kiri wood tomobako...

This Japanese hibachi is made from a single piece of Kiri wood, aka paulownia. A design of thick raised gold lacquer, aka Makie depicts Botan peony plant with added colors of pink and green for definition of flower and a single leaf. Hibachi comes with the original copper insert and the condition is very good. A couple of hard to find scratches and tiny (pinheadsize) dents on the top rim. Hibachi dates from late Meiji period. The size is approx 6.5" diameter x 6” high

Antique Japanese small round hibachi carved of kiri (paulownia) wood and lined with copper. It is decorated with a still-life display of a fishing basket, fisherman's rod and the catch of the day. Beautifully captured in raised gold maki-e lacquer, the fishing basket and fish have a life-like appearance. The large fish that has just been caught glitters with inlaid shell. And could that be Ebisu's hat on the ground nearby?

Age: Meiji Period (1868-1912)

Dimensions: 8 1/4...

Pair of Japanese Lacquered jubako or tiered box used for placing sweets inside. The box is decorated with motif of waves done in mother of pearl. The lid and the side of the boxes contain images of prunus done in hira-makie. The jubako was done in the Ryukyu Islands where the motifs contain influences from Japan, China, Korea, and Southeast Asia. Age: Mid-Edo Period (Circa 1700) Size: (per box) height 18.75" width 11.25" length 13.75"

Beautiful antique Japanese fubako (letterbox), black lacquer ground with roses in raised gold and silver, lidded box , interior with clouds of dense nishiji, tiny squares of gold, Meiji Period (1868-1912). Size: 23" long x 6 3/4" wide x 4 1/2" high

Extremely rare Sage jubako in wood covered with basketry applied with flowers and plants in lacquer, gesso, mother-of-pearl and pewter (or lead). The box is composed of several stacked parts. The interior is lacquered in red. In the top compartment there are two Chinese characters which are perhaps an artist's signature. Underneath one can see the weft of a strong lacquered fabric ensuring a good solidity. The basketry is not glued to the wood but covers it, making it fragile and it is surprisin...

This unusual Japanese lacquer clam shell is from Wakasa, a center for exceptional lacquer craftsmanship which began during the Edo period. At that time the lacquerers of the Obama clan, near Wakasa Bay, began decorating their work with designs depicting elements of the ocean floor, For techniques, the Wakasa craftsmen developed a process of repeated lacquer coatings of several colors and rubbing down the lacquer coated surface. This process produced a random decorative pattern. The clam shell s...

DESCRIPTION: Dramatic in its bold yet simple design, this Japanese lacquer box makes a striking statement. The background of this large box is lacquered in a mirror-like, black ro-iro ground, with a vivid gold lacquer design on the lid of bamboo superimposed over a ginko leaf, all within a gold circle. The box is supported on four curved feet, and the interiors are brilliantly lacquered in orange-red. This box is in excellent condition, with very minor “bumps” to the outer lid, and the r...

A pair of circular make-up boxes in nashi-ji lacquer adorned with a floral pattern and an aoi go mon motif (three mallow leaves in a ring) on the lid. This motif is well-known for being the mon (family crest) of the famous dynasty of the Tokugawa shoguns. The bottom of the lid and the top of the box are lined with silver. The interior is in nashi-ji lacquer.

These two boxes were probably part of a wedding trousseau of which one of the pieces, a square incense box with identical orna...

This late Meiji (1868~1911) 3 piece calligraphy lacquer box is 7 ¾ inches long, 6 ¾ inches wide and 1 ¾ inches high. The outside of the cover depicts an open winged eagle resting on a stand; autumn flowers and plants before a full moon appear inside. There are two movable pieces decorated with gold maple leaves in the box. Also, there is a small round metal container, maybe a water dropper, decorated with a gold and silver crane and plum blossom tree. On the bottom is a separate piece whic...

Lacquered and painted wood travel coffer or cabinet with iron mountings and lock. Japanese work. The exterior is black lacquered decorated with gold and polychrome. Some typical patterns allow us to date it with certainty around 1580 more or less 20 years. Very rare specimen, few similar models exist. The lock is one of the very first executed in Japan because it was the Portuguese who brought the technique when they landed in Japan around 1550. This said it could have been made in Portugal but ...

Polylobed lacquer box (kobako) with chrysanthemum decoration. On the lid, maki-e lacquer decoration, a slight relief in the center of the two flowers. Sides in fundame and base in nashi-ji.

Inside, two decorations of vegetal landscapes with flowers (campanulas, pampas, pampers) and butterflies in maki-e on a nashi-ji background. Very fine mother-of-pearl inlays (raden) give light highlights of blue and red colors.

The chrysanthemum (kik...

Two big eight-sided kaioke boxes in black lacquer, decorated with mon and maple leaves in golden lacquer.

Japan, Meiji period (1868-1912)
Height: 17,6 in (44,7 cm) -Width : 14,9 in (38 cm)

BLACK AND RED LACQURED CONTAINER

Old wooden lidded container for storing food like vegetables, lacqured up in the refined two tones of black (for surface) and red (for inside), once used among the middle class or richer in the Edo period (1603-1868) in Japan, D 35 x H 26cm (13.77 x 10.23in). Some lacqure-peelings due to aging as is. Books in the last photo are not attached.


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Japanese Kamakura-Bori lacquer box on tray. The cover with bold, high-relief carving of bird in branch - the almost black surface rubbed to a soft, coral-red toned burnished finish. The softly irregular honeycomb textured ground with leathery texture continuing to the sides of the box bottom and into the rim of the tray with edges also rubbed to the underlying coral-red and burnished smooth. Signed under the tray. Surfaces with some distress from use including minor rubbing and scratching with ...

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside. In this case, Kamisaka Sekka produced the design, enlisting two of Kyoto’s then top artisans to complete the work, lacquer artist Miki Hyoetsu I who applied the lead, gold and lacquer and Ito Tozan who created the...

Japanese writing brush in ornate case, case is made of copper with black lacquer and inlaid all over in an ornate pattern with tiny pieces of gold and shell, design of chrysanthemum on hinged ink well cover, 2 sided brush hidden in stem, large shell inlaid cartouch on bottom, beautiful and delicate.

Size: 6 3/4" high x 1 1/4" wide

Rarely seen Japanese Haisen Bowl with wonderful gold Makie (Maki-e), made around 1900 during the Meiji Period (1868 - 1912). The wooden-based bowl is coated with high quality Japanese lacquer.

Seashells are molded and hand-painted inside of the bowl by gold Maki-e technique. This type of bowl is called "HAISEN" in Japanese.

Maki-e (蒔絵, literally: sprinkled picture) is Japanese lacquer sprinkled with gold or silver powder as a decoration using a makizutsu or a kebo br...

Antique Japanese suzuki-bako, calligraphy box. Lacquered with a profusion of wildflowers in gold maki-e technique on black lacquer ground. The underside of the lid is beautifully preserved with more wild flowers growing near a swirling stream. This scene is also rendered in maki-e but includes some flashes of red leaves and a silvery moon on a black lacquer ground with clouds of nashiji. The inside of the box has more fine nashiji clouds on a black ground and contains an ink stone and a cop...

A Japanese tobacco tray, known as tabako bon in Japanese. The set comes with a hi-ire or the container for the charcoal, two drawers to put tobacco in and a kiseru or bamboo pipe. The tray is done in lacquer emulating the pattern on wood grain, as if the tray was done simply with wood and a light stain. The metal fittings on the handle are decorated with pine and the lid for the hiire is decorate with motif of gourds. The side of the tobacco tray contain curled-like extensions and the extensions...

Lovely black lacquer Japanese vase with 2 crickets. On the back side is a red dot (2 gold dots are on the front), a very interesting and subtle design element. Note in the photos, there is some minor chipping around base. Measures: 8.5" high, 4.25" across shoulder.

19th Century Japanese Gold Makie Lacquer Kobako Kogo Box with Horse

The box is 0.63 inch (1.6 cm) tall by 2.3 inches (5.85 cm) in length and 2.2 inches (5.5 cm) wide. It is 13 gram.

It has small chips, peeling of lacquer, hairline crack, stains, rubbing of lacquer and gold and surfaces wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason,...

Ca. 1800s

This round turned wooden dish is lacquered a rich red on the face and black on the back, and set on a turned wood pedestal that is lacquered black on the exterior and interior. This was an item made for frequent use, perhaps for serving food, or also for displaying festival paraphernalia on certain occasions. There is wear from use – losses to the red lacquer, as well as some abrasions to the surface. The top is slightly out of round from typical shrinkage. Acquired in Kyoto ar...

A pair of hirobuta or trays used to place kimonos in, made from Cherry bark and paulownia. The style of using cherry bark to produce various objects is a distinct style seen in the Akita- Kaunodate region, where they are famous for the art. One piece contains a motif of deer and autumn grasses, while the other is a woman preparing silk fabric while staring at the moon. The motifs are done in cherry bark and mother of pearl.

19th century

Dimensions: (Deer motif tray): 3.25"...

Kobako in dark brown lacquer. In imitation of bamboo, the inner part is made of bamboo and the outer part of the box is made of kaki wood. It represents the cross section of a bamboo cane node with its light brown diaphragm slightly bulging in the center of the lid and stand. External layer of the bamboo cane representing the cellulosic fibers.
Bamboo, strong, flexible and fast growing, symbolizes strength, flexibility and prosperity.
Accompanied by its transport box.

...

Of Steeply conical form with a bulbous top. This jingasa is constructed of hide and cloth, shaped in a mold, lacquered in reddish brown lacquer, with a gilt rising sun mon on the rounded apex.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather. Kasa shares its etymology with the Japanese word for "umbrella" (which is also pronounced "kasa", but written 傘). ...

Beautiful Japanese light colored gold guilt lacquered case with fans. There are six fans with cranes, landscape scenes, and fruit. Original brass hardware has a lovely scrolling design. The interior has two drawers below one compartment with latticed sliding doors. Mid - Meiji Period (1868 - 1912). It measures 14.5" tall by 16.5" wide by 9.5" deep.

Antique Japanese lacquer manju (netsuke toggle to be worn on obi), made in a round form of lacquered wood and intricately inlaid with tiny flakes of gold and shell. The inside is lacquered with a dense nishiji lacquer (made of tiny flecks of gold suspended in lacquer). Somada School.

Edo Period (19th century)

Dimensions: 1 5/8' wide x 3/4" high

Antique Japanese small lacquer tebako (accessory box). Rectangular form with rounded edges and decorated with Chrysanthemums on the lid. The whole box is covered inside and out with a dense gold nishiji background. The rim of both the lid and the body of the box are edged in bronze.

Edo Period (18th century)

Dimensions: 2 1/8" high x 3 5/8" long x 3 1/8" wide

Japanese lacquer kogo incense container in Korin-style with rabbits gazing at the moon. One rabbit made of quail egg mosaic and the other of silvered lacquer sitting in the reeds. Square shaped container with mitered corners. Top with silvered moon. Tomobako with typed old labeling.

Meiji Period (1868-1912)
Size: 2 1/4"H x 1 5/8"W x 1 5/8"D

Antique Japanese lacquer raised tray. Standing on four legs with square frame and decorated all over with scrolling vines and pine bows in maki-e lacquer on a black ground with clouds of gold nashiji. Prominent in the design is the appearance of the aoi mon (crest) of the Tokugawa clan, marking this tray as the property of the ruling Tokugawa Shogunate.

Age: Edo Period (1603-1867)

Dimensions: 8" high x 14 1/2" wide x 14" deep

Antique Japanese gold lacquer inro with a scene of a waterfall on one side and a sage on the other. The water crashes around rocks where chrysanthemums blossom. On the reverse, a sage sits among the flowers at the base of the falls. The inro case has 4 compartments with interiors covered in a dense nashiji lacquer. The ojime is made of red lacquer and is carved with a dragon. The netsuke is made of boxwood and carved in the shape of a seed pod. Signed.

Age: Early Meiji period (18...

Taisho Period (1912-1926) Gold and Black Lacquer Obento Lunch Box/Picnic Box filled with symbolism of eternal love. The deer and crane are symbols of longevity, and when they are paired they are symbols of eternal love. The pine tree is also a symbol of longevity. The pastoral scenes and gold flowers are beautifully rendered in gold lacquer on black lacquer. The handle is in the form of a pair of dragons. 14w x 12h x 7d inches, 35.5w x 30.5h x 18d inches.

Antique Japanese black lacquer jingasa (samurai helmet), gold lacquer Maeda mon (crest), the edges are also lacquered gold, red lacquer on the underside, metal chrysanthemum form finial on top, Meiji Period. Size: 14" long

Antique Japanese lacquer suzuri bako (writing box) and matching large stationary box inspired by Korin Ogata of the Rinpa School tradition. The larger box was used for writing paper while the smaller box was used for writing implements. Inside the suzuri bako is an ink stone and a metal water dropper. Both boxes are decorated entirely with a highly raised design of blossoming cherry branches on a gold lacquer ground. Each flower is made of inlaid shell. The interiors of both boxes are lacquere...

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

Japanese late 19th century set of black and gold lacquered trays. The set consists of 5 trays with the exact same design. Made by lacquer artist, MUNEMITSU. Each tray measures 10" by 10" and is 1 3/8" tall.

One of the finest examples of Kamakurabori carving techniques we have seen. The chrysanthemum in raised relief on the tray is fabulous and the many layers of lacquer have created a Meiji Period c.1900 masterpiece. Excellent condition. (14" x 9") (36cm x 23cm). EMS Shipping/Insurance to USA or Western Europe $55.

Japanese inro with 5 compartments decorated all around with a scene of a mountain stream running down hill through rocks and low tree branches. On one side of the inro, the stream falls over rocks and continues on the other side of the inro in a striated current. Various trees including blossoming fruit trees and pines spring from the rocks. Pine saplings emerge from a gold mist in the foreground. Created with a fine raised gold maki-e lacquer technique and inlaid with gold metal flecks. T...

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three. Each dish is numbered 1 to 5 i...

Kogo in Japanese lacquer urushi, decorated on maki-e with a dog playing with a fan. The interior is Nashiji. Diameter : Inches. Japan Edo (1603-1868), End of 17th, early 18th century.

This is one of a pair of wooden (not papermache) chinoiserie footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels of individual woman in various poises. Each side has handle shaped and painted as an ivy leaf.

On the black lacquered back is the rement of a very old label. Plate is 10.75 inches at the widest point. Sourced from an old estate in the US, Chinoiserie of this detail and quality are rare, probably Edo Period between 1840-185...