An exceptionally fine five colour early Imari flat dish with everted rim. The dish is painted with an arrangement of Chrysanthemums displayed in a larger censer upon a low table or wood stand within a border of stylised scrolls and flowers. A popular motif known in Japan as the flower basket design, hanakago-de, and referred to as the Flower Pot pattern in Europe. It appears to have been originally derived from the flower basket of the Immortal Lan Cai...

Japanese Meiji Period Imari Vase beautifully rendered in perfect condition. Scrolling vine wrapped around the neck of the vase. Vibrant orange and reds with fine gold coloring detailing the peony flowers. Cartouche on bottom. Size: 16.625" Height x 6.5" Diameter.

An unusual and rare low bowl, hirabachi, produced at the Kakiemon kiln in the late Edo period, circa 1810-30. The design shows Mizuaoi, (Monochoria korsakowii), water hollyhocks, a distinctive marshland plant with beautiful blue flowers and luxuriant green foliage, and Sagi-so, Egret orchids, amongst a torrent of a mountain stream, juxtaposed against a stylised Karahana brocade ground. The reverse of the dish is painted with rocks and further flowers...

A classic Japanese Imari bowl with a slightly everted rim richly decorated in typical Imari export style with three irregular lobed shaped reserves containing Chrysanthemums set against a dark blue brocade ground of Peonies and gilt Karakusa divided into three sections each containing three flowers. The foot-ring is decorated with a band of three further Peony flowers...

A very finely painted Arita ring shaped wagata-bako porcelain box. It was probably used to contain cosmetics, possibly an Oshiroi-bako, used to contain white face powder. The cover is decorated in Shonsui style with a ring of maru-mon, brocade roundels incorporating the three friends of winter, Shochikubai, Pine, Bamboo and Plum blossom. The underside of the box is decorated with a karahana arabesque. The interior of both the top half and the lower half of the box decorated with wild flowers...

A good Arita dish in shurogata hemp palm form decorated with kuri, chestnuts, in a somenishikide palette of underglaze cobalt blue with gilt outlined enamels. Dishes with this pattern were copied at the Derby factory in England in the 1770’s, and moulds of this form were used by the Kakiemon kiln in Nangawara during the period 1750-80. The Chestnut is a classic Japanese seasonal motif for the autumn...

A good sized bowl and cover decorated with a striking pattern of stylised Bamboo leaves with spirals and zigzag motifs. The bowl and cover are of conventional form. The handle has the form of a tied bundle of noshi, dried abalone strips, which are usually associated with the act of giving and ceremonial use, so this may possibly be a presentation piece. The bowl and cover probably dates to the late Mid Edo period, circa 1730-60, Kyoho to Horeki...

A Chelsea-Derby dish copying a version of the Ko Imari Kuri-zu Shuronogata dish see EW 2608, decorated in a combination of underglaze cobalt blue and additional enamels. The dishes have a ground foot-ring which is characteristic of the output of the Chelsea factory. The dish is in good condition with no cracks, chips or restoration, some light stacking wear to the enamels and gilding to the rim. The dish measures 22cm in diameter and stands approximately 3.8cm high...

A good example of a late 17th century Arita round bodied jug or wine ewer decorated with three lobed panels each with Peonies inset in a simplified Karakusa ground with additional scroll work to the shoulder and neck of the jug incorporating further floral motifs. The jug measures 21cm high and is approximately 10.5cm in diameter...

A pair of Chinese porcelain bowls decorated with peonies. The bowl contains a short poetic inscription which generally states: As if (one is) cherishing the beautiful, likewise at the moment (the flowers) are displaying its colors. The bottom of the bowl contains a mark reading, Yongzheng Nianxing. Age: Republic Period. Size: diameter: 4.3" height 2"

An antique blue and white Imari porcelain decorated with landscapes and ginko leaves. The landscape is portraying the view of the noted Song Dynasty literati scholar, Su Dongpo having a boat ride at Red Cliff. The motif is based on a hand scroll written by Su Dongpo reminiscing of the fun he had with his friends and the poems that were composed. The inscription is a summary of the landscape and the party he held on the boat. Age: Meiji Period Size: diameter 8" height 4"

A finely done red kutani dish decorated with a dragon flying among the clouds surrounded by scrolling waves and a peony like floral pattern. The bottom of the plate is decorated with dragons and clouds done in an archaic-like style design. The work contains an inscription reading, kutani. Age: Meiji-Showa Period Size: diameter 7.25" height 1.25"

A dish in the form of an auspicious Manchurian Red Crowned Crane decorated in green, black and iron red enamels with gilding. Dating Kyoho in period circa 1710-30. The dish measures approximately 17cm in wingspan and approximately 13 cm from tail to head. It is in good condition with no cracks, chips or restoration some very minor wear to the enamels and kiln flaws. Shipping at Cost

The plate is decorated in late Ming Kraak “fuyo-de” style with a pattern of alternating panels of flowers, Chrysanthemums and Camellias, with Precious objects, interspersed with pendant Lozenge motifs. The central mikomi framed by a narrow atypical floral band depicts an oversized figure holding a rod standing upon a bridge with two oxen set in a classic Chinese “sansui” landscape’...

The plate is decorated in late Ming Kraak “fuyo-de” style with a pattern of alternating panels of flowers, Chrysanthemums and Camellias, with Precious objects, interspersed with pendant Lozenge motifs. The central mikomi framed by a narrow atypical floral band depicts an oversized figure holding a rod standing upon a bridge with two oxen set in a classic Chinese “sansui” landscape’...

This lovely set of 5 antique Japanese blue and white porcelain sake cups was made for export during the McKinley Tariff Act of 1890-1914 which required that the name of the country of origin appear in writing on each piece of pottery or porcelain imported into the country. Each cup has the makers name on the bottom as well as the country of origin. they are in excellant condition.

A sometsuke o-zara decorated with an elaborate Tako-karakusa, so called Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

A sometsuke o-zara decorated with an intricate Tako-karakusa, Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

A good early 18th Century Japanese Ko Imari dish made for export to the Western market decorated with an eight pointed star constructed from two squares...

A pair of cobalt blue glazed Sake cups with hexagonal notched rims. Each cup is decorated in gilt with a pair of Hollander figures preforming martial exercises with Halberds. The cups date to around 1780 and the Meiwa era. The cups measure 7.5cm or 3 inches in diameter, and stand 5cm or 2 inches high, and are in good condition with no cracks, chips or restoration, save for one minute rim frit to one of the cups. Shipping at Cost

An unusual rectangular small Koro, Incense burner, decorated in under-glaze blue, iron red and gilding set upon four small feet. Each side of the censer is decorated with bands of diaper brocade inset with rectangular panels containing stylised arabesques set against an iron red ground. The square end panels suggesting a Taotie mask. The koro is of slab construction with applied moulded feet. It measures 8cm long and 6.7cm wide and stands 7.5cm high. It is in good condition with one minute flak...

A ribbed form bowl decorated in Gold Imari style with an elaborate ground of auspicious kikko-mon containing karahana linked by karakusa with green enamel Peach leaves arranged in the form of a crosses. Inset within the ground are four Peach shaped reserves containing Suisen, Japanese Narcissus, and Botan, Peonies. The well of the bowl is decorated with a Pomegranate, zakuro, painted in underglaze blue and outlined in gilt. The exterior of the bowl decorated with Precious Objects, Tama, Jewels,...

An Arita dish in Kakiemon style dating to the period 1670-90 decorated in Shikishi Chirashi style with “Shikishi”, shaped poem cards which were used for the composing of both Poems and Small Paintings ,scattered, chirashi, over an asymmetric arrangement of Kara Kusa with Baika, plum flowers. The paintings depicting clouds and a hermit’s refuge. The design is quite austere almost in wabi sabi taste . The reverse decorated with a classic lotus scroll ring and a six character mark for the Ch...

An Arita dish in Kakiemon style dating to the period 1670-90 decorated in Shikishi Chirashi style with “Shikishi”, shaped poem cards which were used for the composing of both Poems and Small Paintings ,scattered, chirashi, over am asymmetric arrangement of Kara Kusa with Baika, plum flowers. The inset paintings depicting a clouds and a hermit’s refuge. The reverse decorated with a classic lotus scroll ring and a six character mark for the Chinese Emperor Chenghua. A small footed dish with ...

A very finely painted Imari porcelain bowl, decorated on the outside with underglaze blue and over glaze iron red and with a central kinrande style panel of gilt floral scrolling. The interior is painted in polychrome enamels and is decorated with the "Three Friends of Winter" - Bamboo, Prunus (plum) Blossom and Pine Tree and with a Crane and a mythological Turtle to the centre. On the base is an iron red Fuku (good luck) mark. This item was made in Japan in the 19th Century, probably during ...

Large Japanese porcelain baluster vase, decorated all over with beautiful scenes of mountains and waterfalls, pavilions peek through trees and boat sail on water. The shoulders of the vase are painted with mountain peeks in green and blue and swirling purple mist. Mark on bottom states that this is Arita ware from the Egami Studio. Taisho Period c1920. Size: 18" high x 11 1/2" wide

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the “sarasa” ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has ...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has some B...

A fine Kakiemon shallow dish of moulded octafoil form decorated in underglaze blue and enamels with a scene from the Tale of Ise featuring the famous eight planked zig zag bridge, Yatsuhashi, over a bed of Irises, kakitsuba. The Kakiemon version combines trailing Cherry blossom with clouds and rain. The lower half of the design incorporates further familiar Kakiemon elements, the almost trade mark, turbulent waves and a water fowl, amongst Irises. The dish dates to the late 17th century circa 16...

A thickly potted Arita porcelain vase finely decorated with polychrome enamels depicting three Cranes amongst flowering Peony shrubs. This item was made in Japan in the 19th Century. Condition: excellent - no damages and no restoration. 24.5cm (9.5inches) high.

Japanese Arita Blue and White Large Dish. Decorated with a deer standing in a landscape. L17thC Diameter 12.5" (31.7cm). Condition; good, some crazing to glaze especially to rear. Frit to rim.

A rather curious dish produced at the Shida kiln in Arita made for the Japanese domestic market that contains a rebus and the mon for the famous Kabuki actor Ichikawa Ebizo V, who was described as having the eye balls of a fresh Lobster from his characteristic wide eyed acting performances. It was presumably made for sale as a souvenir at the theatre. The design contains a rebus on his adopted name Ebizo, Ebi, a shrimp or lobster, and the three square rice boxes or measures, are representations...

A rather striking Chinese derived pattern of Shou Lao and the Eight Immortals painted in a wucai, five colour, palette. The central mikomi painted with an amalgam of a Feiyu, Flying fish dragon, and a conventional dragon, rather than a true Feiyu, which would have had a pair of fins and fish tail rather than legs and conventional tail of this example. The border pattern is composed of auspicious cloud and sacred fungus motifs linked by a Karakusa arabesque. Very similar patterns were produced ...

An unusual moulded dish decorated with swirling ribbon like Shonsui brocades alternating with depictions of the Shochikubai. The central Mikomi decorated with a floral motif of two stylised flowers surrounded by a broad band of alternating cartouches in kakiwake style with auspicious objects, Chinese and Japanese Fans and a Whisk, and Cranes. The dish has a fuchi beni, iron brown glazed rim with no pattern to the reverse. A spiral fuku mark within a double square to the base and a set of four ...

An antique Japanese imari ware covered basin. The basin is decorated with traditional auspicious Japanese motifs such as pine, bamboo, plum, and cranes. Along with the auspicious motifs are designs often seen with imari wares such as scrolling vines and chrysanthemum-like patterns. Often, these patterns are known as kinrande, where the motifs are emulating gold brocades. Age: Meiji Period Size: Diameter 11.5" Height 7"

Fine Ko Imari Ryu-mon Tray Dish Mid Edo c.1750 A dish of decagonal scalloped form with a raised upturned rim decorated in some-nishikide style and gilt outlined enamels with a Chinese four toed dragon pursuing a flaming pearl in a sky filled with auspicious clouds and lightning bolts. Its body partially obscured by the clouds and its tail emerging from waves below. The dragon subject in its present form would appear to be adapted from Chinese compositions on porcelain of the late Ming to early...