One of the best tea bowls I have ever seen. Wonderful Raku Chawan in the style of Donyu (Nonko III) Kichizaemon, made by greatest Raku 12th generation Kônyû Kichizaemon. Holding this masterpiece is like a universe held in the palms of your hands.

Among the various generations of the Kichizaemon family, it has always been customary to devote themselves artistically to at least one of their ancestors and produce a work of art commemorating the great work of their ancestors...

Meiji (1868-1912) Japanese Satsuma Large Vase with Mountain Scene Marked Kozan

It is 13.7 inches (35 cm) tall by 6.2 inches (15.8 cm) wide. It is 7.4 Lb.

It has rubbing of gold, skip glazes, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A small antique Japanese Cha Tansu (tea chest) made of Kuri (Chestnut), Keyaki (Zelkova) and Kiri (Paulownia) woods. All original bronze hardware including the Warabite handles. A pair of sliding doors and a lift-out door housed the tea accoutrements for serving guests...

Rare Japanese 6 panel-screen in ink, color pigments and gold leaf. On the second screen, on the last panel on the left, one can distinguish many Tartar warriors hunting as well as falconers on horseback...

Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

Japanese bronze bird and bamboo.

Age: Japan, Showa Period, 20th Century
Size: Height 18.8 C.M. / Width 8.8 C.M. / Length 20.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Old Japanese Ito Ichizaemon Basse Taille Cloisonne Vase Koi Fish

It is 9.6 inches (24.4 cm) tall by 6.6 inches (16.8 cm) wide. It is 2.3 Lb.

It has enamel hairline cracks (2 cm) at the side and one at one fish. It also has tarnished metals and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a distressed man. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.13 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a hollow cheeked demon. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.22 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a green skinned demon. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.12 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of demon Hannya. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.14 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a demon sticking out its tongue. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.23 inches.

An antique Japanese single section Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Kiri (Paulownia) woods. All original hand forged iron hardware including the Hirute handles and natural Urushi lacquer finish. Sliding main doors hide 6 drawers of varying sizes and a shelf where merchant books and records were kept. Three side by side drawers below the doors were used to keep valuables and store inventory...

A very rare antique Japanese Choba Biraki Safe Tansu (merchant safety chest with hinged doors) made of old growth Keyaki (Zelkova) and Kiri (Paulownia) woods. All original hand forged iron hardware including the main drawer lock plate of Pine trees with matching corners of monkeys reaching for peaches, the hexagonal hinged door lock representing the owner's family crest and Furui (old) Kakute handles. Hinged doors open to 7 drawers of varying sizes...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise...

19th century marine (walrus tusk) Asakusa school netsuke carved as a group of four Fungus of Immortality. Wonderful realistic carving, beautiful staining, superb patina, very pleasant to handle. Length 1.62 inches.

19th century Asakusa school staghorn netsuke of obihasami type carved with a couple of bamboo stals. The hooks at the top and bottom of the piece go around the edges of obi - a sash holding a kimono. Simple clever piece typical of Asakusa school, warm patina, darker porous areas as is usual with staghorn. Length 4.14 inches.

This is an exquisite antique Japanese Imari porcelain jar and cover from the late 17th century, precisely from the Edo period, circa 1680-1700 AD. The jar is a testament to the unparalleled craftsmanship of the Japanese artisans of the time. The ovoid body of the jar is expertly decorated underglaze with peonies and chrysanthemums in iron red, cobalt blue, and gilt. The decoration seems to be growing out of rockwork, which adds an extra layer of depth and texture to the piece...