Late Meiji/Taisho (1890s-1910s) Japanese wooden nyoi - a Buddhist scepter made out of a branch with a natural knobby formation at its head. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Wonderfully simple piece in Japanese taste, on a short side (usually nyoi are 12 inches or slightly longer), beautiful wear and patina...

Cloisonne enamel vase on hammered copper base. The meticulously positioned wires are in silver, as are the borders. The decor is simple, showing a bridge between two hills but exceptional because of its historical interest. Indeed it is a vase commemorating the bold construction of an aqueduct by a Japanese electricity company in the 1900s. The Chinese characters written below must relate the event, date it and also probably give the name of the creative artist or that of the enameling workshop...

KANNON BOSATSU WITH ELEVEN FACES

Wood carving 'Juichimen Kannon Bosatsu zazo' (Seated statue of Kannon Buddhisattva with eleven faces), Edo period, 19th century, Japan, H 20 x 11 x 11cm (7.87 x 4.33 x 4.33in)...

A Japanese large boxwood honeycomb with numerous hexagonal cells that contain the larvae, some of which emerge from the holes, hanging from a persimmon tree branch surrounded by wasps with horn eyes controlling the brood. Signed Tadakazu 忠一 engraved on oval horn insert. Meiji period 19th century Sizes: 8 x 10 x 10 cm. Condition report: Very Good condition

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Shishiguchi representing the spirit of shishi with characteristic tusks, most frequently used for the Noh play Shakkyo (The Stone Bridge). Crisp detailing, nicely lacquered, great patina. some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.21 inches.

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture...

A japanese antique natural indigo dyed cotton tsutsugaki furoshiki from the Edo period.（1800-1867) This family crest is rare. It's thick, and this cotton is hand-spun. This one has some stains on the white part. There is a small hole here, but there is no big damage. Since this was used to wrap things, there is a part where the cloth is slightly stretched. Size::length 140cm x 130cm (55.1" x 51.1")

Pair of 1920's Japanese Gold Wire Cloisonne Vase with Birds & Flowers

They are 6.05 inches (15.4 cm) tall by 2.8 inches (7.1 cm) wide. The total weight is 0.8 Lb.

One vase has enamel bruising. Both have tarnished metal, enamel pitting, and surface wears and scratches (as seen in the photos).

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Kurume kasuri futonji (bedding) with geometric pattern. Kurume kasuri was invented by Inoue Den around 1800, a woman lived in Kurume in Fukuoka prefecture in Kyushu. This futonji is made of hand-spun cotton and vegetable indigo dye. Weaving of Kurume kasuri changed from handloom to machine weaving around 1883, so it may be woven before 1883. In excellent condition Late 19th century. 130cm x 144cm

This is a thick zanshi long boronoragi from the Meiji era. Hand-spun hemp and cotton threads are mixed with thick indigo threads. There is light dirt, but there is no damage. Size: Length: 1 cm (43.3 inches) Cuff to cuff: 122 cm (48 inches)

Antique Japanese surimono woodblock print by Hokkei (1780-1850) entitled "The Chomonju - Snake and Melons". A snake entwined with a tray of melons. The poem above speaks of how the snake will become a dragon which will make clouds of white cherry blossoms in the mountains. Snakes and dragons are closely associated with water. The poems alludes to a wish for rain and the blossoming of Spring.

Dimensions: Unframed: 21.2 cm x 17.7 cm. Framed: 15 1/4" x 15 1/4"

Japanese choba tansu (merchant's chest) with hinged biraki doors. Made of keyaki (zelkova elm) wood with a deep red lacquer finish. The upper portion of the chest has three exterior drawers over the doors which open to reveal a large compartment and four small interior drawers. The lower portion of the chest has two large exterior drawers. Extensive iron hardware includes cross bracing moko shaped drawer pulls, lock plates, and foliate corner brackets...

Antique Japanese small box with 5 drawers. Made all of kiri (paulownia) wood. Drawers of various sizes with two on the left and 3 on the right. The top two drawers are lacquered a deep red on the inside. Hardware with both moko and warabite shape and lock plates of graduating size.

Age: Taisho Period (1912-1926)

Dimensions: 7 1/2" high x 19 1/8" wide x 6 3/4" deep

19th century staghorn netsuke of a bat resting on an old roof tile. The tile face has raised characters reading TODAI-JI - it is one of the Seven Great Temples located in Nara, and is the headquarters of the Kegon school of Buddhism. Typical stag antler texture to the material, superb quality stippling and staining perfectly imitating the rough texture of a ceramic tile, extraordinary rich patina...

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies...

This japanese antique katazome thick noragi is made by splicing together fabrics from the Edo and Taisho periods. The katazome of the Edo period, hand-spun indigo dyed cotton, is very beautiful. Light stains do not stand out. There is one damage on the back. Size:Length:82cm (32.2inch) Cuff to cuff: 122cm 48.0inch)

This is a long thick zanshi cotton boro noragi from the Meiji era. The dark indigo shade is the warp, and the white thread is the weft. Thick hand-spun threads are also mixed in the weft. There are light stains and small holes.Size:Length:125cm (49,2inch) Cuff to cuff, across the back: 125cm(49.2inch)

19th Century Japanese Boxwood Carved Netsuke of a Naked Man Holding Rock

It is 1.2 inches (3.2 cm) tall and wide. It is 8.2 gram.

It has a small chip at the toe, missing signature cartouche at the bottom, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

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