Height: 25 cm (10 in)
Width: 15 cm (6 in)

Fine Chinese cinnabar vase; depicts individuals in mountainous settings; very well carved throughout; minor restoration and wear; good condition

Large Chinese Qing dynasty Guangxu period porcelain jar decorated in famille verte enamels with two central panels on opposing sides. One panel features a veranda with a woman kneeling before an official and his attendant. The opposing panel depicts beauties and children in a garden setting. Between the two large panels are two smaller floral roundels. The panels are set against a cream-colored crackled glaze background densely covered in rust-red flowers and green scrolling foliage...

Inro 4 cases.Peonies in mother-of-pearl inlaid on a brown lacquered ground and gold dust. Japan earlier Edo 17th century.It is rare to find inros from this period, they are probably the first to have been created. The lacquer is dark red-brown, almost black, it is very solid and despite the shocks and more than three centuries of handling it has not chipped at all. The mother-of-pearl is also well preserved and there is only a tiny lack due to a direct impact...

The Soma-Da school invented this style at the beginning of the 18th century. The color of the lacquer and the energetic design of the horses lead us to date this inro to the end of the 18th century. Below is glued a label referring to the prestigious collection of Doctor Mène which was dispersed in 1913 in Paris. This collection created around 1880 contained only exceptional objects...

Antique Japanese silver baluster form vase decorated with a scene of a pair of doves among branches and wild flowers. Finely chiseled and with mixed metal details in copper. Signed by Miyamoto Kinsei and with stamp on the bottom.

Age: Meiji/Taisho Period (early 20th century)

Dimensions: 12 1/4" high x 5 1/2" wide

SHRINE AND MONKEY

Well-matched assortment of a naturally soot-colored wooden zushi (household shinto altar) with such blackened depth and a votive seated stone monkey sculpture in the ‘gassho’ praying pose with folded hands in such mountain-like well-abstracted silhouette due to aging.

Shrine: H 29.7 x W 19.3 x D 13.5cm (11.69 x 7.59 x 5.31in), Edo period, 19th century, Japan
Monkey: H 10.7 x W 8.4 x D 7.4cm (4.21 x 3.30 x 2.91in), Meiji period...

Chinese Qing dynasty rectangular form hardwood display stand with inset top, short waist with fine applied carved decorative elements, and apron carved with a horned monster head at the center. The four elephant-head form cabriole legs are attached by the curling trunk to a humpback stretcher raised on short tab feet. Woods are mixed with the apron, legs, and stretcher possibly zitan wood. 19th century or earlier. 11 3/4" wide x 8 7/8" deep x 4 3/4” high; weight: just under 2 lb...

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape made to imitate layered agate stone. Beautifully made, wonderful feel of age, very pleasant patina. Length 1.18 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow, red, blue and white herringbone pattern. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.76 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow body and red/white/black “eyes”. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

LARGE RICE WASHER

Massive bowl hollowed out from a single tree, with primitive grooves at inner surface (as funtional design for catching pebbles for cleaning rice up when washing rice) and simple but also functional chiseled-grips at outside, early 20th century, Korea, approx. D 39-39.5 x H 15.5-16.5cm (15.35-15.55 x 6.10-6.49in)...

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in flattened ball shape with continuous flower decoration in yellow and green. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.8 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape with multicolored spiral lines around the body. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape with blue body, red/white stripes and white circles. Beautifully made, wonderful feel of age, very pleasant patina. Height 0.66 Inches.

Japanese ink and color on silk genre painting with gilt highlights depicting the emperor and empress seated on a raised mat with tied curtains above revealing blossoming trees in the background. Five musicians from the imperial orchestra are performing below them on a taiko drum, a smaller kakko drum, pipes (sho), a flute (oteki), and the fife (fue). 19th century...

Thai Rattanakosin period gilded and lacquered bronze Sakyamuni Buddha figure seated cross-legged in meditation on a plinth with hands in dhyana mudra. The figure is modeled with the characteristic serene face and downcast almond eyes, elongated ears, curled headdress, and flaming usnisa. He wears an elaborately patterned robe draped with one shoulder bare. 19th century. 17 3/8" high; base: 12" wide x 7 1/2" deep; 8 1/2" from edge of knee to edge of knee. Weighs 16 lbs...

Very Rare Large Chinese Neolithic Xindian Culture Jar with Zoomorphic Patterns with Oxford TL Test

This large and extremely rare pottery jar was made by peoples of the Neolithic Xindian culture (c. 1200 - 500 BC). The Xindian culture is a relatively late Neolithic culture and overlaps with the Chinese Bronze Age. This jar is of the Tangwang type and is not quite as coarse in its construction as some other Xindian vessels...

18th to early 19th century Japanese bronze kozuka (sword knife) handle with low relief decoration of Kanzan and Jittoku looking at an open scroll. According to a legend, Kanzan and Jittoku lived in a kitchen of a Chinese Zen Buddhist monastery and talked nonsensical language, which some took as a sign of them being enlightened. Great design, excellent detailing, wonderful faces, very pleasant feel of age. Length 3.86 inches.

18th to early 19th century iron Japanese sword tsuba inlaid with branches of maple tree with leaves turning yellow and red, roots and cresting waves below, design continuing on the back . Wonderful work with brass and copper inlays, precise detailing and well captured mood of contemplation and autumnal melancholy. The plate has a dark brown patina, overall in great condition. Maple Height 2.84 inches.

19th century iron sukashi Japanese sword tsuba for tanto with design of a turtle with a very long tale. The subject may be a minogame (turtle with a long tail made from seaweed and algae accumulated from many years leaving in the sea) or a directional animal - the Black Snake-Tortoise of the North. Clever design and nice detailed work (see its carapace), a bit of rust, overall in very good condition. Height 2.16 inches.

Fine Qing Dynasty small carved wood panel depicting a scholar and boy in garden with flower buds and pine trees. Carved on both sides excellent condition with gold, red and black lacquer. L:30.3xm 12in and H: 12.5cm/5.5in.

Inro with 4 compartments in black lacquered wood. Decor of a mountain lake landscape executed in gold and silver powder. Mosaic details of small squares of gold. The worn parts reveal the red lacquer which was used to execute the reliefs. Japanese work from the 18th century or before. No signing. Good general condition for a tercentenary lacquer. Multiple small damages all visible on photos. No repainted areas, no restoration. Quality lacquer, solid. 82x52mm.

Small hard porcelain dish, enamelled decoration, with a bouquet of flowers and flowering branches in relief in the colors of the "famille rose". Chinese work from the end of the 18th century, probably made for export via the "compagnie de indies". Relief decorations are rare. Good condition, wear from use visible on photos. No restaure. Diameter 16cm.

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.

19th century Japanese tobacco pipe consisting of a reed stem and 2 brass parts, the mouth one with copper and silver inlaid scholar’s hut. The top of the smoking part bears the signs of wear due to the fact that it was tapped on hard surfaces to empty the bowl. Excellent crisp work, great detailing, characteristic small bowl (Japanese used finely shredded tobacco, and usually made just 2-3 puffs), traces of tobacco residue. Wonderful old piece with pleasant signs of wear. Length 7.5 inches.

19th century Japanese chaire (tea caddy for storing powdered green tea used in tea ceremony) in a shape of a storage jar with narrow waist and wider shoulders, and 2 mock ring handles. Old Bizen ware with characteristic dark brown clay bearing the marks of potter’s fingers as he was turning the piece on a wheel. Typical Japanese elliptical lines on the bottom left by a string used to cut the item off the turning wheel. Possibly marked by the bottom - see the detail on Enlargement 1...

Late Meiji (1890s to 1912) Japanese chaire (tea caddy for storing powdered green tea used in tea ceremony) in a shape of a storage jar with 4 mock lug handles. Buff colored stoneware body with free bulbous body bearing the marks of potter’s fingers as he was turning the piece on a wheel. Beautiful glaze turning from brown to off-white towards the bottom of the piece. Comes with very well made shifuku (silk brocade storage bag). Old bone lid lined with gold leaf paper on the inside. Beautiful p...

1900-1920s (late Meiji - early Taisho) ceramic chaire (tea caddy for storing powdered green tea used in tea ceremony) in bunrin (apple) shape with a single small handle. Unusual Kyoto piece made in neriage (agateware) technique that is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Comes with very well made shifuku (silk brocade storage bag).Old turned bone lid lined with gold leaf paper on the inside. Wonderful s...

1900-1920s (late Meiji - early Taisho) Japanese burlwood stand with live edge and two sides with wave shaped edges, to be used for placing small objects during tea ceremony or display of okimono. Wonderful dense wood with supremely beautiful texture resembling swirling clouds, in excellent condition. Size 6 x 5 inches, 0.35 inches thick.

Early 19th century Japanese wooden devotional carving of Kannon (Chinese Guanyin, or Avalokiteshvara) - the Boddhisattva of Compassion - enveloped in her robe and cape. Kannon grants deliverance from suffering to anyone who calls upon her name. Wonderful quality work, beautiful tranquil face, graceful flow of her robe. Old small losses to nose and feet as can be see on photos. Marked on the bottom in ink with one character followed by kakihan (monogram of the carver). Excellent patina, has wond...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of an iris flower about to bloom and cursively written poem. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 1/2 inches.

19th century or earlier Japanese magatama bead made out of lapis lazuli. Magatama are curved beads which first appeared in Japan during the Jomon period (circa 1000 BCE), and in Korea during the Prehistoric period, mainly in the Bronze Age and Neolithic. They are found in mounded tumulus graves as offerings to deities, and continued to be popular with the ruling elite throughout the Kofun Period, and are often romanticized as indicative of the Yamato Dynasty of Japan. It is believed that magatam...

19th century kagamibuta (mirror lid) netsuke, the top being Chinese carving adopted as netsuke, with scene of 5 scholars among various trees and pavilions. Excellent quality work with deep undercarving, beautiful wear and patina, in great condition, dark hardwood bowl with old natural stable lines, peg at the back for the cord. Bowl diameter 1.76 inches.

Late Meiji (1890s to 1910s) bone obidome (sash ornament) carved as a pair of swimming carp. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Clever design, good quality carving, nice finish and patina, two metal fittings on the back for an obi cord. Length 2.95 inches.

An ancient tomb sculpture of a turtle, probably a weight from a burial shroud, Chinese, Warrings states to Han Dynasty, c. 300 BC-100 BC.

Very rare and exceptional larger sculpture, made in fine crystalized white marble, imported from the Silk Road trade since marble was not found inside China. The sculpture depicts a turtle with a large snake on it's shell and standing on a square base.

Size: 18 cm. long and 11 cm. wide and around 8-9 cm. tall. The turtle weighs c. 2,1-2,2...

Late Qing Dynasty (1880s - 1911) Chinese export brooch / pin with brass frame and carved cinnabar lacquer center with decoration of a scholar meditating among rocks under a tree. Very nice work, in excellent condition, marked CHINA on the back. Length with frame 1.85 inches.

1900-1920s (late Meiji - early Taisho) Japanese pottery Kyoto ware chaire (tea caddy for storing powdered green tea used in tea ceremony) in double gourd shape with enamel decoration of brocade pattern with leaves, branches and flowers. Beautiful finely crackled glaze, wonderful slightly crooked upper part of the gourd giving the piece extra character. The foot shows stoneware body with concentric lines. Old turned lid lined with gold foil paper on the inside. Comes with very well made shifuku ...

A Japanese wood netsuke depicting a group of mushrooms with a caterpillar on the dome of the highest. Himotoshi is under the base. Edo period 19th century Sizes: 3,5 x 3,8 x 3,7 cm. Condition report: Good condition

A Japanese boxwood netsuke of a coiled snake around a lotus. The pistils are completely articulated pistils. The himotoshi is formed by the stem of the lotus. Edo period 19th century Sizes: 5 x 3,5 x 3,6 cm. Condition report: Good condition

Hard porcelain dish, painted in cobalt blue under glassure. Decor typical of the second half of the 18th century. Japanese work, Arita kilns. Below are drawn 6 Chinese characters, apocryphal mark of Emperor Ming Tchenghoa. The shibata collection of the Porcelain Museum in Arita hosts a dish with a similar decoration. Good condition. Diameter: 215mm

Arita fine porcelain tea bowl, decorated with dragons and stylized flowers, painted in underglaze cobalt blue. Japanese work from the early 18th century, perhaps a little earlier. Good enamel quality, pretty deep blue, excellent firing. Well drawn. This type of bowl is rare. Below are 6 Chinese characters that we have not translated.The top edge is coated with brown iron oxide pigment. Good condition. Height: 95mm. We have a second.

Chinese hard porcelain dish. Decor, in reserves, of fruits, flowers and Buddhist emblems painted in underglaze cobalt blue. Late 16th century Chinese work executed during the reign of Emperor Wanly of the Ming Dynasty. The porcelain is of thin thickness which is unusual for the period, and the decoration is carefully executed whereas this style of porcelain is usually crudely executed. In one place, the lack of glaze reveals raw clay whose color has turned orange, which is due to the action of f...

Very Rare/Fine Pair of Korean Wood Carved Turtle Candle Stands-19th C.: Korea, Joseon dynasty, 18th/19th century. The one solid wood carved 3 composed of three parts: A square base, a large turtle, and a large lotus bud for candle holder Realistically incised and carved and painted in lacquered pigments. It is in good condition with some cracks due to age (see photos), It measures 16cm h. x 18cm long x 11cm w.

Antique Tibetan figure of a seated Lohan, one of the 18 arhats of Buddha. He sits with one knee supporting his left hand which is outstretched, holding an object while gesturing in the Karana mudra (dispelling demons). He holds his right hand at chest level. His facial features are intense and his mouth slightly open to reveal rows of small teeth. His hair is cropped short and maintains the remnants of black pigment. His patchwork robe is draped over his left shoulder, falling around him i...

Bamboo pot carved with several characters from Chinese mythology evolving in a raised garden. One can easily recognize Shoulao, god of longevity, accompanied by his deer and holding the peach of immortality in his right hand and his stick in the left. The deer holds in its mouth a Lingzhi mushroom of immortality. The work is important, the sculptures do not have the perfect but cutesy aesthetic of the 18th century and would suggest that this pot is a late popular clumsy creation. However the cha...

Antique Chinese large porcelain lidded ginger jar. Decorated with painted motifs of scrolling vines, flowers and lingzhi in shades of orange. 18th century style.

Age: Republic Period

Dimensions: 17 3/4" high x 10" wide

Antique Chinese large porcelain vase with monochrome peach bloom glaze. High shouldered baluster form with narrow mouth and foot. Six character Kangxi mark on the bottom. Hardwood stand with inlaid wire motif.

Dimensions: (vase only) 17 1/2" high x 8 1/2" wide. (on stand) 19 1/2" high

Antique Chinese large porcelain vase. Baluster form with detailed scenes of a mountain landscape. Tiny figurers of scholars, villagers and fishermen share the rural scene with large, gnarled rock formations, picturesque foot bridges and mountain pavilions.

Age: Late 19th century

Dimensions: 23 1/2" high x 9" wide

Large Imari style hard porcelain dish. Landscape and flower decoration in underglaze grand feu cobalt blue and low-fired irond red enamels, gold details. Japanese work from the end of the 17th century, Arita kiln. Below are traces of typical porcelain shards marks. Good condition, no restoration. Some wear from use visible on photos. Diameter: 36cm.

STATUE OF BUDDHA

Buddhist wood carving image, Edo-Meiji period, late 19th century, Japan. H 23 x W 8.5 x D 5cm (9.05 x 3.34 x 1.96in). Been more aesthetic and attractive with such defective but refined withered condition. Wabi-Sabi.


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Rare Sukhothai glazed stoneware hunchback water dropper.

Age: Thailand, Sukhothai Period, 14th - 16th Century
Size: Height 6.1 C.M. / Width 4.2 C.M.
Size including stand: Height 11.3 C.M.
Condition: Nice glaze and condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Lovely pair of exquisite, miniature porcelain vases with Ge type glaze circa mid-20th century (possibly older). On the bottom there are two characters “ya wan”, meaning elegant entertainment. These might have been made for a private collection, this is a specialist craft that requires a high level of skill. Would make classic doll’s house furniture. H: 5cm/2in and D: 2.4cm/1in. Free shipping.

JEJU TRAY

Large wooden tray used at Jeju Island, Korea, early 20th century, approx. D 34 x H 4cm (13.38 x 1.57in). Aesthetically rustic form with such particular thick rim with mellow chisel marks. Aged deterioration as is, with some scratches and cracks. Slightly unstable, but practical condition for actual use.


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A set of Chinese painted pottery soldier.

Age: China, Tang Dynasty, A.D. 618 - 907
Size: Height 23.3 - 24.4 C.M. / Width 5.9 - 6.1 C.M.
Size including stand: Height 29.1 - 30.7 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actua...

Box and its tray in black lacquered wood decorated with bindweed in gold and silver powdered lacquer. Details of gold squares. Black interior. Nice finish. No signature. Japanese work from the end of the 19th century or the beginning of the 20th century, Meiji or Showa period. Good condition except for some wear on the corners visible in the photos. No catering.

An Export Mother of Pearl Thread Winder. Carved in relief on one side with a couple on a terrace and the reverse incised with a seated man and attendants. Chinese 1820/40. Length; 3 1/2" (8.8 cm). Condition; excellent.

A Pair of Famille Verte Saucer Dishes. Decorated with groups of flowering lotus and storks inflight. The reverse with a rich Batavian glaze. Old French collection labels. Kangxi C1720. Diameter; 8 3/4" (22.1 cm). Condition; Light wear, small chips to foot. Firing flaw to rim of one dish

A Japanese fascinating embroidered silk hanging tapestry depicting a flying Phoenix 鳳凰 and a Kirin 麒麟, the two most powerful and sacred beasts of all Japanese within a silk frame finely decorated with a dense pattern of stylized motifs. The central scene is very unusual and it represents a Phoenix in flight in the upper part and a Kirin looking at each other. Even the back is finely embroidered with a dense decoration of stylized motifs on a blue background. The kirin and the ph...

A gosu blue Satsuma sculpture depicting Jurōjin 寿老人, one of the seven lucky God (shichifukujin 七福神) holding a fan with his right hand and finely decorated with red, turquoise and blue polychrome enamels enriched with gold motifs. The Kimono is finely decorated with floral and phoenix motifs. The sculpture is signed Satsuma Senjudō’ 薩摩宣壽堂 on the back within a rectangular gold reserve with Shimazu Mon (Emblem of the Shimazu family). God of Wisdom. Jurōjin 寿 �...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design. The somewhat irregular foot reminds of the late production of Oribe tea bowls of the 1620-ies at th...