WHITE JADE QILONG BELT BUCKLE (QHJ111606)
Date: 19th century | Qing dynasty
Material: Khotan (Hetian) jade of a greenish white hue
Length: 10.6 cm
Width: 2 cm
Depth: 2.1 cm
Weight: 60.1 grams
Provenance: From a Chicago, IL estate

A classic 19th c Qing dynasty white jade belt buckle, in qilong form with the larger dragon supporting a smaller reticulated qilong dragon perching above. The tone of the jade is a creamy greenish-white...

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together...

A rare and very finely decorated "ogee" shaped bowl painted on the outside with five blue five clawed dragons amongst flames, against yellow ground, each grasping a flaming pearl. On the base is the six character iron red seal mark of the Jiaqing emperor and this item was made during his reign (1796-1820)...

Japanese antique shiko & benibana-dye itajime(katazome) silk child kimono yosegire(patched) edo era(1800-1867).It is shiko & benibana-dyeing of natural.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 104cm (24.9inch) sleeve to sleeve 96cm (37.7inch)

Ca. 1790-1850, late 18th – early 19th c
Mid-Qing dynasty
Porcelain with celadon glaze; Jindezhen ware
Height: 41.7 cm / 16.4 in
Width: 30 cm / 11.8 cm (at widest point)
From a Palto Alto, CA estate

A hugely potted and magnificent vase, in archaistic form with a bulging globular body and chilong handles. Various geometric patterns (inspired by Shang/Zhou bronze), floral scrolls, and lotus petals are molded underneath a thick, bubbly celadon glaze...

Good sample of Yuan - early Ming blue and white large ewer, ewer is decorated with under glase blue of flower motif, there is good sample drawing of flower motif. this ewer sample is very good for studying and comparison for any one who interested in studying early Chinese porcelain, newly excavated from truwulan east java.
Size: 10 cm height.

A large and heavy European shape serving dish decorated in underglaze blue with deer, bamboo and pine trees in a river landscape. This item was made in China for export, circa 1750, during the reign of the Qianlong emperor (1736-1795). Condition - there is a well restored rim chip with associated 5.5cm (2.2inch) hairline (please view enlargements 5 & 6) and there are minor glaze imperfections...

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree. The family mon (crest) is a wild goose. Meiji Period (1868-1912). Approximately 59" wide x 74 1/4" long.

The phoenix is a mythological bird known to appear during times of peace and prosperity. It symbolizes immortality, resurrection, and life after death. Its appearance is said to resemble a heron, eagle, and peacock...

It is gosyo-katsugi(imperial palace katsugi) in the Edo age of this.This katsugi is a museum class. Please add to your collection. It is katsugi of Kyoto. This is a rare very valuable excellent article. Daimon in surroundings of the neck is tsutsugaki(frieehand paste-resist decoration). It is a dye of the indigo dye and the Indian ink. Katazome(paste-resist stencil decoration) of komon is made from dangawari. The katazome part near the chest uses the dye of thin yellow on...

This is indigo dye sashiko noragi naga-hanten of Aomori Prefecture of the Meiji era(1868-1912). cotton seems to be hand spun and woven. All sashiko was stitched by the hand. It is very beautiful. There is neither stain nor damage. I recommend it for your collection. size:108cm x 118cm (42.5" x 46.5")

Ca. late 1700s

The exterior of this bowl is painted overall in famille verte enamel colors of predominantly greens, with some yellows, blue, aubergine, iron-red and black. Three cartouches of people in a landscape setting are surrounded by various flowers on a dotted background that is covered overall in a pale green transparent enamel glaze. The interior is glazed white. The footring is glazed white with the foot unglazed to expose the dense porcelain body. The base is recessed and glazed...

ca. 1800-1850, first half of the 19th century
Mid - Qing Dynasty
Porcelain with underglaze copper red
H: 14.6 cm, w: 11.5 cm
From a Seattle, WA private collection, acquired in the 1980s (original sales tag still available)

An interesting and rare vase of "apple" zun shape, decorated in underglaze copper red with a scene of the "Trials of Lu Dongbin". Six - character Yongzheng mark to reverse, but dates to ca. 1800-1850 19th century...

Superbly Decorated Chinese Famille Rose Teapot of small size. Very finely painted with a scene of a reclining couple and a female attendant, the reverse with hanging flowers within a floral gilt scroll on a grey diaper ground. Yongzheng C1722/36. Height 10.5cm, Length 14.5cm. Condition: knop restored, section 3.0cm by 0.8cm restored to flange of lid. No other cracks, chips or restoration.

Beautiful Japanese antique wedding kimono of blue silk and embroidered all over with charming traditional wedding scenes of cranes and turtles, shochikubai (the three friends of winter) pine, plum and bamboo and a profusion of different flowers including chrysanthemums, magnolia, peonies, and camellias. Extensive use of gold embroidery. Lined in red silk and padded at hem. Meiji Period. Size: 66" high x 49 1/2" wide

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames.) Top cover only, no backing or wadding; good condition, minor repair to one corner. Ca. 1900. L.54”(137cm) x W.52”(132cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover was often ...

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck. There is one place of small hole beside ladle.The bottom of a w...

An early 18th Century oval shaped meat plate decorated in underglaze blue depicting a lady and a boy in a garden landscape with a duck in a lotus pond. The base is unglazed. This item was made in Jingdezhen, Jiangxi province, southern China for export to Europe (circa 1730 - 1750) during the reign of either the Yongzheng or the Qianlong emperor. Condition - Excellent. 32.5cm (12.8 inches) across; 3.8cm (1.5 inches) deep.

18世纪早期 青花外Ž...

This is boro Tattered noragi textile of the excellent Edo era(1800-1867)rare.This is an original of the rare Edo era(1800-1867). It is unusual boro noragi farm wear of Niigata region.It is any variMous patterned fragments ( stencil or tie-dyeing, stripe..etc) was stitched with hemp thread. It is made of hand-spun cotton dyed with natural indigo. The stitches are hemp threads.The stitch is all hemp thread of the Edo era and does a stitch by hand.It can enjoy both sides. I recommend this to collec...