Japanese bronze peacock with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Length 33.3 C.M. / Width 11.7 C.M. / Height 16.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right...

Two antique steel-line engravings drawn by Thomas Allom (1804-1872) and engraved by Arthur Willmore (1814-1888) titled “Chinese Boatman Economizing Time & Labour, Poo-kou” and "The Fortress of Terror, Ting-hai" from “China in a Series of Views” published in London in 1843 and reprinted through 1859. The images were derived from sketches executed on the spot by Captain Stoddart, R. N. Purchased from Teresa Coleman Fine Arts in Hong Kong, with the certificate of authentication included...

Chinese porcelain jar. On a very beautiful underglaze lavender blue background are painted, in dark cobalt blue also underglaze and in white enamels, characters Shou (happiness) and Swastika (eternity) surrounded by fumaroles, around the base and the neck are represented respectively friezes of waves and stylized clouds. Below the mark of Emperor Qianlong in underglaze blue. This jar was a vase whose neck was certainly damaged...

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

Dark brown patina bronze sculpture of a praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm

Ceramic sculpture of the white fox, messenger of Inari – the Shinto and Buddhist deity of harvest, rice and abundance.

The Inari fox (kitsune) is a benevolent animal, a sign of prosperity and wealth. This proximity to the kami Inari leads to the two figures being mixed and substituted in the imagination, with the animal becoming a fox-god. Inari’s fox is depicted holding a variety of objects in its mouth with different symbolic meaning: a wheat ear, a scroll, a ball or a key...

Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.

Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)

Ivory sculpture okimono of a kingfisher on its base, with a fish in its beak. Its eyes are in hard stone.

Japan - Meiji Era (1868-1912)
Width: 1.6 in (4 cm) - depth: 2.8 in (7.2 cm) - height: 1.6 in (4.3 cm)

Chinese pottery lion panel.

Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Length 29.6 C.M. / Width 18 C.M. / Thickness 2.7 C.M.
Height including stand: 38.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground)...

An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

A Very Rare/Fine Korean Joseon Sword (朝鮮環刀) -18th 19th C.: Korea, Joseon dynasty, 19th century. Korean medium sized sword gently curved blade, leather-wrapped handle with chased brass cuff, blackened wooden scabbard with handle thread wrapped and the blade handle with leather wrapping. It’s in good condition with aged patina original scabbard and wrapped handle. It is in fair condition with its use and age, it measures Overall:72cm, sword and shealth:66cm and only blade: 33cm.

Song dynasty longquan celadon washer bowl with bluish green glaze, good condition no damage no chip no crack no restoration, size: 13 cm diameter.

Song dynasty longquan celadon washer bowl with good bluish green celadon glaze, good condition no damage no chip no crack no restoration, please see picture for detail, size: 12 cm diameter.

Yuan dynasty blue and white bowl with Anhua (secret) flower motif. good condition with T shape damage at the rim restored no missing part please see picture for detail, size: 17 cm diameter.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 18th Century
Size: Height 53.5 C.M. / Width 20.5 C.M. / Depth 9.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm