A fine and genuinely old silver mounted Prayer Wheel / Mill (‘Khor'), Tibet, 19th. century.

With silver in the midsection, mounted with coral and torquise, large silver folliage mounts on the top and bottom, bone suspension and a finely polished hardwood handle. Note also the silver lotus buc at the top. Guaranteed authentic old.

Lenght: 23 cm. and quite solidly built.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards...

Finely crafted silver necklace with Gao box hanger in solid silver mounted with polished corals and toquise stones and centrally firegilt, Tibetan, 19th to early 20th. century.

Very pure silver and wearable today. Mounted in a long twisted silver necklace. Beautiful piece!

Size: 34-35 cm. in a double row, the Gao hanger is 6 x 5 cm. and rather thick. Weight: 48,5 grams, purity: sterling silver.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards...

Large Tibetan/Mongolian antique Fire Lighter in Leather case mounted with silver and gilt silver, brass and iron, with red coral stones inserted, 19th. century.

Nice piece in excellent condition with lots of fine patina, intact.

Size: 14,8 x 8,2 cm.

Ex. Private collection of Ulf Gudmundsen from the 1950s to 2007. An important collection of Tribal African and Asian antiques.

Fine early Tibetan/Mongolian Steel Fire Lighter in Leather case mounted with brass and iron and still with a piece of flint in the pocket inside, 18th.-19th. century.

Fine early piece in excellent uncleaned condition with lots of fine patina, intact.

Size: 11,7 x 10,3 cm.

Ex. Private collection of Ulf Gudmundsen from the 1950s to 2007. An important collection of Tribal African and Asian antiques.

Fine early Tibet prayer Gau silver and copper box with natural torquise gemstones, 19th. cent.

Finely patinated and uncleaned for very long.

Size: 8,5 cm x 8,3 cm.

Ex. Private collection of Ulf Gudmundsen from the 1950s to 2007. An important collection of Tribal African and Asian antiques.

Eclectic collection of 11 ground slate stone “arrowheads” circa 3000 BCE-1900 BCE. The artifacts correspond to the Longshan Culture or a concurrent culture. See enlargements for scale and condition.

An unusually elaborate pottery figure of a female Attendant, Ming Dynasty (1368-1644 AD.), dating to late Ming periodc. 1550-1600 AD.

The lady is clad in a large thick robe, with an imposing hairdress and she is wearing a basket with red flowers and is standing on a round plint. She is glazed in torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm...

One of a group of very large Ming Dynasty pottery horse riders.

The figure is of a military attendant, wearing a hat and carrying a sword on hiss side. He wears a green robe with yellow sleaves -Sancai colors. The unglazed areas are covered with white and black pigmented colors.

Note that the painting is very detailed and includes wonderful thick and perfectly rendered facial features.

A very large figure, measuring c. 36 x 28 cm...

Fine Kartika ceremonial knife, Himalayan c. 19th. Century.

The knife with a vajra handle and skull below - in brass and an iron blade. Attractive with much wear from use, but probably not older than 19th. century.

Size: 14,5 cm. tall and 15 cm. wide.

Condition: Choice Very fine, nice warm patina.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards. An important collection of Tribal African and Asian antiques.

A very elaborate and finely gilt large figure of mahasthamaprapta bodhisattva, Chinese, later Qing Dynasty, 1644-1912, this figure probably from the late 19th. cent.

Size: 34,5 cm. tall, incl. the flat mounted base.

Condition: Extremely fine for type and age. Finely patinated in a redish gold colour with some light wear but othervise completely intact, the blue pigment still present as well. Closed lid in the back...

Rare image of a Qilin Chinese "unicorn" with stunning deep aquamarine Qingbai glaze. This is a fragment of a much larger piece, possibly a finial off a censer. H: 9.5cm/3.9in, W: 7cm/2.8in x 4.5cm/1.8in. The sculpture is in excellent condition, there is a film of hardpacked soil in the crevices which can be (see enlargements), this can be removed with a small blade with a bit of effort, soaking it in water for a week or so will help. I am leaving it on as it speaks to the age of this piece...

A high quality bronze head of Buddha, Thailand, c. 16th. century.

With Suchothai style facial features and a lovely dark brown patina.

Size: c. 11 cm. high and 15,7 cm. incl. the hardwood plint.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

NUDE

Hand-drawn Japanese painting on thin silk backed with paper, Meiji-Taisho period, early 20th century, Japan, 39 x 28 cm (15.35 x 11.02in). Very early unique Japanese modern style with traditional Japanese technique and method combined with the taste of Western romance and decadence. Aged deterioration as is, and backing paper pasted on just one side among the four sides, as seen...

A magnificent stand of root wood writhing upward to a flattened cluster, a perfect example of the Japanese esteem for things natural enclosed in a period custom made wooden storage box. It is 48 cm (19 inches) tall and in overall excellent condition. Perfect for elevating a koro incense burner or tiny bonsai...

Fine rectangular lime box made of bronze, decorated with numerous silver inserts representing floral and geometric designs. Inside the box are four compartments with their lids, also decorated with silver inserts showing stylised flowers. Philippines archipelago, Mindanao island, early 19th century. Dimensions: length: 9.3 cm, height: 6.1 cm. Slight abrasion due to age, otherwise very good condition. Provenance: Acquired in Luzon island in 1978.

A very large porcelain basin decorated with gold and red fish among green, gold and red flora by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Gosu-Aka-e Sakana no Zu Hira Bachi...

A large and attractive gilt wooden buddha, Burmese, c. late 19th.- early 20th. century.

The Buddha standing on a small throne and a black painted plint. He is righly addorned in a fancy dress with multiple glass stones in red and green colours.

Size: c. 74 cm. tall, incl. plint.

Condition: Choice and intact with remaining gilt overall.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

Superb covered incense box entirely gold lacquered with decoration of bamboo leaves and wisteria in a lake environment and on a base of nashiji gold powder. The 2 parts of the box are surrounded by shibuishi (silver and copper alloy). Edo period 18/19th century. Diameter 6cm x Height 3,5cm.

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

Height: 16.5 cm (6.7 in)
Width: 12 cm (4.8 in)

Quality Chinese sapphire blue porcelain tea caddy depicting Eliza images in domestic and rural settings, all surrounded by rocks, bamboo and plantain; the lid is decorated with a young boy; minor scuff marks; good condition; email for more pictures

Red ivy clings to the pale crackled glaze of this tsubo by Miyagawa (Makuzu) Kozen enclosed in the original signed wooden box. Below glistening black glaze covers the bottom, in a style well known for this artist. It is 24.5 (just less than 10 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Ch...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion. This particular composition seems unique among Oribe pieces I have encountered over the years in terms of its ...

Statue, made of glass, representing Buddha Amithaba_ sitting cross-legged on an elevated lotus throne, his head backed by a lotus aureola, both hands holding a vase containing the nectar of immortality in his lap. China, early 19th century. Height: 10.1 cm. Very good condition.

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide. Having a history of over 1,000 years and a matching tradition...

This is a Japanese antique textile indigo dye cotton narumi-Shibori kimono meiji　period. This is a very rare and beautiful item created using 11 different Narumi Shibori techniques. Hand-spun cotton fabric is very thick. There are some very small stains, but they are not noticeable. Condition is good with no damage. Size: Length 153cm / sleeve to sleeve 141cm

A dynamic floral pattern in pale blue and white on pink by Kiyomizu Rokubei V showing the developmental stage of his iconic Taireiji works. Undeniably Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare. It is 19cm (7-1/2 inches) diameter, 27.5cm (11 inches) tall and in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters i...

Japanese antique small 6-panel screen painting of five cranes flying over waves as the sun rises in the distance. Painted in mineral colors with gold flecks on paper. Signature: Morifusa.

Age: Showa Period Mid 20th Century

Dimensions: 22 1/2" high x 62 1/2" long

A large lozenge shaped bowl of thick clay covered in fawn spotted glaze by Kiyomizu Rokubei V decorated with a poem by Hashimoto Kansetsu enclosed in the original wooden box signed by both artists titled Gohon Fuseikei Hachi (Bowl of irregular shape in Gohon glaze. It is quite large, 34×26.5㎝ x 15cm (13-1/2 x 10-1/2 x 6 inches) and is in excellent condition.
Hashimoto Kansetsu (1883–1945) was born in Kobe, son of painter Hashimoto Kaikan from whom he gained a love of Chinese culture...

The snuff box is made with a mold in 2 parts. On the sides are two Buddhist lion heads in relief, their eyes are made by 2 small clay balls. stuck to the slip. The decoration is painted in underglaze cobalt blue, the design is vigorous and goes to the essential, it represents 2 dragons pursuing the sacred pearl in the sky, surrounded by clouds and sparks. Below is written in 4 Chinese characters the apocryphal mark of the Ming emperor Tcheng-Hoa. The style of the dragons allows us to date this s...

A beautiful set of ten small shallow dishes, each uniquely decorated with a poem and image from the Edo period Sasashima Kiln of central Nagoya. The box, titled Sasashima Yaki Teshio Jumai (10 Sasashima Salt Dishes) is dated inside to the Tenpo era, (1830-1844). Each dish is 9 cm (3-1/2 inches) diameter and all are in excellent condition. Salt dishes were small plates used to hold salt, pickles or other condiments in a traditional Japanese meal. Finding a complete set like this in good conditi...

Outside cloth of yogi which is one kind of futon in the shape of kimono, made of hand-spun cotton and vegetable indigo dye. It has tsutsugaki (glue-resist dyeing) "takara-zukushi" (various treasures) design. In good condition as a whole but has three mending patches in front and a few stains. Meiji period (1868~1912) W:148cm, L:129cm

This is a very elegant ramie summer children's kimono from the Edo period. The sleeves have a hand-painted bamboo pattern. The family crest is the rare mitsumorikumikaku. There are no stains or damage, and it is very carefully made.size: Length :90cm (35.4inch) / sleeve to sleeve :83cm (32.6inch)

Cup with handles cut from white Celadon jade. Decorated with “nails” in relief in the archaic style. The two handles stand out widely from the cup. The handles of this type of cup were most often damaged and restorers have partially reduced or even completely eliminated them. The one presented here has exceptionally preserved its handles in their entirety. One of the two has probably been slightly damaged and ground as we can see in the photos. The studding design appears simple but is techn...

A Chinese famille verte saucer-dish painted with a leaping iron-red horse beside willow and peony within a diaper border, Kangxi period, c. 1700-1720. 22cms diam. Good condition.

A fine Chinese gold-splash two-handled bronze censer, delicately cast, of bombe form, early Qing, 17th/early 18th century, 12cms diam., Xuande six-character mark. Provenance: Collection of a lady, Wimbledon, South West London. Purchased from James Trigg, Antiquarius, Chelsea, London, May 1977 and sold with the original receipt.

A piece of hand-spun cotton cloth with katazome (stencil-resist dye) mum pattern on both sides. The ground cloth is vegetable indigo dye and flowers are benibana (safflower) dye. The first half of the 19th century. In excellent condition, except for a mending patch. W:29.5cm, L:60cm