Gold dragons prance about the vermillion surface of this exquisite vessel by important Meiji potter Eiraku Zengoro XIV (Tokuzen) enclosed in the original signed wooden box which is in turn enclosed in an outer box also annotated by a later generation Eiraku. Remembered specifically for his mastery of Aka-e Kinsai ware, this is a museum worthy example of this important potters work. It is 43 cm (17 inches) tall and in excellent condition...

Hupa basket, California, in large size and in beautiful condition, with open gallery edge at top, a woven foot that enables it to sit flat, the sides decorated with zig zag designs in cream color with dark edge on bottom band. Measures 10 7/8" on one side, 10 1/8" on the other and is roughly 4 3/4" high (a bit higher on one side than the other). The condition is remarkable, very little wear, no fading or losses, has been well cared for...

Fine example of Woodlands Indian beadwork, in the form of a Glengarry cap, with heavy beading depicting flowers, foliage and geometric lines, with additional sewn thread embroidery, on velvet backing, heavy cloth interior, ca 1850. Measures 11 1/2" on each side of cap at bottom edge, 23" around, and is 4" deep, the top panel is 5" wide. The beadwork is found throughout many of the Northeaster Woodlands Indian tribes, including the Iroquois, Wabanaki, Mohawk, and Tuscarora, and these caps wer...

Northwest Coast First Nation wood carving of a totemic image, including a wolf, seal, and shamanic figure, all painted in traditional deep colors of the tribes from this area. Carved from one piece of wood, the round bottom attached with a nail. Measures 9 3/4' high, 1 1/4" wide, and 2" deep at the top, the base is 2 1/4" in diameter. Very symetrical and intricate carving of figures, done with a very deft and experienced hand. The colors are classic, including deep red, green and black...

A magnificent set of five wooden bowls lacquered red with a net design enclosed in the original wooden box titled Shu-nuri Amime Hashiaraiwan dating from the first half of the 20th century. Excluding the lid each is 7.5 cm (3 inches) tall, roughly the same diameter at the rim, and all are in excellent condition. Repeated use of lacquer tends to see the black acquire a brown tinge. These remain jet black, and it is likely they have been virtually unused for the better part of a century...

This is a diminutive portrayal of a crowned Buddhist figure, most likely a Bodhisattva, dating to circa the 6th century AD, Northern Qi dynasty. Note that the nose and areas of the forehead are darker than the rest of the stone, indicating that they have been rubbed by the hands of worshippers over the centuries, creating a "sweat stain" darkening of the stone...

Superb museum quality carved Chinese wood brise fan with deeply worked guard sticks and finely done inner sticks carved equally to both sides of lovely scenes. Larger than most brise fans, it also still has its original hand carved presentation box fitted in silk. Made in Canton, China for the export market, the fan and box dates circa 1870-1880. Condition is wonderful to both and a must have for the collector. Fan length 9.5" x fully opened 16.5" with case being 12.5" long x 2.5" x 2.5"

Small Kagamibuta (button that acts as a netsuké in traditional Japanese clothing). However the size of this one is unusually too small. To my knowledge, there is no Kagamibuta of this size (32mm) usually the diameter of these exceeds 50mm. This is not the only particularity of this jewel, indeed the presence of glass paste is absolutely exceptional, there too, I do not know of any other netsuké, manju or kagamibuta created in this material...

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations...

A large and thick seal carved in a large-corned attractive brown stone, Western Mesopotamia, Kingdom of the Mittani, 1550-1350 BC.

The seal is decorated with a high relief 'eye pattern' / Rhomboid design inside a dotted frame.

The Mitanni Kingdom (Hurrians) was a strong regional power limited by the Hittites to the north, Egyptians to the west, Kassites to the south, and later by the Assyrians to the east...

A Chinese parcel gilt bronze incense-burner and cover modelled as an immortal on a mule, late Ming dynasty. 23 cms.

A striking soft-glazed six-sided incense burner by Maki Hokusai decorated with white flower blossoms on soft flesh colored glaze surmounted by a silver lid pierced with the character Kotobuki (Fortune) by Hata Zoroku. The pot itself is 10 cm tall, plus the sliver lid. It comes in an ancient wooden box signed by Zoroku.
Hata Zoroku I (1823-1890) learned metalwork techniques in the studio of Ryubundo in Kyoto...

Standing in samabhanga, with her right hand raised, left arm broken. Naked upper body with well defined breast. Wearing a sarong elegantly carved and secured with a decorated belt secured at her waist. This splendid rare piece is 75 cm (29.5 In) height not including display stand and 85 cm (33.5 In) on the mount...

This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains and one very small hole, but is in very good condition. Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)

An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery...

A large powerful and deep repousse Tibetan piece with features raised almost 5/8", measuring 4-1/4" in height by X 3-3/4" in width. In excellent condition with complete original gilding intact. Minor loss to the flaming aureole. Excellent detail. A substantial early depiction of a great subject.

Bronze dropper (suiteki) representing a chubby guardian lion, called komainu in Japanese or shishi in Chinese.

The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to repel evil, it appears on both sides of the entrance to the doors or gates of shrines and temples.

The suiteki is a small container used to hold water that is added to the ink stone during the grinding of the ink stick, used for calligraphy. ...

Rectangular-shaped (nadekakugata) iron tsuba decorated with two dragonflies with copper tara-zogan inlay.

Japan – Edo period (1603-1868)
Width: 2.4 in. (6.2 cm) – depth: 2.7 in. (7 cm)

A Chinese cloisonne circular box and cover decorated to the top with formal lotus, the sides with flower groups. 10.5cms diam. Qing dynasty. The gilded base incised with a Jiajing mark in a vertical line. Provenance: L. Wannieck, Paris (label). A London collection. Previously the property of a professor in Seal Beach, California. Originally purchased in Pasadena.

This is a Bakumatsu item. This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues. The "Hannya" mask expresses the wrath of Bato Kan...

Lovely large figural stele of Pavati, Eastern Java, Early Majapahit, c. 13th.-14th. cent. AD.

The figure is carved in grey-black Vulcanic rock with red iron-oxide patination.

In this sculpture the Hindu goddess Parvati, consort of Siva is represented. It was customary in Javanese sculpture of this period to identify local rulers with cult deities and it is possible that this image of Parvati is intended to represent a deceased east Javanese queen.

She is shown ...

This pieces was made in Jingdezhen kiln on North Song dynasty era, stunning blueish white that is the feature of Jingdezhen kiln. It is flower shaped and has carved peony pattern at the inside surface. YouTube: https://www.youtube.com/watch?v=bnDlIGh4uOI Size:12.7cm(D)4.5cm(H) Accessary: new made wooden box signed by Noriki Shimazu Certification: by Noriki Shimazu the famous researcher with Asian antiques in Japan.

An authentic marble stele fragment depicting an Apsara, measuring 4-3/4" in height by 3-1/2" in width. The carving is very well done and the details are crisp. The surface retains its original patina. A very fine example, mounted on a custom stand (the base of the sculpture has been drilled with a hole to accommodate the shaft). Please see the photos, as they are a part of the description.

A finely carved jade dragon plaque dating, most likely, to the Warring States - Eastern Han period. The plaque measures 3-3/4"in length and is 1-1/2" at the widest. The stone is a grayish-green nephrite. Guaranteed authentic.

An exceptional early image of Buddha in meditation, Indonesia, Java, late 8th century-mid 9th century AD.

The buddha is expertly carved in a high quality Andesite stone. The vulcanic stone is dense and finely polished with inclusions of other stones, incl. a fantastic green hardstone in his forehead. This stone could have been purposely selected for this inclusion - to show his divinity.

The Buddha is bareheaded and seated in deep meditation with downcast eyes and a serene...

Lovely museum quality Andesite sculpture of Lord Ganesha, Early Hindu period, c. 9th.-10th. century AD.

The mischievous "Remover of Obstacles", Ganesha is worshipped to bless both the start and success of almost any undertaking. In Indonesia, he is still revered today as an important patron of the arts and sciences.

Deftly carved from a volcanic stone sourced locally on the island of Java, the four-armed deity seated on a lotus base, holding an axe, rosary, and bowl of swe...

A larger and impressive seal from the Early Halaf period of Western Mesopotamia c. late 7th.-6th. mill. BC.

The seal was reportedly found at the Orontes river.

Finely carved in a black stone with a tall handle, oval base and an interesting relief Grit-pattern in the base.

Size: 32 mm x 28 mm. and 18 mm. tall.

Condition: Nice VF, some wear but overall nicely preserved, much uncleaned deposits.

Comes with hard impression and original ID-card f...

Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition. NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire. Lack...

Gold gleams on the dragon shaped prow of this boat shaped object in the style of Kyoto’s Ninsei ware. The house on top is meant to be filled with ash and serves as an incense burner. Removed it reveals a glazed compartment in which flowers can be placed, allowing the versatile object to be not only a display on its own, but also to act as a vase and or incense burner. It is 41 x 16 x 25 cm (16-1/2 x 6 x 10 inches) and is in excellent condition, enclosed in an ancient wooden storage box dati...

An interesting, small collection of ancient pottery items from a range of cultures, incl. Greece and Rome, 600 BC-200 AD.

The collection consist of:

- a rare pottery sieve restored from several large pieces, Roman 1st.-3rd. century AD
- a large shard of pottery decorated with a high relief face of Appollon, Greek hellenistic period (fragmentary)
- A very large pottery sharp, which is a side of a mega-vessel, decorated with early Greek decoration, probably c. 60...

White ground lekythos decorated in black-figure with two quadrigae at full speed to right, one overlapping the other by about a horse's length.
The charioteers lean forward in their chariot boxes and hold goad and reins.
The artist creates a mix-up with the different teams – the leading horses appear on the foreground while their charioteer is hidden behind the following team.
The frieze with a band of checkerboard pattern above and of enclosed dot rosettes below.
F...

Eye-catching cup with vivid three colors known as Tangsancai in Chinese

From Japanese private collection

Size
Width 6.5cm
Height 3cm


Condition
There is a repair on mouth.
Also there are scratches, peeling, chips, and minor cracks.
Please see the photos for reference.

Late Goryeo Dynasty (14c or earlier) Korean Blue Celadon Bowl with floral design.

From Japanese private collection

Size
about 5.4 cm in height,
about 16.9 cm in diameter

Condition
There few repairs with gold.
Please see the photos for reference.
No cracks.

Incense burner in copper alloy (cast bronze and embossed and cut brass). Oriental work from the 19th century or before. Probably Ottoman but maybe Syrian? The hinge was consolidated by a riveted piece of metal and one of the three feet was replaced as one of the photos shows? The three legs are fixed to the base by a system of finely executed 'butterfly' nuts. The assembly is slightly twisted as can be seen in the photos. Height: 25cm Diameter: 20cm

Container in 2 parts. Rare form. Perhaps an incense burner or a container to keep a liquid warm? A small undecorated white porcelain bucket fits into a porcelain container decorated with enamel birds. Below mark of Tong-Zhi, one of the last Chinese Emperor. The porcelains of this reign are usually of very low quality, our porcelain is an exception, indeed the birds are well drawn, precision and elegance. Technically, the cooking is perfect, no flaws, no splits or lacks, well-cooked enamels. Unus...