Northern Indian Mogul dynasty 1526–1858, established by Babur, Muslim descendant of Tamerlane, the 14th -century Mongol leader. The Mogul emperors ruled until the last one, Bahadur Shah II, was dethroned and exiled by the British; they included Akbar, Aurangzeb, and Shah Jahan...

Statue of Hanuman, the Monkey Gos, hero of the Ramayana epic, in formal attire, standing on a rectangular pedestal, his hands in praying posture. The statue and the pedestal were cast separately. The statue may thus be removed from the pedestal. Bronze, with fine dark-green patina. India, 19th century. Height: 4 5/8" (11,7 cm). Good condition.

Extraordinary Vajradhara Buddha Bronze Statue from Nepal. It was made in the late 19th cent. and decorated with the rare color mixture of gold and Jade green.

Great antique condition with no flaws.

Vajradhara is considered to be one of the original Buddhas, he is represented with a bell and vajra, his arms are crossed over his chest. The Asiatic symbolizes the union of opposites (Unio mystica = removes suffering for those who experience it)...

A lovely smaller but massive heavy bronze figure of a seated deity, probably Sri Devi / Lakshmi, holding implements and tall headdress and a breast band around her sizable attributes, South Indian, perhaps Tamil Nadu, c. 17th.-18th. century or earlier.

Size: 86 mm. tall and weighing a hefty 342 grams.

Condition: Choice Very fine, lovely oold patina, with a fine chestnut brown colour from high copper content.

Ex...

Authentic large stone Shiva Lingham. Size as shown in photo. These stones are very heavy, Located in central London, collection only. Stand not included.

A very fine and genuine schist head of a Bodhisattva, 2-4 Century A.D., with soft, youthful features, wearing a diadem with rosettes. The hair is pulled up into an elaborate top knot, Urna between the eyebrows. Mounted on a Museum Quality Metal Stand. Size of head alone 12.5 cm. excluding stand. Origin: London Art Market.

Newari Mask, 12 inches, 30.5 cm.

Beautiful antique pair of gilt copper repouse snow lions, nice patina and traces of paint especially on the faces, each lion is standing on hind legs and holding conch shells in upraised paws, wonderful detail, Himalayan, 18th/19th century Size of each: 13" high x 14 1/2" wide

Indian teaching diagram. 19th century. Inks on paper. 46x63cm. Framed. Can be viewed in central London by arrangement or defamed and shipped worldwide.

This is an exquisite antique cosmetic jar that dates back to the 19th century and originates from the Bengali region of India. The jar is designed in the shape of a barrel, with a rounded body and three plain legs to support the bowl.

The jar is made of bronze, a material commonly used in ancient Indian art and craftsmanship. The jar's cover is adorned with a beautifully crafted peacock finial that adds an extra touch of elegance to the piece...

19th century Indian mica painting of a steam boat, 17x12 cm, mounted with marbled paper background, can be viewed in central London and shipped worldwide

Antique Tibetan painting of a boddhisatva framed. The front and back are visible through glass panes. A crowned central figure, boddhisatva, sits atop a lotus bloom holding a white peony flower in his left hand. He is surrounded by 7 figures. 18th century. Mineral pigments on cotton. Measures 24.5" by 18.5", framed 29" by 23".

Antique Indian white marble figure of Garuda in youthful human form, cobras wrapped around neck, shoulders, arms and encircling his head like a crown, hands clasped over the head of a giant cobra, losses of wings and lower portion of body, 16th/17th century.

Good size late 18th to early 19th century Tibetan thangka depicting Buddha Amitabha presiding over Sukhavati, the Western paradise. Amitabha - the Buddha of Infinite Light - sits in his palace surrounded by pious men dwelling in the land of bliss. There are flying Buddhist angels above the palace, and before it there is a lake in which devotees are reborn on lotus flowers with two rowing boats carrying believers to the Amitabha’s paradise...

A copper "gau" prayer box, the lid with chased Kalachakra mantra. Inside a fine "tsakli" painting on canvas in colors and gold, depicting the deity "Green Tara", sitting on a lotus throne. The fitted tsakli is removable and with no inscription on the backside. Condition: painting little rubbed, gau interior with some verdigris. Dimension: gau: 9.5 x 11.3 x 3.2 cm, height tsakli: c. 8.5 cm.

Antique late 17th century North India, Islamic Indian Mughal dynasty, carved bone panel of rectangular form from the side of a box, the surface is finely carved with a series of four cusped quatrefoil cartouches filled with the allegorical hunting scene "shikargarh / shikargarh" depicting a Mughal nobleman with a quiver full of arrows on his back hunting with a bow tigers and antelopes, He is dressed in 17th century Mughal clothing a flowing muslin gown “Jama “over “paijama”, trousers ...

Antique Himalayan ritual dagger, phurba, carved of bone with skulls, makara and nagas. Phurba usually have three sides while this one is unusual in that it has two. The purpose of the phurba is it's ritual use to subdue the powers of evil and transform them into positive forces. The various elements of the phurba are symbolic - the lower part (or blade) represents "Method" and the handle represents "Wisdom"...

19th century Indian bronze devotional sculpture of Daksha with a head of a goat and his hands in the anjali mudra. Daksha was the father of Sati, the wife of the Lord Shiva. Shiva have not been invited to a great sacrifice to be performed by Daksha. Feeling greatly humiliated on behalf of her husband, Sati went to the banquet and threw herself on the sacrificial fire...