A good quality five colour Imari deep bowl decorated with a meandering arabesque of double headed Peach flowers. The interior decorated with boughs of the same, and the base decorated with a Clove motif in green enamel (Oliver Impey identifies this as a Daikon). The bowl measures 8 inches 20.5cm in diameter and is in good condition, some slight frits to the rim, no crack, chips or restoration, some slight losses to the enamels. English Provenance. Shipping at Cost

Japanese Arita porcelain round form deep dish decorated in underglaze blue with a karashishi (Buddhist lion dog) among leafy flowers set against a faintly celadon tinted white ground. The back bears an abbreviated apocryphal Chinese Ming dynasty Chenghua reign mark (Taimin nenka) on the glazed base. The foot rim is unglazed. The outside well is decorated around the circumference with karakusa. Circa 1800. Measures just over 11 1/4" diameter x 2" high...

This is a beautiful antique porcelain vase from the Fukagawa factory. It is beautifully painted and has extremely fine enamel work. Look close at the cherry blossom images to appreciate this great artistry. The vase stands 9 3/4 inches tall. Condition is excellent and there are no condition issues.

Excellently potted japanese porcelain dishes, decorated in underglaze Cobalt blue with a nice landscape scenery. Nabeshima - style, Meiji Period 1868 - 1912 ) Diameter : 20,8 cm. Condition : No crack, but each of the dishes has a small chip which is old repaired in Kintsugi technique ( Japanese Gold Lacquer repair.) Provenance : Old German collection. ( All in all we do have 4 pieces of the same kind of dishes on offer ( 2 pairs )).

Excellently potted japanese porcelain dishes, decorated in underglaze Cobalt blue with a nice landscape scenery. Nabeshima - style, Meiji Period 1868 - 1912 ) Diameter : 20,8 cm. Condition : Perfect. Provenance : Old German collection. ( All in all we do have 4 pieces of the same kind of dishes on offer ( 2 pairs )).

Large Ko Imari Shochikubai Roundels Dish c.1730 No 2 An unusual dish decorated with a principal motif of three wreaths, wahana, each representing one of the three elements of the Shochikubai, further intersected and linked by a central ring all painted in underglaze blue with some gilt outlining. A type of design that is more frequently found used in the context of Lacquer and textiles...

Antique Japanese pair of hirado porcelain puppy dogs, with round floppy ears, curly tails, and a ribbon around each of their necks. Each puppy has unglazed, pierced eyes, with a gas hole molded on the bottoms. 19th century Size: 3.75" height, 2.75" width

A rather curious dish decorated in underglaze cobalt blue with an “American Eagle” grasping three arrows in its right claw and framed by a stylised Olive wreath. The reverse decorated with three clumps of stylised grasses and a shop mark within the foot-ring...

An unusual large Japanese bowl featuring three light purple elephants in ceremonial attire resting among many flowers. The bowl is excellent condition, except for some wear to the gold around the rim. Measures 11.5 inches in diameter. Dates late Edo, late 1840's.

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A rare Ko Imari scalloped rimmed dish decorated with an eremetic motif of a scholar’s refuge in an idealised landscape. The rim celadon seji glazed and decorated with a depiction of the Three Friends of Winter in gilt outlined enamels. The reverse of the dish is celadon glazed to the foot-ring. The foot-ring containing a six character mark for the Ming Emperor Chengua and a set of five spur marks in a square or cross formation...

Diameter approximately 32.5 cm. A chip at the rim. In good condition.

Ca. 1800

This porcelain bowl, molded in chrysanthemum form, is decorated in underglaze cobalt blue and overglaze enamels in red, green and gold. The center of the interior is painted with a 16-petaled flower in underglaze blue, and the well is painted with various plant and landscape scenes. The exterior is surrounded with an underglaze blue floral pattern, and the base is painted with a Chinese “Chenghua” mark, as is often seen on 18th and early 19th Century Imari dishes...

From our Sake Tokkuri collection we offer you a very old example of oldest Oribe ware, made in the mid Edo Period, around 250 years ago.

Wonderful umanome design (horse eye) and vivid Oribe glaze.

Oribe ware, type of Japanese ceramics, usually glazed in blue or green and first appearing during the Keichō and Genna eras (1596–1624)...

Fine Japanese Arita Bottle Vase decorated with 'banded hedge' scattered among flowering plum and bamboo. C1700/20 Height 9.0" (22.3cm). Condition; excellent with glaze frit to foot.

Japanese Blue and White Ewer with a loop handle. Decorated in the Chinese Transitional style with figures on a terrace. Arita C1670/80. Height 8 1/4" (20.8cm). Condition; some glaze crazing mainly to foot.

Sensational Meiji Period C.1890 Imari Charger. Motif of Ikebana flower arangements. Very art deco and like a painting. Hand drawn with cobalt blues and fired at high temperatures. Signed by Fukuichi, a reknown Imari artist in Kyushu. 13"x 13". Ask for shipping quote.

A dish of distinctive ribbed petal kikugata form decorated in a three colour palette of under-glaze blue, iron red and gilding. Painted with a central motif of a stylised sansui landscape based on one of the eight views of Omi framed by elaborate symmetrically arranged Thistle sprays, azami, emblematic of spring. The dish measures 22cm in diameter and stands 3cm to the rim...

A fine quality early Eighteenth century export saucer dish decorated with a central kikkumon and sprays of Chrysanthemums and Prunus branches in a five colour palette sans aubergine enamel. The reverse decorated with three prunus sprays. The dish has elements of slightly raised moulded decoration in the form of three plum flowers and three chrysanthemum blooms...

An Arita bowl decorated with a design of Azami, Thistles, a motif emblematic of Spring painted in a refined pencilled style called senbeki. The bowl measures just over 15cm or 6 inches in diameter, and stands 53mm or just over 2 inches high. The bowl is in excellent condition with no chips, cracks or restoration. Shipping at Cost.

A large Kakiemon dish decorated with the Three Friends of Winter to the rim and a central motif of a Peony. The reverse decorated with a continuous lotus scroll and a spiral fuku in a double square. The dish dates to the late seventeenth century circa 1680-1700. The dish measures approximately 25 cm in diameter and stands 6cm high. The dish is in good condition, except for a crack to the rim and small filled chip. Shipping at Cost.

An interesting kaku nagazara, rectangular dish designed for use in the Kaiseki meal. It is decorated primarily in a three colour Imari palette, more typically found on porcelain produced for export to the West. The central reserve is decorated in kinsai style with gilt and gilt outlined enamels with a “winter” landscape incorporating Bamboo, Take, Pawlonia, Kiri and Suisen, Japanese Narcissus partially obscured by cloud like ground fog, and finger form kuomo style clouds...

A rectangular dish, kakunagazara, made for the Japanese domestic market decorated with an auspicious manji-tsunagi, wan diaper, gilt brocade ground inset with ume hana, plum blossom inset with niche like lobed reserves containing stylised Camellia, Tsubaki. The central reserve, mikomi, window, containing geometrically arranged stylised Bamboo, take, Bamboo shoots and grasses with mist or clouds in Kumo finger form painted in underglaze blue...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...

Ca. early 1800s

This bowl is divided into eight petal-form lobes, with a rim painted with alternating leaves and geometric designs in underglaze cobalt blue of medium to dark tones. The well is painted with a so-called “The Friends of Winter” design of pine, prunes and bamboo, and the interior base is painted with a bird on rocks and leafy plants. The exterior sides have a scrolling peony Arabesque, and the base has a four-character Chinese Ming Dynasty Chenghua mark. Very good conditi...

This is a very attractive Japanese Imari bowl. For an old Imari piece it is in excellent condition. It is also a very heavy piece potted. The bowl measures 8 1/2 inches across and 4 inches tall.

A rather curious dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets. The reverse decorated with further stylised clouds and a six character mark for the Emperor Yongzheng. An identical dish appears in the Shibata collection dated circa 1750-80, although I think the dish may well be more or less contemporary with the reign ...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

Japanese Hirado Figure of a Hawk, perched on a rocky mound. L19thc Height 28.5cm. Condition; excellent.

Antique big porcelain bowl of Kutani ware made by greatest Eiraku Kutani at the end of the Meiji Era, around 1910.

All overglaze images and patterns are tastefully hand-painted in great colours.

The signature of the potter is written on the bottom.

We sell it with its original signed woodbox. Very good condition, no chips, no cracks.

Size: 10 cm height x 20,4 cm diameter.

Shipping included

Japanese ko-sometsuke porcelain nagazara (tray form dish) with scalloped corners. With creative blue underglaze depiction of pine boughs and cones in and centered within double lined blue rectangle by the cavetto. The sides with decoration of a literati scroll with berried vines. A narrow key fret band adorns along the outside of the foot rim. A six character mark appears inside the rectangular foot rim. This strongly potted and decorated piece exhibits freedom of expression not bridled by repet...

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings. This particular example dates to around the Genroku period circa 1690-1710 and is d...

An amusing netsuke form model of a mischievous monkey dressed as a Manzai dancer based on an Ivory model of the late Edo period. The figure is crisply modelled, the head partially bisque with cobalt blue and iron brown glaze applied to the head dress and flowing robes. Both the head and the long tongue are separately modelled from the base. Sarumiwashi, trained monkeys were a popular form of entertainment in Japan, and also performed as part of Shinto rituals relating to the New Year. The netsuk...