A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

The size of Bowl: 7 1/2" Dia x 3 1/8" High. Most unusual and attractive Japanese Ko Imari Sometsuke Porcelain Bowl. The bowl is made from fine quality porcelain as well as the fine glazing. It has pretty design of Shiranuki design and flower design outside which used blank area with nice contrast. Shiranuki Design is special work on the design with blue background where white design area has the blue underglaze knocked out...

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony...

Early 19th century small Japanese porcelain Imari plate with enamel decoration of a boy wearing haori (short jacket) with a basket full of greens on his back sitting on a buffalo and playing a flute. The subject is bokudo - a theme of a perfect peace of mind, and one of the stages of a journey towards Buddhahood. Underglaze blue decoration in cavetto and on the outside...

A very unusual export dish decorated with an aubergine enamelled dragon set against a black ground and green clouds in a circle with a central Chrysanthemum motif. The border painted in a three colour Imari palette of Peonies and Irises. The reverse is undecorated. The dish is in excellent condition with no cracks, chips or restoration...

A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year. The reverse decorated with three pairs of ribbon tied shippo, and a six character reign mark for the Chinese Emperor Chenghua. The base of the dish supported by set of 4 spur marks distributed in a Y shaped form. The dish was probably produced at the Kakiemon kiln in the Nangawara valley...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou)...

Meiji (1868-1912) Japanese Seifu Yohei III Studio Porcelain Yellow Vase

It is 5.5 inches (14 cm) tall by 3.1 inches (8 cm) wide. It is 0.75 Lb.

It is in good condition with no repairs, chips or cracks, except rubbing of gold and stains (as seen in the photos).

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Antique Japanese Nabeshima ware bowl, with blue gourds hanging from a vine and two red flower buds with gilt pigment accents on the stem and around the bowl's rim. Blue butterflies decorate the outer edge and "comb" design along foot. Provenance sticker from Japanese antique dealer Shiota in San Francisco. 19th century. Size: 6" diameter, 1.5" height

This is a very old Japanese Imari Plate. The design is outstanding and the rim style is very rare. This is a piece for the collector that appreciates the finer imari pieces made at the Japanese kilns. The plate measures 9 3/4 inches across and is quite heavy. There is a signature or writing in underglaze blue that we can not make out. Condition is excellent with come minor wear.

Fine Japanese Arita Imari Wucai Dish c.1700. # 2 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character...

A White porcelain ware figurine of a Japanese puppy. The puppy has a small hole in its' neck, and an open mouth, and functions as a water dropper. Water droppers were used by a scholar to add water to the ink stone when mixing ink. The puppy is very attractive with Hirado style pierced eyes, large ears, modeled toe nails and a raised left foot...

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing. In the 19th century it was difficult to fire porcelain with this complex...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. The bowl is decorated with four elements of the pattern, two figures in a field, a female figure with cow held upon a leash, a rider in a landscape, and a “light-house”, beacon upon a hill. There is an Arita dish in the Groingen Museum with three of the elements, clearly copying very closely a Delft original of ...

A unique Ko-sumetsuke tea ceremony plate with an unusual motif of a raging bull. The center of the plate is divided into 5 sections with scrolling vines and chrysanthemums. The central figure is a raging bull in a pine forest with rounded fronds. The perimeter of the dish is ringed with a classic cloud image. Ko-sometsuke (old blue and white) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). The bottom of the plate has a marker...

A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches. The interior divided into four brocade panels, each with a reserve containing, respectively auspicious Chrysanthemums and Ro...

Japanese pair of Satsuma vases, beautifully decorated all over with scenes of in raised gold and colorful over glaze, motif is portraying the 18 arhats surrounding a kwan yin like form bodhisattva and Chinese sages. The vases portray characteristics seen in Yokohama Satsuma wares which were produced during the latter part of the Meiji Period. Age: Meiji Period, each vase is signed on bottom: Satsuma attributed to Hattori. Size: 9" high