An exceptional web of gold interspersed with nishiki-cloth patterned designs on gold lacquer fuses this once broken 16th-17th century Koro with ami-me net patterned solid silver lid. This was likely originally made as a tea cup, considering that the entire interior is glazed. Broken and reassembled using the Kintsugi gold technique and placing unusual patterns on the missing portions, this is an exceptional work of art...

Very rare XII Eiraku Wazen (1823–1896) Kiseto Sake Cup (Sakazuki) with original box. The seal of the potter is stamped on the bottom.

XII Eiraku Wazen (1823–1896) belongs to one of the most influential pottery family in Kyoto in 19 century.
He became the head of the family in 1843 at the age of 20 with the name Wazen after retirement of his father Hozen...

Rare antique Ko Iga Mizusashi made in the late Edo or Early Meiji period (19c)

Size
Height 16.5cm
Width 18.5cm
Weight 1450g


Condition
Very good considering the age.
There are minor chips on mouth.
It comes with the second wooden lid and old wooden box of the period.

Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

This very decorative vase was made around the mid 19th century (late Edo Period).

Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look...

Kyoto ceramic statuette of Guanyin. The clay is not earthenware, but rather stoneware fired at low temperature. An enamel decoration, applied to a cracked glaze, covers the entire statuette. The rock-base is enamelled in green and blue, stained with gold. The dress of the deity is enamelled with stylized flowers and scrolls in blue, green and red, but the whole is dominated by gold. This statuette is of excellent quality, elegant and rare...

EXCAVATED YAMAJAWAN 2pc.

Layered Japanese proto-pottery bowls stuck to each other in the kiln-firing, so-called 'Yamajawan' (Yama-Chawan / lit. 'Mountain tea bowl'), circa Kamakura-Muromachi period (1185-1573), approx. 15 x 15 x H 6cm (5.90 x 5.90 x 2.36in)...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance...

Japanese antique Mishima ware hagi tea bowl with pink and gray glaze and wave pattern...

A jewel-like miniature ‘Imperial’ Satsuma vase, of baluster form with elephant head handles. One side is decorated with flowering lotus, the other with a gourd vine. The base has the signature Hogetsu beneath a blue Shimizu mon.

Approximately 9.7cm high. Perfect condition...

Antique Japanese chawan (tea bowl) made in the Iga Ueno - Shigaraki area. Beautifully sculpted and decorated with natural glazes which have melted to wonderful green and brown crackled drips. Perfect example of "wabi-cha", the style of Japanese tea ceremony that emphasizes simplicity. Shigaraki is known as one of the 6 great pottery regions of Japan. With a signed tomobako.

Dimensions: 2 1/2" high x 4 5/8" wide

Fairly large bowl of irregular round shape with indentations in upper edge and openings in the side, decorated with a large red lobster. The spiny lobster is traditionally eaten during the New Year...

An unusual Edo period Oribe serving bowl, the color filled crackled glaze decorated with scrolling lines in iron and splashes of copper green. Both inside and out hash mars denote a bamboo fence with blossoms in the fore. A handle and raised architectural elements around the rim and rising to the mouth echo some western influence, possibly indicating original Christian use. It comes resting on a silk pillow in a age-blackened wooden box titled Oribe Katakuchi...

A glistening incense burner in the shape of a court cap by Eiraku Zengoro enclosed in the original signed wooden box dating from the 19th century. Gold designs gleam on the regal plum surface. It is 15cm×10.5cm,18cm (6 x 4 x 7-1/4 inches) and appears to be in perfect condition.
The Eiraku family is one of Japan’s most important and historically significant lines of pottery artists in Kyoto, tracing back to the 16th century. The skill of Eiraku potters earned the honorific title of Sen...

This early 20th century ceramic beast looks like Shi Shi. It is 8 ¾” high, 3 ¾” wide and 7” long. It depicts a brown and beige color sitting beast with its mouth wide open. The maker’s signature “Seyama” is on the bottom. It is in excellent condition.

B.1869 - d. 1945, Tsukitani was a flamboyant woman potter breaking through the often stiff men's world of pottery. Her peak period was ca.1915 -ca.1932. Her work is known as "Tsukitani ware". Known as a pioneer woman's potterer and sculpter. 15cm tall x 20cm wide. Ask for shipping quote. Great condition with unsigned wood box.

1920s Japanese ceramic tokkuri - sake bottle - with body pinched on 3 sides, one indent containing a low relief figure of standing Hotei (one of the 7 Gods of Good Luck and incarnation of Maitreya - the Buddha of the future). The piece was made at Bizen kilns, characteristic brown clay body, beautiful patina. Clever design, very pleasant to hold, in excellent condition. Height 7 1/8 inches.

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay. Embracing the flawed and broken aspects of an object through kintsugi is a way to appreciate the passag...