Late Meiji - early Taisho (1910s) Japanese pottery Bizen ware chaire (tea caddy for storing powdered green tea used in tea ceremony). Wonderful potting, buff color clay with beautiful orange streaks, pleasant patina, impressed mark of the potter on the bottom. Later turned dark hardwood lid lined with gold paper on the inside. Comes with very well made shifuku (silk brocade storage bag). Great piece in excellent condition. Height with cover 3 1/8 inches, maximum body diameter 2 3/16 inches.

19th century Japanese chaire (tea caddy for storing powdered green tea used in tea ceremony) in a shape of a storage jar with narrow waist and wider shoulders, and 2 mock ring handles. Old Bizen ware with characteristic dark brown clay bearing the marks of potter’s fingers as he was turning the piece on a wheel. Typical Japanese elliptical lines on the bottom left by a string used to cut the item off the turning wheel. Possibly marked by the bottom - see the detail on Enlargement 1...

Late Meiji (1890s to 1912) Japanese chaire (tea caddy for storing powdered green tea used in tea ceremony) in a shape of a storage jar with 4 mock lug handles. Buff colored stoneware body with free bulbous body bearing the marks of potter’s fingers as he was turning the piece on a wheel. Beautiful glaze turning from brown to off-white towards the bottom of the piece. Comes with very well made shifuku (silk brocade storage bag). Old bone lid lined with gold leaf paper on the inside...

1900-1920s (late Meiji - early Taisho) ceramic chaire (tea caddy for storing powdered green tea used in tea ceremony) in bunrin (apple) shape with a single small handle. Unusual Kyoto piece made in neriage (agateware) technique that is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Comes with very well made shifuku (silk brocade storage bag).Old turned bone lid lined with gold leaf paper on the inside...

1900-1920s (late Meiji - early Taisho) Japanese burlwood stand with live edge and two sides with wave shaped edges, to be used for placing small objects during tea ceremony or display of okimono. Wonderful dense wood with supremely beautiful texture resembling swirling clouds, in excellent condition. Size 6 x 5 inches, 0.35 inches thick.

1900-1920s (late Meiji - early Taisho) Japanese pottery Kyoto ware chaire (tea caddy for storing powdered green tea used in tea ceremony) in double gourd shape with enamel decoration of brocade pattern with leaves, branches and flowers. Beautiful finely crackled glaze, wonderful slightly crooked upper part of the gourd giving the piece extra character. The foot shows stoneware body with concentric lines. Old turned lid lined with gold foil paper on the inside...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design...

Rare 19th century Japanese ceramic Kuro Oribe chaire (tea caddy for storing powdered green tea used in tea ceremony) with two mock handles. Comes with very well made shifuku (silk brocade storage bag). Beautiful free potting, typical elliptical lines on the foot left by a string used to cut off the piece from potter’s wheel. Characteristic kuro (black) Oribe beautiful rich glaze enveloping most of the sides with one open areas painted with underglaze brown flowers, extraordinary patina...

1920s (late Meiji - early Taisho) ceramic chaire (tea caddy for storing powdered green tea used in tea ceremony). Comes with very well made shifuku (silk brocade storage bag). Kyoto ware with dark brown to black glaze and beautiful tan colored streak going from the mouth to the middle of the body, old turned resin lid lined with gold leaf paper on the inside...

Late Meiji (1890s to 1912) Japanese ceramic Oribe ware chaire (tea caddy for storing powdered green tea used in tea ceremony) with two mock handles. Comes with very well made shifuku (silk brocade storage bag). Characteristic rich green glaze on the top, beautiful underglaze brown painting of fern sprigs on one side and plant shoots and brocade patterns on the other, wonderful finely crackled glaze...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi and a Zen buddhistic infinity symbol.

It is in perfect antique condition and comes with an antique wooden box.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

Rare “kiln waster” possibly from the Qingliangsi Kiln, Baofeng, Henan- see reference in last enlargement. D: 11.8cm/4.7in and H: 4cm/1.6in. Very shiny black glaze. There is one star crack on the side as well as “slag” adhesions on the rim. Please examine enlargements. May still be used for tea ceremony if you don't mind a little "wabi sabi"

Matcha bowl in clay decorated with two hare, partly glazed.
A fine contrast between the unglazed foot, which retains the raw color and rough, matt appearance of the clay, and the rest of the bowl, which is partly glazed with a brown layer with a smooth and shiny appearance...

Late Edo Period (1603-1868) Ko Takatori small Chawan named "Kiyomoto" decorated with a single plum blossoming branch, with box signed by 8th gen. Yabunouchi tea ceremony school Grandmaster Shinshinsai Chikuho Jochi (1792-1869).

Shinshinsai Chikuho Jochi (1792-1869) lived during the time of Meiji restoration which deprived Japan of many features of a sovereign nation and costed millions of lives...

Antique Japanese gray porcelain tea cup with crackle glaze...

Jian ware black glazed bowl with fine russet hare’s fur streaks. Southern Song dynasty. No chips or cracks but there are areas where the glaze from another piece had fallen onto it during firing- the "wabi sabi" is strong in this one, suitable for a Japanese Tea Ceremony. D: 12.3cm/4.9in and H: 6.2cm/2.4in.

Antique Japanese cast iron tetsubin (kettle for heating water for tea). Made with a tall handle and bell-shaped body. Raised shells adorn one side with a raised abalone shell on the other. The intentional casting of rough edges adds a natural beach-like appearance. The lid is also made of cast iron.

Age: Meiji Period (1868-1912)

Dimensions: 11" high (including handle) x 7" wide x 6 1/2" wide

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo. It is likely that this type of jug was also used for alcohol as specified on the invoice issued by the seller in Kyoto which dates it to 1850. Good condition, ...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

Round chawan, bowl used in the tea ceremony, with straight sides and a foot with three incisions. The very fine clay has an incised décor of standing and flying cranes and three minogame, covered in a celadon green, translucent glaze with fine crackle.

Impressed seal next to foot: Akahadayama.

Akahada ware, Japan, prob. Meiji era, 1870s

H 2.8 x Diam. 4.25 in.

Two chips on the lip that were restored with silver over red lacquer which is now worn (one partially underglaz...

Chawan, or tea bowl, for use in the the tea ceremony. Fine gray stoneware turned out rather thin of almost round shape, with a ‘soul’ in the bottom, standing on a bamboo shaped foot, a swirl inside the foot. Opaque yellow glaze with fine crackle covers the ceramic. Over the yellow a white slip hakeme brush stroke on the outside and on the inside.

Seto region, Japan, 19th century

H 3 x W 5.25 x D 5 in.

Two unprofessionally, but lovingly repaired chips at the lip. One on ...

Antique Japanese tetsubin (pot for heating water for tea). Made of iron in round form and decorated with raised bats. The lid is made of bronze and signed on the underside.

Age: Meiji Period (1868-1912)

Dimensions: 8 1/2" high (including handle) x 6" wide x 5" wide

Very rare Raku Kichizaemon IV Ichinyu (1640-1696) black Raku tea bowl.
Comes with an old signed box.

Having become Raku master at the age of 16, Ichinyu was significantly influenced by his father Donyu who died at 58. In general his works are powerful, large in scale but with thin surfaces and bold incisions made with spatula.

In later years he appeared to revert to the style of Chojiro, making compact tea bowls with smaller dimensions and few spatula marks. Ichinyu hi...

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture.

Developed under and named after th...

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies. With his diverse resources, he has created a new tea pottery that goes beyond mere imitation and reflects the taste...

Vintage Japanese wooden sago (tea scoop) carved in a shape of an eggplant. That kind of tea scoop is used for sencha - a type of Japanese green tea which is prepared by infusing the processed whole tea leaves in hot water. Cleverly and beautifully carved (see the stippling on the leaves by the stem) out of softwood, very pleasant to hold, in great condition. Length 4 7/8 inches.

Very sophisticated and fine mid Edo Period Hirado Mizusashi for the Japanese Tea Ceremony with its original lid.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families. During this time Hirado ware was popular for the water jars used to hold the cold wa...

Chawan, tea bowl to be used in the tea ceremony, of distorted oval shape (kutsu or clog, or shoe-shape). Thick cream-colored stoneware that turned red during firing in the unglazed area, covered with a translucent greenish ash glaze that collected in the bottom and around the rim and is very thin around the sides. The sides are ‘rough’, giving a look into the clay.

Japan, Seto region, very early Edo period.

H 3 x W 5.5 in.

Excellent condition

Comes with a red silk po...

One of the best tea bowls I have ever seen. Wonderful Raku Chawan in the style of Donyu (Nonko III) Kichizaemon, made by greatest Raku 12th generation Kônyû Kichizaemon. Holding this masterpiece is like a universe held in the palms of your hands.

Among the various generations of the Kichizaemon family, it has always been customary to devote themselves artistically to at least one of their ancestors and produce a work of art commemorating the great work of their ancestors. And so d...

Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

Hard to find nowadays: fairly shoe shaped (kutsugata) tea bowl, made of light, coarse, unrefined Mino clay. The expertly thrown body was covered with a potter's knife in its shoulder and around the foot ring.

The brim of this bowl covered with a green copper oxide glaze and the lower part was left unglazed and decorated in iron oxide with buddhist wheel of law on two opposite sides over which finally a transparent ash glaze was applied. The wheels were additionally highlighted with...

A very rare, noble and artful Hirado Chawan with traces of playful glaze surrounding the bowl like icing. It dates from the Meiji Period (1868-1912) and is in great antique condition with no chips, cracks or repairs.

Since such tea bowls are very rare to find, it is a wonderful addition to any serious collection of Japanese tea ceramics.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality ...

One of the very rare Buddhist Tea Bowls with a sculptural image of Bodhidharma Daruma. The incomparable Seto-yaki tea bowl was made at the end of 19th century and is in great antique condition with no cracks or repairs.

The historical Bodhidharma (known as Daruma in Japan) was an Indian sage who lived sometime in the fifth or sixth century AD. He is commonly considered the founder of Chan (Zen) Buddhism 禅, and credited with Chan's introduction to China. (Important Note: Zen is the...

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.

Perfectly shaped Shino Chawan with beautifully crackled Shino glaze and with the image of 3 Noh mai dancers.

It is extremely rare to find an antique tea bowl with a Noh mai dance motif.

This Chawan was made at the end of the 19th century. The signature of the artist is inscribed close to the foot ring.

Noh mai means „traditional movement“ and came from China to western Japan It was heavily influenced by the elegance and sophistication of the manners often a...

Kyushu hard porcelain teapot, kutani style arita kiln. Decor in polychrome enamels and gilding. Symbols of longevity, cranes, turtles and the famous couple of legendary old lovers, Jô and Uba. The old man holds his traditional broom in his hand. Good condition. No catering. No wear. Height approximately:25cm.

We are glad to present you this Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791-1875 ).

It shows a 31-syllable poem of herself and her signature tastefully carved onto the tea bowl. The poem says:

おともせず

ふるとも見えぬ

朝じめり

枝おもげ成

青柳のいと

Without a sound

rain falls, also unseen

the morning wetness

in heavily sagging

fronds of green ...

Japanese cast Iron Tetsubin, Iron Tea pot, with Bronze Top, 5" high include top knob, 8 1/2" with handle upright position, 6 1/2" wide- widest part include spout, brown rust inside the pot, pebble sandy finish outside. The condition is good.

Antique Japanese small ceramic teapot in the form of lotus leaves. Buff color clay with light brown glaze and glossy speckles. Leaves sculpted with naturalistic details. The spout is a folded leaf and a small round leaf functions as the thumb rest. The underside of the teapot is sculpted to match.

Age: Meiji Period (1868-1912)

Dimensions: 2 1/2" high x 3 1/2" wide x 4 1/2" long

Beautiful Edo Period (1603-1868) Iga Tea bowl

Natural ash glazed Iga Pottery is traditionally produced in former Iga Province, the birthplace of ninja, in central Japan dating back to 7th century and it generally reflects wabi-sabi aesthetics with its unique rustic appearance.

Size
8cm high;
13cm width;

Condition
There are with few cracks. Please see the photos for reference.
Supplied with old box which says Iga Chawan

Skillfully crafted Shino ware Tea Bowl (Chawan) for tea ceremony made in 19 century by anonymous potter.

Shino ware is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
Height 7.8cm
Width 11.8cm

Condition
There is an old chip of glaze on the side.
Supplied with wooden box

An antique Japanese Kadai (display stand for Ikebana and Tea Ceremony) made of Keyaki (Zelkova) wood. Cut from the root trunk of the tree forming a solid top with few air pockets and a multi-leg base providing natural stability. Beautiful wood grain and natural art form.

Age: Meiji Period (1868-1912)

Dimensions: 32 1/2" Wide by 6" High by 24" Deep

An antique Japanese Kadai (natural wood display stand) used for Ikebana flower arranging as well as an accent stand to display precious objects. Made of burl Hinoki (Cypress) from near the roots of the tree trunk. A beautiful Peacock open train pattern emerges from the wood grain.

Age: Late Meiji Period (1900-1910)

Dimensions: 23 1/2" Wide by 1 1/4" High by 20" Deep

Edo Period (19c) Yusai Awazu Brown Glaze Chawan formerly in the collection of Nishimura Toshimichi.
The mark Awazu is stamped at the bottom.

Yusai Awazu (1770-1848) was a government official in Inaba Province, an old province of Japan in the area that is today the eastern part of Tottori Prefecture, in the late Edo period.

He was from the house that served as Toneri (servants for imperial house and aristocrats) for generations, and was a disciple of Suehiro Unge in Hig...

19th century Japanese Satsuma kogo (box for incense during tea ceremony), its top decorated with bamboo stems and leaves, and the sides with various flowers and leaves, and several flowers on the inside. Good potting, very nicely painted, typical Satsuma finely crackled glaze, in great condition with appropriate age and usage signs. Signed on the bottom in gold on black with 2 characters reading HARAZAN (alternative reading is Warayama). Excellent quality painting. Diameter 2 3/8 inches, height ...

A Japanese cast iron tetsubin or water kettle with an undulating rim. The sides are cast in relief with a temple compound amid pines in a generic landscape, the reverse with sparrows in flight, all above a key-fret band. The kettle has a typical stubby "S" spout, wrought iron overhead swing handle, and is fitted with a bronze lid having "garlic clove" knop. Incised to the interior lid "Ryubundo dzu" (Made by Ryubundo). Dates early Meiji, measures 10.5" high including handle and 8.5" across i...

1900's Japanese Cast Iron Gold & Silver Inlay Tetsubin with Bamboo & Bird

It is 7 inches (17.8 cm) tall measured with handle up and 4.5 inches (11.5 cm) tall measured with handle down by 6 inches (15.2 cm) wide. It is 2.5 Lb. It will hold 900 ml (cc) water.

It has rust, loss of gilding, missing a leaf of the finial, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purch...

An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for.

It comes...

Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.

On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes. During local festivals like in Miyazaki, he appears in traditional dengaku dances and plays the role of a clown...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


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A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems. Meiji 1868-1912. Good condition.

Late Meiji (1890s to 1912) Japanese ceramic covered box imitating a shape of a drum with nails along its perimeter and with thick enamel decoration of grasses with white flowers on the top, possibly to store cosmetics or to be used in tea ceremony. Very well made stoneware body with beautiful spiral lines on the bottom showing how the piece was taken off the potter’s wheel. Main body is covered in “shark skin” enamel and design on the top is done in moriage (piled-up) technique, which is r...

A rare and interesting, rectangular incense burner (koro) of Seto ware covered in a wet, curry-coloured glaze running thin at places, leaving the raw core exposed. Japan, probably early Edo, c. 1650. H 6.5 cm, L 10.5 cm, W 7.5 cm. Condition: Excellent with slight wear from use.

A cute Kutani ware incense box and cover (Kogo) in the form of a mandarine duck (Oshidori) in typical Kutani color pallet: green, yellow, blue and black. The bottom part with Kutani stamp at the base. Enclosed in an inscribed old tomobako. L 8,5 H 5 cm. Late Meiji to early Taisho. Good condition.

This is absolutely rare:

Late Momoyama Period Wan-shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro Oribe bowls this bowl was covered with a black glaze. Three windows on the side were left unglazed and were decorated with a combination of checkers and dots between parallel vertical lines - a decoration usually known from v...

One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.

Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay. The technique is also called neriage (練上げ), although this term also refers to the throwing of multipl...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...

Nice little teapot in satzuma earthenware. Decorated with a landscape of madarin ducks, symbol of marital happiness. Original handle in woven bamboo fibre. Signature of the artist, I did not look for it but I can do it on request. Perfect condition. Width about: 11cm