A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box...

Here is a real beauty. Perfect in form, shape and design: Ao-Oribe (Green Oribe) Chawan from the early stage of Edo period. Little distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay.

The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside...

Let's continue with another treasure: rounded wan-shaped tea bowl with high foot of the bamboo node style. The body pinched in at the middle to a shape called tojinbue (Chinese flute). The light, little coarse clay with enclosures is expertly thrown and full glazed - incl. the foot - with a transparent glaze of wood ash with some feldspar over a white engobe in hakeme style. The glaze shows a fine little crazing over the engobe, which is just amazing...

Little distorted half cylinder shaped (tsutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside.

The window is decorated with three concentric squares and twigs in iron oxide glaze has then covered with a clear ash and feldspar glaze. This is a typical Momoyama design...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...

Another stunning and important cultural highlight of our collection: distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - applied with a brush sparing out a cross mark on one side and a kind of a window with a land scope in flying brush style (haboku) ov...

This is an Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791 - 1875 ).

It shows a poem of herself, tastefully carved onto the tea bowl. The chawan has a wild and rough look and an aesthetic kintsugi ( gold repair ). A tasteful woodbox is also included.

Size: 2.4'' height, 4.3'' width.

Ōtagaki Rengetsu was a Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled...

We present a real rare item. A fantastic tea bowl by legendary potter Nin'ami Dohachi made about 180 years ago, during Japanese Edo Period. Take your chance to get it.

Nin’ami Dohachi (born as Takahashi Mitsutoki; 1783-1855) worked in Awata until he set up a kiln in Fushimi, near Kyoto, in 1842. Dohachi was specialized in tea ceramics and was famous for his recreations of other styles in stoneware and porcelain, especially his efforts to revive the Ninsei and Kenzan styles.

Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.

The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze.

The decoration in white Shino glaze on this ...

Distorted half cylinder shaped (kutsugata) tea bowl made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body, trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxide inside and outside. Here it is a rarely seen dark brown due to a lack of manganese.

A window on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a form of straight and wavy lines. This is a typical Momoyama design.

We are glad to can offer you a real authentic piece of real Japanese tea ceremony culture, a Shigaraki-yaki Edo period antique mizusashi (water jar) with its o r i g i n a l and signed antique wooden box.

Dated Bunsei 13 (1830).

This is one of the rare originals, which are hard to find in and outside Japan.

As it is in brilliant condition, it can still be used for the tea ceremony.

Height : 14,5 cm

Diam. : 19,5 cm

Shipping in...

Today we like to offer you a very old Yuzamashi from the Edo period.

The yuzamashi is used to allow the boiled water to cool to the proper temperature before mixing with the matcha.

It is hand molded in the shape of lotus leaf.

No repairs, only natural inborn kiln cracks.

Size: 2,5'' height - 4,11'' width.

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide. Having a history of over 1,000 years and a matching tradition...

An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.

No chips or repairs.

It is unsigned, as would be typical of older tea implements.

S...