Our Kutsu / gutsu gata ( shoe shaped ) tea bowl is made of iron bearing Karatsu clay.

Its fastly but expertly thrown body is glazed inside and outside, with the exception of the bottom including the roughly cut foot ring with an ash glaze which has some Feldspat mixed in glaze...

A fine Kakiemon shallow dish of moulded octafoil form decorated in underglaze blue and enamels with a scene from the Tale of Ise featuring the famous eight planked zig zag bridge, Yatsuhashi, over a bed of Irises, kakitsuba. The Kakiemon version combines trailing Cherry blossom with clouds and rain. The lower half of the design incorporates further familiar Kakiemon elements, the almost trade mark, turbulent waves and a water fowl, amongst Irises...

A beautiful framed work of art, Japanese silk embroidery panel of a pair of Japanese Chin puppies playing with a tasseled floral ball. The imagery is reminiscent of fu dogs, in which the ball represents rule over the world. Hand-embroidered in gorgeously stunning condition, with very high-end and tasteful framework. Late Meiji period (1868-1912)

Provenance: Early Warren Imports collection

Size: (entire frame) 34.5" L x 30" H (artwork only) 23.25" L x 18.5" H

This is fireman's sashiko hanten coat in Edo period. It is a motif of a big spider and the petal of cherry blossoms and the person of the kabuki. It is very impressive and it is bold.The petal of cherry blossoms that adhere to the cobweb is very fantastic. There is a little part that was able to be rubbed. However, the state is very good. There is neither stain nor damage. The lining is an indigo dye. It is sashiko hanten coat of a very valuable fireman. Please add to your collection...

This is sashiko Indigo dye cotton noragi hanten at the Meiji era(1868-1912). There is a repair mark in the sleeve and the back. However, it is very good overall. I recommend it for your collection. size:120cm x 132cm (47.2" x 52")

An early Eighteenth century export dish decorated with a central motif of a Large Vase on a Veranda containing an arrangement of Cherry flowers and Peonies. The border is divided into a series of fan shaped reserves of increasing size. Each separated by further vertical bands of blue brocade inset with Kikumon, The design is something of a departure from the more usual regular formats based upon the Kraak fuyo-de pattern...

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

Beautiful Japanese antique highly carved butsudan panel, carved with scene of two dragons in swirling clouds and crashing waves, black and gilt lacquer with details in red, the eyes of the dragons are made of reverse painted glass, framed in black lacquer frame with copper hardware. This piece was once a ranma or transom over the interior doors of a large Buddhist butsudan shrine. Meiji Period. Size: 9" high x 44" long. Carving is up to 3" deep.

SIZE : Width 5.1 in : Length 5.0 in : Height 2.8 in : Weight 360 g + Box 290 g

This is a rare tea bowl of Japanese SETO pottery ware. This was made about 150 years ago during the Meiji Period.

SETO is the pottery of Aichi Prefecture in Japan. It is chosen as one of the oldest 6 pottery called ROKKOYO in Japan. And such a glaze with taste of mud is SETO...

This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant. As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem...

Edo period, 1700s

Well-carved, lacquered and gilded, seated on a lotus petal base. The mandorla is missing, and there is an old loss to the hands, otherwise, it is in good condition. Acquired in Japan in the early 1970s.

Height: 6 ¼ in.

Japanese antique Edo Era Teapot of Oribe ware.

Size 20 centimeters in height, width 16x12.5 centimeters, 570 grams in weight.

Oribe ware (¿—²¿Ÿ† Oribe-yaki) is a type of Japanese pottery most identifiable for its use of green copperglaze and bold painted design. It was the first use of colored stoneware glaze by Japanese potters.

It is one of the Mino styles originating in the late 16th century...

Hagi-isho juban (under kimono) made of silk in many kinds such as silk crepe, figured silk, pongee silk and wild silk. The patterns are: komon (stencil-dyed small pattern), stripes, checks, kasuri (ikat) and solid color. The lining is indigo dyed pongee silk and floss silk in the hem. All the dyes are vegetable such as benibana (safflower), indigo, purple grass root and so on. In excellent condition. Mid 19th to early 20th century. 127cm x 138cm

An interesting dish decorated with an Arita Kraak style export pattern, see Mededelingenblad Nederlandse Vereniging van vrienden van der Ceramiek nr 101/102 plate 29 for the almost identical pattern executed entirely in underglaze blue. However it would appear here made for domestic consumption in somenishikide style in a combination of underglaze blue and enamels. The shape is unusually deep with a flared rim...

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings...

A dish decorated with a partially painted and stencilled dragon amongst lightning bolts framed by a double ring within a band of stencilled Wan diaper band to the rim. The reverse painted with three stencil and wash auspicious gobenka with karakusa motifs, and a six character mark nien hao for the Chinese Emperor Chenghua. This is an early example of the use of katagami stencils, a technique borrowed from textiles, apparently particularly associated with the Hikeoba and Sarugawa kilns, but a...

Meiji Period, late 1800s

This bronze sculpture of a ram is rather heavy cast and has well-delineated features in both face and coat. It is in good condition and it has its original applied reddish-brown patina overall. No signature is present. This particular subject is not often seen among Japanese bronze sculptures, and it is likely from a set of twelve zodiac figures. Acquired in North Carolina in the early 1980s.

Length: 9 in., Width: 4 ¾ in., Height: 7 ½ in., Weight: about 7 p...

A Japanese silk oohi (Buddhist priest's ritual shoulder covering), deep salmon pink brocade silk with an overall design of overlapping fan shaped panels and snowflakes interspersed with daisies and Chinese bell flowers, etc; internal corners with Japanese symbols on a white ground. The ties and liner are green silk. Meiji period. Dimensions - 12 1/2" x 58 1/2".