Two small Japanese porcelain dishes used for small side servings or morsels - both decorated with blue underglaze and polychrome overglaze enamels. One with asymmetric floral decoration and gilt foliate rim and spurious Chenghua mark inside the foot. The other octagonal with dragon decoration in the cavetto surrounded by flowering karakusa enclosed within alternating red and blue panels and the verso with geometric patterns...

A group of samurai won a victory in a battle. Hanging scroll Circa Edo period, 17th century. Painted on paper with ink and pigments. The samurai on the far right is holding a stand with the head of their enemy’s general. In Japanese history the enemy's head was to prove the samurai's feat in a war. If the opponent defeated was in a higher position, the better rewarded. There is an inscription on the scroll reads Tosa Mitsuoki hitsu, means painted by Tosa Mitsuoki...

Antique Japanese small Bizen ware water dropper in the form of a fu-dog with ball, beautiful details, minor losses, a charming piece. Size: 3 5/8" long x 2 3/4" high

A Nezumi Shino covered box or jar. Probably a mukozuke (but for which we are not familiar with examples accompanied by a cover.) White slip inlaid into incised decoration under the warm, gray glaze - conspicuous on the cover but not so much in decoration on the sides of the box where contrast does not succeed as well. A pleasant "swipe" of white slip under the cover provides a bit of a "surprise"...

An antique okinawan incense container decorated with a lacquer and inlayed mother of pearl depicting a dragon appearing from clouds. Circa 19th Century. Mother-of-pearl inlay, which is known Raden in Japan was first introduced to Japan during Nara period (710-784). The technique was popularly used with lacquer for artworks such as instruments. It is in good condition with tiny loss of inlayed mother of pearl. The piece accompanied a poulownia wood store box...

Large shrine board (known as an ema) of Bishamonten chasing after a demon. Polychrome pigments, gold, and sumi ink on wood.Dated Second year of Enki, year of the wooden bull (kinotoushi):1745, November (Shimotsuki). Board was donated by Omiya Souhachiro, who was living in the Kudara-cho district of Osaka City (near the vicinity of Shinsaibashi area). The board was painted by Hanai Bunsen Tsunemine (active early 18th century)...

An ukiyo-e folding screen depicts a group of ladies preparing for Japanese Star festival called Tanabata festival, which takes place on the 7th day of the 7th month of the year. Painted on silk with ink and pigments. On the right panel depicts a beautiful woman sitting at the coffee table preparing to write her wishes on the colorful piece of paper. As part of the custom, the wishes are to be hanged on a bamboo tree in the hope that they become true...

These are two wooden miniature Fudos ( Cetaka ) who is the incarnate of Dainichi Nyorai, the highest ranking Buddha. It is said that he can change evil minds of demons and make them good. He has an expression of rage, holding a sword in the right hand, the kensaku ( originally a trap for birds or small animals ) in the left hand ( Both are lost of these Fudos ). One is standing on a rock, but this wooden one is not an original. Right-H: 12cm W: 7.5cm Left-H: 10.5cm W: 4.2cm

This is impressive kabuki Costume textile of the last part of Edo era.(1800-1867) It is beautiful silk of the dyer's saffron dyeing. A cloud and the applique of the Chinese phoenix which I write the kimono by hand and dyed are on. It has a few stains. However, it does not stand out. It does not have damage and is in a very good state. size:121cm x 130cm (47.6" x 51.2")

Bronze covered hibachi by Soho Sunosuke. Bronze lid with image of Chinese lions and peonies surrounded with a karakusa or scroll vine pattern openwork border on the side. The body of the hibachi contain metalwork still lives of herons, mandarin ducks, quails, and pheasants. Bottom of the hibachi contains the signature of Soho Sunosuke. Signature reading: Soho. Size: Length" 10.5" Width: 10.5" Height: 8.5"

Antique Japanese single iron stirrup with scrolling vine or karakusa with chrysanthemum and plum pattern gilt damascene inlay on iron and mother of pearl or aogai decoration in the interior. Age: Mid-Edo period 18th century. Size: Length: 10" Width:5.2" Height: 10.5".

A fine and early museum quality complete set of five Ko-Imari, Kakiemon style cups or choko. Blue underglaze and green, red, aubergine, yellow and black overglaze enamel decoration of peonies and prunus blossoms in garden landscape with rockery and fence. Traces of rubbed gilt enameled highlights. The choko form saw many uses such as teabowls (also seen in early European ceramics after Japanese examples of the period), large sake cups, and mukozuke...

This cast metal figure of a farm girl is an early 20th century (late Meiji) product. It depicts a bare footed farm girl carrying a large basket on her shoulder. It is 11 ¼” high and 4 1/8” in diameter at the base. The tip of the small stick she holds in her left hand is broken off. Aside from this, it is in very good condition.

Japanese Early Meiji Period Gosho Ningyo (Palace Doll) depicted with a gift box with Daruma and featuring a crane. He is wearing a fitted silk crepe haragake bib tied at the neck and waist. He has a delightfully rendered face with a bright expression, slightly open mouth, and painted features. His forehead has a painted auspicious mizuhiki (presentation ribbon). He is covered overall in a fine white gofun (oyster shell lacquer). 4.5h x 4.5w inches, 11.5h x 11.5w cm.

Japanese Early Meiji Period Kneeling Gosho Ningyo (Palace Doll) depicted with a gift box offering, wearing a fitted silk crepe haragake bib with a cherry blossoms design, tied at the neck and waist. He has a delightfully rendered face with a bright expression, slightly open mouth, and painted features. His forehead has a painted auspicious mizuhiki (presentation ribbon). He is covered overall in a fine white gofun (oyster shell lacquer). 4h x 4w inches, 10h x 10w cm.

A large, rarest of rare Japanese 18th century Bijin Saga Ningyo, depicting a standing female holding her flowing kimono. Saga Ningyo are the most sought after of all Japanese Ningyo. They are almost never seen on the market, and only rarely enter Western collections, public or private. This is a once-in-a -lifetime opportunity for the serious connoisseur of Japanese art. This finely carved and sculpted figure is a masterpiece from all angles...

Rare and wonderful Kyogen Theater mask dating from the Edo period, the golden age of Noh Drama. Kyogen are short, humorous skits performed between Noh acts to lighten the mood. He has gold eyes with a rich red lacquer finish. Red represents both drunkenness and healing. The large nose gives a striking sense of comic drama. This fine mask is brilliantly carved, accentuating the depth of the mask, and adding a sense of comic theater. 8.25 by 6.5 inches, 21 x 16.5 cm.

A powerful and extremely rare Japanese Edo Period Kyogen mask of a Nio Guardian King, ferocious native deities, often associated with the Naga Dragon Kings, who converted to Buddhism and now act as bodyguards for the Buddha. The Edo period was the golden age of Noh Drama. Kyogen theater was performed between Noh acts. This mask is a brilliantly carved work of art, accentuating the dramatic power of this important mythical figure...