Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer...

Rare Japanese Sado Island Funa Tansu, also known as a captains ship safe. Made of solid quarter sawn Keyaki (Zelkova wood) burl construction with heavy hand-forged iron plates and mounts. The front of the piece with a drawer above a pull-out panel, opened by Kakute handles. The bottom panels pulls away to reveal four interior drawers surrounding a second pull-out panel, all with Hirute handles. The middle panel opens to a safe keeping box with heavy iron lock and hardware...

This is a very fine unsigned Japanese cloisonne vase with a unique form. The enamel and wire work are exquisite. It is not signed but the quality is so good and so unique that the maker is Hayashi. Look at the last image of a signed 3 3/4 inch vase and compare them. The work on this vase is not only similar, the gold wire birds, unique spider mums and leaves on this vase are even smaller in size...

Antique Japanese 2 section 6ft Mizuya with dark red lacquer frame made of Hinoki (cypress) wood, with Sugi (cedar) sides, and Keyaki (elm) burl hardwood front panel drawers and sliders edged with black lacquer frame. From the Kanazawa region. Kanazawa is the capital of Ishikawa Prefecture, on Japan’s central Honshu Island...

This is a Japanese antique silk Shiny striped weave from Edo to Meiji period child kimono. Hand embroidered luxurious and beautiful semamori (amulet) is attached. It is an antique kimono which was kept carefully. I recommend you to your collection. It has the no stain damage. It is a very Excellent condition. size: Length:93cm / 36.6inch Cuff to cuff:85cm /33.4inch

Japanese 2 section Mizuya or kitchen tansu, the front frame with original dark lacquer Hinoki (cypress) wood, Sugi (cedar) sides, and door panels of Keyaki (elm) burl with original reddish orange lacquer finish...

Japanese set of 10 blue and white sobachoko or soba cups. With cobalt blue underglaze floral motifs and ocean landscapes, double ring below the inner rim, and a floral medallion in the center of the well with single ring. The foot is slightly recessed and left unglazed except for the center.

17th/18th century Edo period (1603-1868)

Dimensions: 3" W x 2 1/4" H

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

Japanese lacquer tray with low relief depiction of a peacock in fine gold maki-e lacquer, with maki-e lacquer chrysanthemums, against a nashiji gold flake ground. The peacock's face and the "eyes" of the feathers are inlaid with finely ground shell. The edges of the tray are of a mokko melon shape and the reverse of the tray is all in nashiji lacquer. With display stand.

Dimensions: 13 1/4" L x 9 3/4" W x 3/4" H (without stand)

Antique Japanese kogo, or incense box, used in traditional tea ceremony. The box is squared in shape with the lid ornately done in maki-e gold and red lacquer chrysanthemums, resembling the front cover of a story book with the revealed inner "page" done in silver. The interior of the box and base are done in nashiji gold flake lacquer, sometimes called pear skin for resembling the texture of the Asian pear...

Antique Japanese half section Mizuya, or kitchen buffet tansu, made of Hinoki (cypress) and Sugi (cedar) wood frame. The chest has bold Keyaki (elm) front drawers along the bottom and right side with copper handles. The large sliding front panels are reinforced with attractive horizontal slats, and open to the large interior compartment.

Dimensions: 70 1/2" L x 18" D x 32" H

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches...

This is the Noren used at the ship merchant's house on the Japan Sea side of the Edo Period. It has Mount Fuji, a merchant ship and a family crest. The merchant ship is stylized. This is dyed with indigo. This is Tsutsugaki cotton. There are two small holes, but they are not outstanding. There is a place where a thread came off a little. The back is fading. Size 160cm x 150cm (62.9 "x 59") cace G

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita)...

Girl's ceremonial kimono with hand-painted auspicious motifs such as plum tree with flowers, pine trees and bamboos. It is made of asa (taima or choma, hemp or ramie) and both wefts and warps are hand-plied. It has a charm with silk threads in the back. The second half of the 19th century. In excellent condition except for minor wear in the white lining in the wrist. 69cm x 75cm

Japanese 4 panel byobu folding screen painting of a tall tree branch with ripe persimmons against a gold leaf ground. With artist's signature and red chop.

Dimensions: 72" L x 36" H

A Japanese iron war fan, or 'Gunbai'. These were accessories used on the battlefield to fan in heat but also as lethal, close quarter defensive accessories. A rare item not commonly encountered on the market. Black lacquered and with gold lacquer kanji quoting Sun Tzu (fifth century Chinese political and war strategist)...

Japanese half section Mizuya (kitchen buffet tansu) with four Keyaki burl front panels opening to a wide, narrow open space along the top of the chest. Below this are two large openwork sliding door panels of geometric design, with a small door to the left opened by a hidden Persimmon wood latch. Six drawers with Keyaki burl faces are lined along the bottom of the chest, with brass warabite pulls.

Dimensions: 70 1/2" L x 18" D x 38 1/2" H

Rare large Japanese locking bar tansu made of solid gorgeous quartered sawn Keyaki (elm) hardwood. Finished in its original translucent lacquer finish with a black lacquer frame and dark red lacquer front, top, and sides...

A substantial large Japanese Imari covered bowl with a tear drop finial decorated principally in underglaze blue with a Chrysanthemum vine arabesque overlaid with poem card, shikishi, shaped reserves of peach and rectangular form...

This is a large and extremely rare Japanese Cloisonne vase. Though unsigned this vase was clearly created by Ogasawara Shuzo. As the images show this is a fabulous example of Meiji Era art. The vase measures 15 1/4 inches tall and 8 1/2 inches wide. Condition is outstanding but there is a tiny short line, of about 3/8 inch near the base.

Japanese 2 section Mizuya (kitchen chest of drawers) made with Hinoki (cypress) wood frame and Sugi (cedar) panels, with natural hardwood burl front drawers panels. The top section is configured with two small and three very small drawers below a large interior compartment. The sliding panels are decorated with carved wood accents and copper pulls with floral medallions. The bottom section holds the largest interior compartment behind sliding panels. The sides of the chest are slatted horizonta...

Japanese 2 section Kiri (paulownia) isho tansu, or clothing chest of drawers. With hand forged iron hardware and pulls with chrysanthemum studs beneath. The top and sides of each section are branded with a medicine gourd bottle signature.

Meiji period (1868-1912)

Dimensions: 33 3/4" x 15 3/4" x 41 3/4" H

Antique Japanese scroll painting of a hawk standing on the branch of an oak tree. The hawk is detailed with great attention to every feather. Painted in sumi ink and light colors on paper. Signed Shunkei with seal, possibly Mori Shunkei (1775-1841).

Edo Period (Late 18th - Early 19th century)

Dimensions: Total 79" high x 27 1/4" wide (29 1/4" wide including ends) Art: 51 1/2" high x 21 1/2" wide

An abalone shaped dish decorated in underglaze blue with trailing Clematis vine, Tessen. The dish is in “Ko Sometsuke” style based on porcelain specifically produced in China for the Japanese market in the first half of the seventeenth century made to Japanese specifications. The abalone form was considered especially auspicious, as noshi, dried awabi strips, were formally presented with gifts. It would have been particularly suitable as a gift to one of Samurai rank, as the word noshi was a...

An abalone shaped dish decorated in underglaze blue with trailing Clematis vine, Tessen. The dish is in “Ko Sometsuke” style based on porcelain specifically produced in China for the Japanese market in the first half of the seventeenth century and made to Japanese specifications. The abalone form was considered especially auspicious, as noshi, dried awabi strips, were formally presented with gifts. It would have been particularly suitable as a gift to one of Samurai rank, as the word noshi w...

A hexagonal moulded small bowl or mukuzuke decorated with alternating panels of Buddhist Lions and Peonies painted in a limited three colour palette of iron red, green and yellow enamels and a Camelia flower to the interior of the bowl based on a Chinese wucai pattern of the late Ming period. A cheerful auspicious pattern celebrating the season of spring. The Buddhist lions rendered as playful characters rather than as fierce guardians. A mukuzuke of round form with everted rim with an almost i...

A pair of rice bowls with their accompanying covers cum sauce dishes dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. Their exterior is decorated with a turquoise green brocade ground intended to simulate a Chinese enamelled scrafitto pattern of the period. The design of the bowls including the marumon elements is strongly influenced by contemporary Chinese porcelain, although the iconography and style of painting is distinctly Japanese. ...

An interesting pair of Japanese Arita saucer form dishes decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. These dishes probably date from the period 1690-17...

A rice bowl and its accompanying cover cum small sauce dish dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. The exterior of the bowl and cover are decorated with a turquoise green brocade ground which is intended to simulate a Chinese enamelled scrafitto pattern of the period. The design of the whole bowl including the marumon elements is strongly influenced by contemporary Chinese porcelain, although the iconography and style of painting i...

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords. ...

A rare, attractively enamelled, figure of the Bodhisattva and Japanese "Goddess of Mercy", Kannon.. Unusually, she is seated on a large boulder inhabited by a writhing white glazed dragon. This item was made in Japan in the Meiji period, during the 19th or early 20th Century Condition: two very minor losses - a chip to one of the dragon's horns and a small chip to the bottom of the dragon's tail. 24 cm / 9.5 inches high. For additional pictures, please view our Liverpool shop ...

This is an extremely rare cloisonne masterpiece. It was created by one of the great Meiji artists, Ogasawara Shuzo. It is also a very large piece for cloisonne, at 14 3/4 inches wide and 7 tall. It probably weighs over 10 lbs. The entire dragon is raised relief. This is an eye catching piece that truly belongs in a Museum. Condition is excellent.

Japanese two section tansu made of Kiri (paulownia) natural finish wood. With hand forged iron hardware incised with motifs of cherry blossoms and fans.

Meiji period (1868-1912)

Dimensions: 34 1/2" x 15 3/4" x 40 1/2"

Antique Japanese scroll painting of a monkey seated near a blossoming peony. Painted with great expression and much attention to the details of the face, hands and feet of the monkey. Every hair is carefully brushed. Painted in light mineral colors and ink on silk. Bone ends. Signed Mori Sosen (1747-1821) with seal.

Edo period (1603-1868)

Dimensions: Total size: 44" high x 18 3/4" wide (20 1/2" wide including ends. Size of art: 12 3/4" high x 14 1/2" wide.

A fine, Mishina school tanto, forged and signed collaboratively, Omi no Kami Minamoto Hisamichi and Chakushi Minamoto Rai Hisatsugu with edakiku (branched chrysanthemum) above the two signatures. Dated on the verso 'a day in August of Genroku 15' (1702). In full polish, in shirasaya, accompanied with original koshirae with fine fittings including floral and snow on persimmons motifs. Included are kozuka, kogai, tsuba, fuchi-gashira, menuki. Accompanying documents include NBTHK Hozon certificate ...

Japanese Buddhist Zushi (portable shrine) with bright red lacquered wood exterior and gilt interior. Shrine with the statue of sitting Fudo Myoo, the fierce deity with his pair of attendants, is seated on a craggy outcropping. The double doors decorated scrolling gilt metal work.

Buddhist traveling altars and shrines create a sacred space of spiritual magnetism and are the product of dedicated craftsmanship. Traveling monks were required to have their own prayer tables and other...

A large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eyes. The dragon clutches a smooth clear quartz crystal ball in its 3 point sharp claws. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Dragons are the powerful embodiment of yin and yang and are seen as a symbol of power, strength, and good luck for people that are worthy.
The myths about Emperor Jimmu descending from Toyatama-hime evidence the folklor...

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a landscape scene of a bridge with pine trees and rock formations.

Dimensions: 73" L x 1" D x 13 1/2" Height

Antique Japanese copper and bronze tsuri-doro, Buddhist temple hanging lantern. Six sided lantern with doors decorated with pierced designs of kiri blossoms and scrolling leaves. The base stands on feet which have a repouse design of lotus leaves. The top finial and handle is in the shape of a budding chrysanthemum flower. The double door is latched with a flying crane. Edo Period (at a later date, the paper of the lantern was replaced with a more durable material and the lantern was outfi...

Antique Japanese Samurai meadate (samurai helmet decoration) of a gilt dragon made of hand carved wood with lacquer, and metal. Details of whimsical flowing hair and long eye lashes. Mounted on a custom antiqued bronze metal stand for presentation.

Late Edo period

Dimensions: 17 3/4" x 4 1/2" x 6"

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze.

...

Japanese Kiri Ko tansu with lock bar. Original red lacquer finish with hand forged iron plates and mounts. Safe box in corner conceals two small drawers within.

Meiji period (1868-1912)

Dimensions: 24 1/2" L x 13 3/4" D x 19 1/4" H

A Japanese tea-bowl and saucer of small “cha-sen” proportions decorated with a pair of Doves, symbols both in Europe and Japan, of marital fidelity, and a pair of small beakers with barbed lotus form rims decorated in a similar palette with reserves containing brocade patterns and a small boat set against a shore, as well as flowering prunus and other plants. The beakers have auspicious four character fukichosun marks to the base. The beakers measure approximately in 7.7cm in diameter and s...

A good quality deep bowl on a relatively high foot-ring decorated in a full Imari pallette, sans aubergine enamels, and decorated with a curiously constructed set of three reserves in underglaze blue with a central stylised Chrysanthemum (or possibly a Lotus, or fusion of the two) with assymetric stylised vine like scrolls surrounding a light iron red wash with gilt karakusa vine ground. Between which “naturalistic” seasonal motifs kakitsuba, rabbit eared, Irises, Botan, tree peonies, and Ch...

A good pair of Kenjo Imari dishes decorated with a central auspicious “botan-mon” ringed by a wave border with gobenka. The outer register decorated with an iron red and gilt ground of scrolling vine, aka-e kinrande style, with bud shaped reserves containing a seeded green ground and further stylised Peony motifs, and stylised leaf and scroll reserves in underglaze blue with auspicious precious objects, jewelled cash and rhinoceros horn (the comma like motif very similar in appearance to a ...

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel carved with lakeside scene of pagodas in a pine tree forest.

Dimensions: 73" L x 1" D x 13 1/2" Height

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel carved with lakeside scene of pagodas in a pine tree forest.

Dimensions: 73" L x 1" D x 13 1/2" Height

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a hawk (taka) on a pine branch. This motif in Japanese art is called "matsutaka-zu".

Dimensions: 67 1/2" L x 1" D x 14 3/4" Height

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a landscape scene of a bride with pine trees and rock formations.

Dimensions: 73" L x 1" D x 13 1/2" Height

Antique Japanese single section mizuya (kitchen tansu) made of sugi (crytomeria) wood and finished a light natural color. The large single compartment is opened by two sliding panels with details made of keyaki wood and rounded horizontal rounded slatsof sugi wood.

Meiji Period (1868-1912)

Dimensions: 33" high x 71 1/4" wide x 19 1/4" deep.

Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a crane flying through pine trees. The crane, as well as the pine, are both symbols of a long and healthy life.

Dimensions: 73" L x 1" D x 14 3/4" Height

Antique Japanese choba tansu made of keyaki (elm) wood. The top portion has two small drawers. The middle portion has a compartment opened by sliding panels with horizontal slats. The slats are made of quarter sawn keyaki wood which dramatically accents the striped quality of the wood grain. Below this is a single large drawer. The hardware is made of iron and includes round lock plates.

Meiji Period (1868-1912)

Dimensions: 31" high x 24" wide x 14 3/4" deep.

Antique Japanese red lacquer trunk. Hardware is made of copper and ornately incised. Papered on the inside.

Meiji Period (1868-1912)

Dimensions: 14" high x 24" wide x 16 1/4" deep.

Antique Japanese single section isho tansu (clothing chest) made of kiri (paulownia) wood. Iron hardware includes warabite shaped drawer pulls and round lock plates. There are two large exterior drawers. In the bottom right hand corner is a safe box with hinged door and two small interior drawers.

Meiji Period (1868-1912)

Dimensions: 20" high x 37" wide x 16 1/4" deep.

Japanese special set of 10 Kichi arrows, with consecration marks by the Kichijo-ji Temple. Kichi means good omen. Forged steel, with red lacquered tips. Mounted in splayed fan shape. Very unusual original red lacquered tips.

Edo p. (1603-1868)

Dimensions: 6" x 2 1/2" x 12" Height

This is beautiful Japanese antique Satsuma box with very fine detailing. The white enameling in the flowers and leaves with the gold detail s remind us of work seen on some Seikozan or Shizan pieces. A load of time consuming workmanship went into this piece. It is in outstanding condition with minor gold wear. The box measures 4 3/8 by 3 1/4 inches and is about 2 inches deep. It is not chipped, cracked or repaired. Any discoloration where the lid sets down is missing gold from wear or dirt. We...

Very large furoshiki with many mending patches which are all original and beautifully done. It is made of hand-spun cotton and vegetable indigo dyed, ground cloth as well as mending patches. In good condition. The second half of the 19th to early 20th century. 164cm x 164cm

Japanese solid Keyaki choba tansu (merchant's chest of drawers). The unit sits on a platform base. Original finish solid Keyaki (elm) hardwood construction, detailed with hand forged iron pulls and other hardware.

Meiji period (1868 - 1912)

Dimensions: 36" L x 14 1/2" D x 39" H

Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron oxide engobe is very uniq...