A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai...

This is a nice piece of cobalt blue glazed scholar’s brush stand. It has three mountains with scene of the “Hai Ma” flying amidst the ocean waves on both side of the stand. Circa. 19th century.

The brush stand is in good condition. No chip, repair, restoration or glaze friting.

The measurement of the scholar’s brush stand: The height is 7cm and the and the length is 10.1cm.

Since there still are no publications concerning this kind of ware, this extremely decorative and of course genuine Jar is difficult to date. Most probably this Jar is from the Song Dynasty (Private kiln, Fujian / Guandong ) but it also could be that this Jar is later, from the 14th - 15th century . Another possibility is, that this rare Jar belongs to Shiwan ware. This Jar bears 3 impressed private Kiln Marks which you can see at the images. Condition : Absolutely perfect condition and the ...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori...

This is a circular copper scholar’s ink box with etching of a love poem on top of the cover. It has three seal ark on it, one on the extreme right and two just below the two below the name of the author. On the base of the ink box, there is also a seal mark likely to be that of the manufacturer. It also comes with the original used ink cake. Circa...

Antique Japanese merchant's chest (choba tansu), made of sugi (cryptomeria) wood with dark red lacquer finish, 4 exterior drawers and safe box with 2 small interior drawers, beautiful heavy iron hardware including elaborate bracing on front frame, wooden bracing on sides and back, from the Mikuni area, Edo Period (late 18th/early 19th century). Size: 32 1/2" high x 38" wide x 18" deep.

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

Description: A boxwood carving of Lohan was from late Qing period, 19th Century. Called Chang Mei Lo Han, Lohan with Long Eyebrows, the figure was with likely features of a westerner. By the unique outlook which the Chinese usually depicted to the divines, the Lohan takes the casual posture of leaning to one side when holding in hand with a scroll. By contemplating facial expression, the sage wears only one shoe on the foot when letting loose of another to the stool side...

Antique Japanese tsutsugaki (paste resist) cotton horse cover, bold design of large red characters on either side and white stripes on dark indigo ground in center.

Meiji Period (1868-1912)

Size: 14" wide x 89" long

Antique Japanese horse cover made of paste resist died cotton(tsutsugaki), design of fish jumping up waterfall on either side, middle is decorated with a large Tomoe (large commas) mon (crest).

Meiji Period 1868 - 1912

Size: 22" wide x 83 1/2" long

Antique Japanese horse saddle cover, made of tsutsugaki (paste resist died cotton), fan and tassel motif in red and indigo, large Kashiwa (oak leaf) mons on either side.

Meiji Period (1868-1912)

Size: 27 1/2" wide x 45" long.

Antique Japanese wooden horse saddle frame, lacquered and inlaid with shells in chrysanthemum motif with Soroban (abacus beads) mon, bronze hardware, Edo Period (late 18th/ early 19th century). Size: 17 1/2" high x 21" wide x 26" deep.

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance...

Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period...

Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here...

Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".

In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pearl, and maie (sea shell)...

This is a early Nippon collectors dream, beautiful and profusely decorated with a background of rolling mountains and trees, displaying an early morning sunrise. Enlarged birds and lakeside bulrushes are elegantly sculpted in high relief detail, the handles and mouth rim as well as the bulrushes are dotted with jewel-like turquoise beads, colors of chocolate, salmon pink, orange, and yellow dazzle the eyes...

Meiji period, 1868-1912

This shallow bowl-form dish is decorated with a peony growing from a rocky ground in underglaze cobalt blue. It is set on a high foot--characteristic of classic Nabeshima dishes. The foot is painted with the so-called comb tooth pattern often seen on dishes of this sort. It is glazed overall in an even, clear glaze that takes on a very slight, pale celadon tinge on the exterior. The base is glazed and the fine paste is exposed on the footring. The condition is very ...