A nice and lovely porcelain jarlet with underglaze Cobalt blue "Lotus" decoration.The base unglazed. Ming Dynasy, Jiajing Period ( 1522 - 1566 ). Jingdezhen ware. H : 7,3 cm. Condition: A firing crack around the body ( please look the enlargements ).

Antique Japanese Keyaki (elm) choba tansu (merchant chest) with original golden brown finish. Used to store important documents for ones business. Made from all Keyaki hardwood with dramatic, gorgeous graining seen throughout. Two large sliding front panels of beautiful swirling natural burl patterns. Five locking drawers beneath for additional drawer storage. Early Meiji Period (1868 - 1912). Size: 28.5" H x 28.5" L x 15.5" D

Unique Antique Indian bed from the Bastar area. Beautifully rustic solid teak wood. Carved details along the sides and head. Supported by large rounded teak posts. Very well hand-crafted, robust and strong original bastar bed. Late 19th century.

Size: 21" high (head) 15-17" high to platform x 47 1/2" long x 33 1/2" wide.

Distorted half cylinder shaped (kutsugata) tea bowl made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body, trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxide inside and outside. Here it is a rarely seen dark brown due to a lack of manganese.

A window on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a form of straight and wavy lines. This is a typical Momoyama design...

A Chinese Famille Rose Bowl. Decorated with peonies growing in a jardiniere and with various precious objects. Yongzheng-Qianlong C1735/45. Diameter: 19.4 cm.Condition: excellent,no chips, cracks or restoration.

A Fine Quality Chinese Imari Jar. Decorated with a continuous Lotus scroll. C1720/30. Height: excluding wood cover, 6 7/8" (17.6 cm). Condition: excellent, no frits, chips, cracks or restoration. Wood cover not included.

Cylinder shaped (hanzutsu) tea bowl made of light, fine unrefined Mino clay. Style (trimmed mouth, very controlled glaze) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of brush strokes has been applied in iron oxide (oni ita) representing grass and fences.

Just the foot ring and its immediate surrounding was left unglazed...

Antique Japanese unusual kiri wood (paulownia) tansu with original honey finish, two front doors with decorative iron hardware incised with heart designs. The interior houses ten drawers of varying size opened by hirute style handles complimenting the gorgeous natural woodgrain. Custom iron stand included. Meiji Period (1868 - 1912). Original finish and condition. Very useful storage. Size: 22.5" H (29" H on stand) 26.5" L x 16.75" D

A dish intended for use in the kaseki meal decorated with three ragged fans inset within an arabesque of Hagi, bushclover, one of the seven plants of Autumn, that makes up the Akikusa-de. The sensu, Japanese folded fan, was often used as a seasonal motif representing the hot and dry months of summer, so the discarded ragged appearance of the fans shows that summer has ended, and that the winds of autumn have arrived...

The excellent animal and grape motif on this bronze mirror is persian-influenced. Tang Dynasty ( 617 - 906 ). Diameter: 11,7 cm. Condition: Excellent. Provenance: Old German collection. For similar examples please see Honolulu Academy of Arts, Eugene Fuller memory coll. Seattle Museum. 47. 123.

Salt box with its lid, of rectangular shape, decorated with incised geometric design on its sides, and geometric, partly in relief, design on its lid. An opening on the lid allows a spoon (now missing) to rest inside the box. Nepal, 19th century. Length: 18,7 cm. Height: 11 cm. Some erosion due to age, otherwise very good condition. Collected in Nepal in the early seventies.

A large Chinese Ming style two colour lacquer tray. Carved with a central scene of figures greeting a procession of riders on horseback. 19thC. Diameter: 15" ( 38.1 cm ). Condition: one horse with chips to two legs, chip to carrying pole of brazier and corner of one roof. Two corners with chips.

A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu. This item was made in Japan in the 19th Century during either the late Edo or the Meiji period (1868-1911). Condition: there is very minor "foxing" to the paper which probably predates the framing of this picture during the 1920s or 1930s. Frame: 32.5cm (12.75 inches) wide; 29cm (11.4 inches) high...

A rare late Ming Chongzhen - Tianqi blue and white large censer with immortals motif, two ears with animal motif, good condition with crackline on the rim please see picture for detail, size: 24 cm diameter with ears, 20 cm diameter mouth rim 10 cm height.

Antique Japanese pair of wooden fu dog guardians from a temple in Kyoto. Hand-carved with charming signs of old age. One with curly mane, one with straight mane, posed in fierce protective stance. Momoyama Period (circa 1600's). Very original and Unusual. Size: 3.75" H x 1.5" L x 2.5" D

Antique Japanese pair of wooden temple guardian fu dogs, wonderfully carved with charming expression. Gilt accented eyes and reddened mouths, one with a horn on its head. Edo period 17th / 18th Century. Original condition with hand-carved details. Size: 14" H x 7" W x 13" D

A very nice and historically seen very interesting porcelain bowl. Richly decorated in an very nice underglaze cobalt blue, glazed with a very nice and for the Period typical silky glaze. Ming Dynasty, Chenghua Period ( 1465 - 1487 ). Diameter : 13,2. H.: 4,7 cm...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile...