This small bottle is very rare at small size celadon bottle. It was fired with the oxidation condition, colored olive green. Condition is perfect, no repaired. Size: 5.6cm(D) 7.0cm(H) YouTube/ https://www.youtube.com/watch?v=kx-ZeimrCvc Certification/ written by ​Noriki Shimazu the Japanese famous researcher for Asian antiques,

Small funeral mirror, of circular shape, decorated in relief with four frolicking chimeras and grapes. At the back,traces of the imprint of a textile. Bronze, with fine age patina. China, Tang Dynasty. Diameter: 6.8 cm. Very good condition. NOTE: this mirror is part of a small collection of funeral mirrors collected many years ago that we are starting to offer presently.

Diameter approximately 33 cm. Bluish Color and flat color. There is a soft chip at the rim. More pictures are available. In good condition.

Small funeral mirror, of circular shape, decorated in relief with two tigers. Traces of the original gilding. Bronze, with fine age patina. China, Jin Dynasty. Diameter: 7.1 cm. Very good condition. NOTE: this mirror is part of a small collection of funeral mirrors collected many years ago that we are starting to offer presently.

A Black Lacquer Stem Cup with a silvered metal liner and base. Chinese 17/18thC. Height; 8.3 cm. Diameter; 9.0 cm. Condition; there is a small flake and bruise to the base of the bowl

Antique Japanese fine lacquered kogo box for holding incense. Comprised of 3 stacking compartments, the lower of which has a gilt copper lining. The overall shape is that of a textile knot (musubi) with ornate patterns in gold takamaki-e on black and nashiji lacquer. The sides of the box are further decorated with a landscape of trees on a rocky outcropping, a village of thatched roof huts, and low hills near a lake, all on a fine nashiji ground. With signed kiri wood tomobako...

An antique Japanese Yamagata Tansu made of Kurinoki (Chestnut) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the Hikute handles and the Urushi lacquer finish. Lock plates feature the family crest of the Paulownia. Four large drawers and one small drawer to the exterior. The hinged security door hides 2 small drawers where valuables were kept...

Antique Japanese Red Raku Tea Bowl (Chawan) made by Waraku during Meiji period (1868-1912).

Made in Utsushi (ship design) style, its shape resembles the famous Seppo bowl, an important cultural asset, made by Honami Koetsu which is located in the Hatakeyama Memorial Museum of Fine Art in Tokyo.

Waraku started producing Raku wares around 1830 in Kyoto and now Motoo Kawasaki is the 8th generation of Waraku.

Raku pottery is traditionally used in Japanese tea cerem...

A nice Chinese Yuan dynasty Shufu white glaze bowl. Dia. 16cm. Condition: no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Antique Tibetan damaru, double skull drum traditionally for tantric ceremonies and meditation. Made in the joining of a male and a female cranium inside of which is usually inscribed with the corresponding male or female mantra. In this case, the two sides are attached with ornate silver repouse bands of scrolling vines and Buddhist symbols. In the center, a handle is attached to a band of silver that is inlaid with turquoise and coral and fitted with two drum beaters on the end of chords...

Antique Chinese large bitong or brush pot carved of one piece of huanghuali wood and inlaid with a scene of birds on a blossoming branch and a poem. Inlaid materials include bone, stone, lacquer and shell. The poem translates as: "Birds flying in a line, the tree is blooming, the blooming flower is falling to the ground, the spring mountain, one group of birds fly over the valley, sound makes a lonely sound"...

An antique Japanese Chonin Kobako (merchant storage box) made entirely of Kirinoki (Paulownia) wood. Original hand forged iron hardware with construction using straight dovetail Japanese joinery and hardened wooden nails. The drawer handles are of the Kakute style comprising six drawers to organize and secure its contents...

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

Kato Harutake (1886-?) Shino Ware Chawan (Tea Bowl) for Tea Ceremony

Kato Harutake is of the same lineage as Seto ware founder Kato Kagemasa (1168-1249), and was born into a family that passed down the name Kato Buemon from generation to generation...

An antique Japanese Okidoko (display stand for a Tokonoma, a reception room) made of Kakinoki (Persimmon) and Keyaki (Zelkova) woods. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays. It will work in a contemporary setting to elevate and display any myriad of items.

Age: Early Taisho (circa 1912-1920)

Dimensions: 47 1/2" Wide by 5" High by 16 1/2" Deep

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...