Late 19th to early 20th century Japanese Bizen Tokkuri (sake bottle). Pinched form with impressed Daikoku (one of the Seven Gods). Perhaps intentionally thrown with an imperfection. It is in good condition. H: 7 ½ inches, W: 3 ½ inches

Han Dynasty (200 B.C.~220 A.D.) green glazed burial candle holders. The entire body of each piece shows an iridescent sheen. Each one has small air hole for firing. They are very pleasant and in good condition. H: 5 inches, W: 4 ¼ inches

Meiji period Japanese bronze vase. Silver bamboo inlaid design. Signed by ¡°Nobuyoshi¡±. Maker¡¯s stamp is on the bottom. It is in good condition. H: 5 inches, W: 2 inches

Han Dynasty (200 B.C.~220 A.D.) dark green glazed bowl with cloud and crane design. Small chips on the rim. Outside there are three stacking marks from firing. Iridescent parts appear inside the bowl. It is in good condition. H: 3 ¼ inches, Diam: 6 ¾ inches

Meiji period Japanese bronze vases. Silver and copper inlaid design depicting a long-tailed rooster in a plum tree. Signed by ¡°Ichinori¡±. Maker¡¯s seal is on the bottom. They are in good condition. H: 5¡±, W: 2¡±

Japanese Edo period (1615~1868) a sage standing on the ground covered by bamboo leaves. It is signed by Kawahara and dated 1824. The base has been repaired. It is in good condition. H: 11 ¼ inches, W: 7 inches, D: 3 ½ inches

17th century S. E. Asian pottery. Dark brown glaze covers 2/3 of the entire body. The bottom shows the light brown clay. The dragon design on the top is provincial and primitive. There is a chip from kiln firing. H: 8 ½ inches, D: 5 ½ inches

19th century nephrite carving of a fisherman holding a fishing pole in one hand and two fish in the other hand. A basket is sitting on the side. Very nice carving in good condition. H: 4 inches, W: 2 ½ inches, D: 1 ¾ inches

Early 20th century Chinese Blanc de Chine. A group of four women gathered around a lotus blossom playing music. Good condition. H: 9 ½ inches, W: 7 inches

Late 19th century dark wood card case covered with a carved floral pattern. Good condition. H: 4 ¼ inches, W: 3 inches

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Strikingly beautiful Japanese Nishijin obi. The style of the obi is the most formal and expensive style which is called maru obi; the design covers front and back, from one end to the other end. This is an older obi than it looks. The colors are vibrant yet elegant. The design is for the joyous occasion with cranes, hand drums, flowers, pines and repeated pattern of waves (sei kai ha) in gold.

Measurements:

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

Hemp bag with age, Meiji 24 (1892) and the owner's name, Sahiko (佐彦）、whose warps and wefts are hand-plied. It has very well-done mending and reinforcement stitches, and also a mending patch. It has letters "25 sheets", but it is not clear what was put in. It is from Niigata prefecture. In good condition. W:29.5cm, L:52cm

A set of 8 small dishes dating from the later 19th century known as Mame-zara (bean plates) covered in cream colored crackled glaze decorated in the traditional Mugiwarade pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. Each plate is roughly 8.5 diameter and all are in excellent condition, enclosed in a modern, black-lacquered wooden box...

Cherry blossoms. Painted with ink and pigments on silk. Signed Eitai and sealed.

Ito Eitai (1876-?) was a Japanese painter born in Nagasaki prefecture in Japan. He was a disciple of Migita Toshihide (1863-1925), Murase Gyokuden, and Kawabata Gyokusho. He specialized in portrait paintings, landscape paintings, and bird and flower paintings.

Some insignificant light marks are present on the painting itself, otherwise the painting and mounting are in fine condition...

Chogappo made of fragments of choma (ramie), one of bast fibers, which is recycled from vegetable indigo dyed choma, and it has beautiful nuance of different indigo colors. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995)...

An unusual mask with gaping jaws and flattened features covered in red and black lacquer with golden teeth and eyes dated a lucky day in the 6th month of Tenmei 2 (1782). The mask is of carved wood covered in cloth over which has been applied layers of colored lacquer, gold and gofun (powdered shell) to form the white eyebrows. It is quite unusual in configuration. Most masks are open at the back, however this is carved with curling hair all the way down to the neck...

A striking baluster from vase decorated with sinister crows hunched in the silhouette of a leafless winter tree signed on the base Satsuma Kinunzan and dated on side the fifth month of 1911. This fits in perfect with our Kwaidan theme this month, the brooding figures austere against the bleak winter sky, something ominous, a lingering threat...

A delicate kiri-wood tray decorated with a fledgling among grass puffed up against the cold by important 20th century artist Domoto Insho enclosed in the original signed wooden box titled Kosuzume Seifu (Small Sparrow, Pure Wind) and signed inside Insho Saku. It is 19 x 19 x 2.5 cm (7-1/2 x 7-1/2 x 1 inch) and is in excellent condition.

A very fine and elegant Chinese octagonal lacquer and Pewter TEA CADDY, 19th Century, depicting various figures in a Palace Setting. Overall in good condition with minor inconsequential signs of use due to the considerable age. Size: L. 16 cm. (6 1/4").

Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm

A striking image of an itinerant monk carrying his few earthly possessions though the cedar forest in draped in a mino straw-raincoat and hat, all performed with colored thread in silk embroidery. Behind glass, it has been well protected over the last 100 plus years. The wide dark frame is stained Nara (a form of oak) emulating the arts and crafts style. The inner joints have shrunk, a testament to age...

Cloth with katazome (stencil-resist dye) which is hand spun and vegetable indigo and pigment dye. In good condition, however slightly colors faded. 19th century. W:32.5cm, L:180cm

Cotton cloth with "Kikai-suji shibori", Machine-pleated Stripes and vegetable indigo dye. Kikai-suji shibori was developed in 1910s and it was very popular then. Vegetable indigo dye. In excellent condition. 1910s to 1930 W:30cm, L:144cm

A very unusual basket made of pine cones bound together on edge enclosed in the original wooden box dated New Years of Showa Six (1931) titled Chiyo no Matsukasa (Cones of the Ancient Pine). The basket is 20 cm (8 inches) diameter, 33.5 cm (13-1/4 inches) tall and comes with the original bamboo insert. It is in overall fine condition. I have never seen another like it.

A sage admires pine boughs billowing out over the waves from his seat upon a stone carved into this fine bamboo tea container capped with a wooden lid opposite the archaic characters Seishin (Pure heart) signed Chikuzan on the bottom and enclosed in the original signed wooden box titled Take-sei Chatsubo (Bamboo tea container). The fine kiri-wood box has been decorated on all surfaces with a landscape of Mu-chi style forested hills and a long verse by Chikuzan...

Three antique heavy copper inscribed Yantras. Undated, estimated to be19th century or earlier. Sizes from left 21x18 cm 21.5 Dia 21x20.5 cm Can be viewed in central London and shipped worldwide with insurance and tracking.

Chinese transitional period compressed ovoid form jar decorated in underglaze blue with birds and insects flying among bamboo and flowering plants emerging from rockery set against a white porcelain ground. The upright glazed neck is decorated with downward pointed leaves. Glazed interior and flat slightly recessed unglazed base. 17th century. Measures nearly 12" high. Very good overall condition. There is a fine old brown chicken foot crack in the interior (see image)...

No two faces are the same on this incredible Toyoraku ceramic stacking box covered in gold and silver Maki-e lacquer dating from the 19th century. Inside is typical Oribe style green over crackled cream colored glaze with floral designs in iron. Outside lightning strikes in silver separate the multitude of intense lattice designs in fine gold lines on black lacquer. Stacked they are 15 x 13 x 17 cm, each vessel 15 x 13 x 4.5cm tall, and in excellent condition...

A beautiful rendering of a Lohan Monk, Ming Dynasty or slightly earlier, 13th.-15th. century AD.

An excarvated head carved in very hard and dense black stone, in the round with oversized ears and pronounced arched eyebrows and downcast eyes. The head superbly polished, still with traces of the ancient carving methods and a deeply encrusted or embedded earthern patina.

The head is mounted on a modern and very attractive black marple base.

Size: 23 cm...

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim...

The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base. Japan Edo period 18° or before. This statuette has fortunately never been restored, and i...

A rare late Edo Period (19th cent) Shishi Lion Foo Dog Statue made of iron rich Bizen clay, wood fired in an Anagama kiln.

Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits. This mythical beast was probably introduced to Japan from China via Korean in the 7th or 8th century AD, during the same period as Buddhism’s transmission to Japan, for the Japanese shishi combines elements of both the...

Unusual grey pottery jar from the syncretic Buddhist Dali Kingdom circa 982CE–1253CE, which was located in present day Yunnan. The Dali State was not fully absorbed into the Chinese Empire until the Ming Dynasty, although it did accept Mongol control and were by and large allowed to manage their own affairs as long as they contributed soldiers. This jar has mysterious animal appliqued faces well as Buddhist images set against peepul tree leaves (Bodhi Tree). This is in good condition with ...

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm

A classic bun-shaped Koro incense burner by Miyagawa Chozo pierced with Incense-clock-patterns enclosed in the rare original signed wooden box. It is 8.8 cm diameter, 7.5cm tall and is in excellent condition. The box contains a hand written note in old Japanese describing the origins of Makuzu-ware.
Miyagawa Chozo (1797-1860), also known as Chobei was born a direct descendant of Chokansai and would be the father to Miyagawa (Makuzu) Kozan I (1842-1916). The name Kozan was granted by Prin...

Rice bag made of fragments of hand-spun cotton with stripes, checks and katazome (stencil-resist-dye), all vegetable indigo and brown dye. The cord is hemp. The square cloth in the bottom is fine and beautiful katazome with "two cranes facing" motif. Kome-bukuro was used when people dedicated rice to temples or shrines. In excellent condition except for a few holes and mending patches. The latter half of the 19th to early 20th century. W:57cm, H:28cm, Bottom:30cm x 28cm.

A vase by Kiyomizu Rokubei V featuring auspicious calligraphic characters opposite a boy staring at the moon from atop his ox decorated by Domoto Insho enclosed in the original signed wooden box. It is 22 x 15 x 37 cm (9 x 6 x 14-1/2 inches) and is in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters in Japan in the Meiji era. After graduating the Kyoto Municipal Special ...

A Chinese White Glazed Brush Washer. Circa, 14th Century, Dehua Kilns, Yuan Dynasty. Found in the Philippines. In bamboo form with its gently rounded sides divided into upright segments and is joined by a raised horizontal band around its exterior wall. Its chalky white body is covered in a white glaze, stopping short above the feet. Measurements: diameter (4.6”inches) across. Condition: some age related wear around the body with tape stains on the bottom but is in very good condi...

A glistening incense burner in the shape of a court cap by Eiraku Zengoro enclosed in the original signed wooden box dating from the 19th century. Gold designs gleam on the regal plum surface. It is 15cm×10.5cm,18cm (6 x 4 x 7-1/4 inches) and appears to be in perfect condition.
The Eiraku family is one of Japan’s most important and historically significant lines of pottery artists in Kyoto, tracing back to the 16th century. The skill of Eiraku potters earned the honorific title of Sen...

An interesting small collection of 9 bone carvings in the form of skulls, carved in the openwork, with lids at top and bottom, Tibetan c. 19th. century.

The group finely patinated and intact but some with loose lids. A set for ritual purposes.

Size: up to c. 3,3 cm. tall or less, but more of less of the same sizes.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

A very artfully done portrait of a woman with elaborate hairstyle, Eastern Javanese, Indonesia, Majapahit Empire, c. 12th.-15th. century.

A lovely head combining traditions of Hindu-Buddhist art with the fine regional Eastern javanese style.

Size: 9-10 cm. tall and c. 8 cm. wide. A substantial head.

Reff. See a very similar head of the finest Eastern Javanese style in the Art Institute Chicago, Reference Number 2001.302.

Ex. Old Danish Private Collec...

An fine style terracotta head of bodhisattva, as a prins, Gandhara, c. 2nd.-4th. cent AD

Size: 85 mm. tall - a nice large size ancient head.

Condition: Very fine, repaired to face.

Ex. Danish Private Collection

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center. Edo ...

A very rare early work by Shirakura Niho dating from the mid Taisho period clearly showing his early watercolor training under Ishii Hakutei signed with his first art name, Kinro. Light color on silk framed in patterned silk extended with classic beige and terminating in red lacquered wooden rollers. It is 45.5 x 107.5 cm (18 x 42-1/2 inches) and is in overall excellent original condition, enclosed in a modern wooden storage box.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974...

A Kenzan style Chawan Tea Bowl decorated with blossoming plum bending over a golden rim by Miyagawa (Makuzu) Kozan enclosed in the original wooden box signed inside on the box floor by the aritst with an annotation inside the lid by Omotosenkei Iemoto Tea Master Seisai (1863-1937) reading Makuzu Yaki Chawan Ume-no-ga Ari (Makuzu Pottery Tea Bowl Decorated with Plum). It is 12.5 cm (5 inches) diameter, 7cm (3 inches) tall and in excellent condition.
The name Kozan was granted by Prince Ya...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition. The history of Shigaraki traces its origins to around the 12th century with the discovery of exceptional clay deposits rich in iron and other minerals which ...

Chinese Qing dynasty wucai baluster form porcelain jar painted with two large phoenix birds in flight among peony flowers and leafy scrolling foliage. A narrow border holding two qilong among flowers and leafy vines is at the high shoulder below a band of scrolling foliage at the neck. Brown dressed rim. Glazed interior and flat unglazed base. 17th century. 11 1/4" high. Weighs 5 1/2 lb. (2.5 kg). There is wear to the overglaze pigments. A brown kiln kiss is on one side. Two brown hairline cra...

Cotton han-juban (short under kimono) with katazome (stencil resist dye), whose motif is a kind of "Seigaiha", the traditional wave pattern. It is hand spun cotton and vegetable indigo dye. The collar cloth is also hand-spun cotton dyed with sumi (ink). n good condition but has some parts fade in color. The second half of the 19th century. W:114cm, L:62cm

Cotton cloth with beautiful katazome (stencil-resist dye) with mum motif, which is made of hand spun cotton and vegetable indigo and natural brown dye. In good condition, however colors fades a bit from washing. 19th century. W:35cm, L:168cm

1930's Japanese Silver Rim Wireless Cloisonne Box with River & Mountain Scene & Sailboat by Ando Jubei

It is 2.16 inches (5.5 cm) tall by 5.43 inches (13.8 cm) wide and 4.2 inches (10.7 cm) long. It is 1.3 Lb.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you o...

An exceptional style more than lifesize stone head of a Buddhist Monk, Indonesia, java, c. 8th.-9th. century AD.

The head carved in Andesite in the wonderful style of early Borobadur with serene features. Downcast eyes and full lips with the prominent nose typical for early Buddhist art of Indonesia.

Size: c. 26 cm. tall and 19,5 cm. deep. It's weighing c. 12-14 kilograms.

Condition: Intact and lovely with a fine deep redish-grey patina and traces of weathering. ...

An beautifully detailed pottery figure of a MNother with her child, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1600 AD.

The lady is clad in a large thick robe, covering the most of her head, and she is holding a newborn chikd to hear breast. She is standing on a round plint, and the glaze is torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm. tall.

Condition...

A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.

The figure with many fine details. A high helmet with decorations, the harness is covered with Green and Yellow Sancai colors. Note the lions on the shoulder and shield. He is wearing a sword in his hand. Pigmented colors in red, white, black of which much remains.

The head is attachable as on most larger ming figures. He is placed on a hexagonal podium - a very vivid...

A unusually elaborate pair of pottery figures of female Attendants, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1650 AD.



The ladies are dressed large thick robes, with imposing hairdresses. One is wearing af fan, the other is wearing purse in front of her chest. Both are standing on round plints. They are glazed in torqouise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 2...

A diminutive image of Hotei (Putai) the lucky god of fortune from the Edo period kilns of the Matsudaira clan of Matsue in their distinct golden color. It is 4.5 x 3.3 x 4 cm tall and is in excellent condition. Fushina-yaki was the Goyogama clan kiln of the Matsudaira of Matsue Han in modern day Izumo, established around 1764. It fell strongly under the aesthetic taste of Matsudaira Harusato (1751-1818) Daimyo of the province and one of the most influential Tea Masters of the later Edo peri...