This carved ox horn statue of a fairy is an early 20th century product. It depicts a fairy with one hand holding a flower branch while her other hand is holding a bamboo basket with more flowers inside. It is 10 ¼” high (11 ¼” high with base), 3” wide from the bottom and 2 ¼” in depth. Aside from small chips on the bottom rim, it is in great condition.

This is a heavy Chines necklace which was worn by the Dong ethnic minority women. It can be worn and also makes a very impressive display artifact.

The bib front and back are domed to a thickness of about 1 inch at the center and the piece spans over 10 inches side to side. The weight of the piece (approx 2 lbs)indicates that the piece is definately not hollow

A beautiful Chinese snuff bottle in pebble-form carved from white-black mottled jade. The stopper is made from coral or coral-imitating glass, with bone spoon. The flask needs standing help. Condition: few traces of usage. Dimension: c. 6.3 cm height.

Etruscan Bucchero oenochoe (wine-pitcher), c. 550 BC, thin-walled (sottile), probably from South Etruria. Burnished smooth with black-to-tan color added. Part of one handle and part of the lip reattached 12.75” (32 cm) tall. A small piece on the bottom wasn’t filled so that one can see inside the piece. It was low-fired and is much more fragile than a high-fired piece. Do not hold it by its handles.

Netsuke in fine-grained wood representing a toad. The sculpture is powerful, the animal is very well represented, the movements of the body and the volumes are perfect. The eyes are encrusted with a very beautiful blond horn striped with brown for the most beautiful effect. Signature of the artist below. I haven't researched the name, but I can do it on request. Edo period. Himotoshi 2 holes. Good condition, excellent patina. No restaure. Usual wear for a century-old wood. Length about 6cm.

Boxwood netsuke depicting a woodcutter resting on a hollow and veined trunk with his ax resting at the end and the tobacco holder next to his hand. Excellent color and signature patina engraved on a rectangular piece. Origin: Japan Period: Edo 19th century Dimensions: 4.2 x 2.5 x 2 cm. State of conservation: Very good

Antique Japanese tsuba (hand guard for samurai katana) decorated with a monkey peeking though the bamboo rails of a cage or gate. Often occurring in Japanese folk tales, the monkey generally symbolizes a trickster. Since tsuba were often a warrior's source of personal expression, it is likely this monkey held specific significance to the blade's owner.

Age: Meiji Period (1868-1912)

Dimensions: 3" high x 2 7/8" wide x 1/8" thick (1/4" thick including monkey).

Porcelain dish decorated in cobalt blue representing Buddhai and children. In the background we can see a fireworks rocket.Below a mark of 4 characters. The enamelled edge of brown enamel. Traces of pernettes. Diameter: 295mm (11,6 inches) Good condition,normal wear for old porcelain.

Authentic ancient Luristan ancient Luristan Babylonian-type bronze sword made between 1200-1000 BC. It has a flanged hilt, and the blade is finely cast in one piece. This is an excellent example of an authentic ancient Luristan bronze dagger with an elegant form from the Bronze Age, dating back to 1200-1000 BC.

A tapering double-edged blade, a shaped hilt with an elliptical pommel, hollowed on each face for a pair of grip scales...

Ivory netsuke representing a bag.

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

At the end of the Edo period, Japan started to adopt western ideas. Japan entered a phase of commodification. The movement of people and goods was facilitated by improved land and sea transportation...

A large sized Imari porcelain tripod censer decorated with motifs of peonies, wonderfully drawn karashishi or Chinese style lions, dragons,and phoenixes. Large censers are often used in Buddhist temples, where extra censers would be used during ceremonies. Age: Edo Period. Size: Height 7" Diameter 10.25"

Thai medical manuscript. 19th century. inks on paper. 86x35 cm. Framed. Can be viewed in central London by arrangement or unframed and shipped worldwide.

Chinese agate snuff bottle with absolutely beautiful formations and ribbons of varying hues of yellows, browns, and navy blue throughout. 20th century Size: 2.75" height, 2.25" width

A rare miniature figure of Avalokitesvara (Buddha) (God of Compassion) on a plinth. The head is surrounded by a halo. The figure was originally gilded and traces of the gold still remain. The features have been worn from age. Has a nice patina. Period: Han. 206BC - 220AD Size: Height = 7.5 cm

Antique Chinese, finely potted, amber-brown glazed ceramic jar, 17th century (late Ming dynasty)...

Antique, 19th century, Islamic, Central Asian horsemen, Turkmen Nomads, Yomud, horse blanket - horse saddle cover (tainaksha). Hand woven wool (flat weave) in traditional Yomut pattern, heavy dark brown felt is lined to the underside. Such covers were woven to adorn, but especially to protect, their steeds from the freezing winds and the severe temperature of the steppe; they are warm, wrapping-round covers, executed in warp faced technique to make them thick and closely worked...

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...