A beautiful Chinese Han dynasty lead green glaze jar with Taotei pattern lugs. Ht. 35.5cm. Condition: minor glaze deterioration, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering.

Rare boxwood netsuke depicting two turtles. This netsuke beautifully captures the moment when the baby climbs onto the mother's shell, conveying a feeling of security and family bond. Signed Shunsui 春水 in an oval reserve under the base. Origin: Japan Period: Edo 19th century Dimensions: 2 x 3.5 x 3cm. State of conservation: Very good

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Genuine Burmese amber necklace. 66 cm long. weight 138g. Black plaited cord. Undated. Can be viewed in central London and shipped worldwide. Tested under UV lighting.

The bronze is cast with lost wax and is hollow but very thick. Beautiful casting and good sculpting finish. No traces of gilding or pigment. The figure is in a very dynamic position, with unusual gestures difficult to model. The artist has given the hands a beautiful elegance by bending the fingers excessively. The bronze has a beautiful antique patina which dates back to the 18th century or earlier. No restoration, good condition...

Late Meiji (1890s to 1910s) netsuke of a standing fat baby boy wearing just a bib and holding a thick rope that serves as a collar for a puppy standing next to him. Excellent carving, great chubby face, superb depiction of his fat body and fingers. Nice flow to the rope with its twisted texture, expert use of black, orange and golden ink, beautiful wear and patina. Signed HOZAN on the bottom - the artist is listed in NETSUKE by Neil Davey (p. 470, number 741). Height 1 13/16 inches.

An antique Japanese bronze water pot or ewer decorated and shaped in the style emulating Chinese Shang dynasty bronzes. The tripod leg often is referring to the ding where it was thought that these vessels were used to serve wine. Has a Kanji charactor on base that can be translated to men "to offer". Age: Meiji Period Size: Diameter 11.5" Height 13.5"

This carved ox horn statue of a fairy is an early 20th century product. It depicts a fairy with one hand holding a flower branch while her other hand is holding a bamboo basket with more flowers inside. It is 10 ¼” high (11 ¼” high with base), 3” wide from the bottom and 2 ¼” in depth. Aside from small chips on the bottom rim, it is in great condition.

19th century wooden netsuke of a Buddhist monk arm wrestling with an oni on a huge lotus leaf. Wonderful subject, excellent carving with superb faces and great detailing of their limbs and fingers. Himotoshi is formed by the lotus stem on the bottom, beautiful patina. Signed RAKUSHI on the bottom - judging by the subject and the first character of the signature, the artist belonged to the Rakumin School and was obviously a master carver. Length 1 1/2 inches.

Han Dynasty (200 B.C.~220 A.D.) green glazed burial candle holders. The entire body of each piece shows an iridescent sheen. Each one has small air hole for firing. They are very pleasant and in good condition. H: 5 inches, W: 4 ¼ inches

A circular form rising to a shallow point at the center, this jingasa is made of hide and cloth shaped in a mold, then finally black lacquered. It is decorated in front with a gold lacquered mon of an enzo which represents eternity. Mounted on a custom iron stand.

Edo Period 19th Century

Size: 18.5" diameter x 4" H (29.5" H on stand)

Chinese painting, pigments on plaster, fragment of a Ming mural depicting Lei Gong. 54 x 45 cm in 1920's wooden frame. Can be viewed in central London and shipped worldwide in a crate.

Chinese oxblood Jar with lid sitting upon a hardwood stand. Deep radiant red even coloring. 19th century. Dimensions: 9 1/2" High X 9" Wide

A beautiful Nashiji (sprinkled gold flakes) ground lacquer Natsume, Tea caddy. It has an elaborate cartouche on the lid in gold makie, gold and silver on a chocolate lacquer background depicting a stylised landscape (mountain, hermitage river and boat). 3 cartouche on the sides in lozenge form in heavy, raised lacquer; one with fishing hut among reeds and half moon; one with fish nets and seagulls and the last with seabirds on raised waves...

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns. Wonderful warm yellow patina, very pleasant finish to the surface, old age lines. Signed NAOMITSU in irregular reserve on the back - the artist is listed on p. 822 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

Pair of 19th century Chinese porcelain bowls with custom stands. In excellent antique condition, the dishes each measure 8.25" long, 6" wide, and 2.75" high. Displayed on the stand, it measures 6 inches high. There is one tiny chip to the rim which, if you look carefully, you can see it in the last photo. One of the stands is missing a small piece of wood, but it does not affect the stability of the stand. Rare to find such an attractive set of bowls...

Unusual Japanese Kiri wood stacking box, comprised of 9 shallow compartments for the storage of calligraphy implements. The edges of each compartment are reinforced with hand-forged iron plates. The lowermost compartment has a single pull out drawer with a kakute iron pull and lock.

Edo period

Dimensions: 18 1/2" x 11 1/2" x 27 1/2"

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...