A very rare Yuan dynasty qingbai glaze large phoenix yuhuchun vase, rounded side with pear shape and unglazed base, vase decorated with large phoenix motif at the belly, covered with good bluish white qingbai glaze, found from trowulan east java.
Vase is in good condition only with damage part around the trumpet with small missing parts, lower body is very good no damage. very rare to find similar vase also in this condition.
Size: 29 cm height.

Antique Japanese ema of a horse. This ema is a dedication plaque that was made as an offering in a shinto shrine. Horses are considered vehicles of the gods, so this ema was made at the highest level in order to convey an important wish as speedily as possible. Painted in mineral colors on keyaki (elm) wood.

Age: Meiji Period (1868-1912)

Dimensions: 29 3/8" high x 43 1/4" wide x 2" deep

19th century Japanese ceramic miniature seal netsuke modeled as shishi - Buddhist lion - sitting on a square base, its head turned to its right. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Nice modeling, dark olive glaze thinning on raised spots adding the depth to design...

A rare Yue ware Jarlet. Porcelaneous ware with a molded decoration. Western Jin Dynasty ( 265 - 316 ) Zhejiang ( Yue ) Diameter : 9,8 cm. H : 5,8 cm. Condition : There is a very small damage to one lug which can be seen on the last enlargement.

Decorated with a lion playing with a ribbon and balls in the center and floral scroll on the outside. W=12 cm. Early Ming 1368-1398. Condition : good condition with minor frit on the rim.

Ming Dynasty Blue and White Bowl with a floral design. Note flaws at time of manufacture and small chip in the glaze, otherwise no chips or cracks and in overall good condition. Diameter is 10 inches and height is 2.75 inches.

Height: 22.8 cm (9.1 in)
Width: 10.5 cm (4.2 in)

Chinese heavy cloisonne vase of good age; polychrome enamel floral decoration throughout; minor surface wear with age-related issues; good condition

A large-size Native American pottery olla from Acoma pueblo, Zuni tribe, New Mexico. The pot is hand-coiled and shard fired and painted in red and black on white with encircling bands of stylized figures of deer and roadrunners. Circa 1910-1915. Size: 19.5 inches ht. x 16.5 inches in diameter. Very good condition with no chips, cracks or repairs. Name of the original owner written in light pencil on the inside of the rim. Rare to find an olla of this large a size and in such wonderful condition...

This is a Western Jin Dynasty yueh yao of dark olive green glazed "chicken head" or also commonly known as "cock head" ewer. Slightly of gobular body with two lug handles and a spout in the form of chicken's head with a neck. It has a looped slender handle and a averted mouth rim. The dark olive glazed stopped before the foot-rim exposing the red stoneware earth. The flatten base is slightly shrinking inward.

Generally in good condition. No repair, chip or restoration...

A QING DYNASTY Wooden Cabinet with nice carvings on both sides. Central door slides open for storage of objects. China, 19th Century. Good condition. Size: L. 38 cm. x D. 16.5 cm. x H. 34.5 cm.

Well modeled figure of Bodhidharma in stoneware with a whitish celadon glazed body. Depicted as an itinerant monk with hat and walking staff, with large earrings and beaded necklace and flowing robe. Unglazed base with brownish-grey color to clay body. Very good condition.

Size: 9" high

Age: late 19th century, Ching Dynasty

Japanese bronze brown patinated representing a hare laying on a crescent moon.

Japan – Showa (1912-1926)
Height: 11 cm – 4,3 inches

The Hare is a very beloved animal in Japan. Each year, on the 15th day of the 8th month of the moon calendar, Japanese are celebrating “Tskukumi”, a party paying tribute to the hare of a tale.
A God decided to get down on earth as a starved man...

This is a very fine and unusual Japanese Satsuma vase with relief figures. The work on this piece is highly detailed and the gold thickly applied. The Dragon and clouds are decorated with silver. The piece is in very good condition will minor wear. The Artist signature is the most worn area on the piece. With magnification it can be seen that it is signed Fuzan but it is very hard to make out. I have included a similar Fuzan mark for comparison. The vase stands 8 1/2 inches tall.

This is an old and well done Japanese Satsuma box. The design has a wonderful contrast between the simplistic over glazed enamel water elements and the refined, highly detailed gold wheels. The inside is covered with a layer of gold. The box is not signed but we think it could have possibly come from the Makuzu Kozan studio because of its quality and uniqueness. Makuzu Kozan did some work in earthenware and came up with many wonderful designs. We also know that they were not all signed...

Fine Nepalese Mask of a Rare Type with Pigments. 10.5 inches, 26.75 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Japanese Marquetry wood inlaid Hanging Cabinet or hanging cupboard with doors, one(1) shelf inside, Meiji period, later part of 1800's, 24 3/4" high, 22 1/2", 6" deep. All the Marquetry inlaid wood designs are on the front part of the doors and the top area, representing typical Japanese Artistic Symbols on the Hardwood Cedar and other mixed wood, and Brass key hole is not complete...

Monumental antique, Chinese, Qing Dynasty 1644 to 1912.A.D green glazed 'Shiwan' ceramic vessel (wine ewer, water jug).

The body of the baluster forms with a flared neck and an averted rim. A short spout shaped like a horned dragon's head, adorned on the front with a large unglazed rectangular panel carved with four Chinese calligraphy characters, and on the back with a short vent tube. The shoulders are decorated with two molded beast masks with loop handles...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...