Found in the Philippines The sites of Cizao Kilns are outstanding examples of the export-porcelain kiln sites that dotted the outskirts of Quanzhou in the Song-Yuan era. They demonstrate the prominence of craft production for exportation in the industrial structure of Quanzhou as the emporium of the world in Song-Yuan China. The system and scope of production seen in these kilns stand testament to ancient Quanzhou’s remarkable capacity for production and overseas maritime trade...

Fine casting and good green and blue patina. Cambodia, 12th/13th century. H. 9,3 cm (the figure). Size including stand 14,3 cm. Condition: part of the bronze stand is missing, otherwise perfect.

Chinese pair of moon viewing chairs, made of huang-huali hardwood with dramatic grain. Carved in faux bamboo. Each chair handcrafted for a comfortable reclining position and matched with a slide out foot rest. The joints show sign of shrinkage and patina of its age and condition.

Republic Period

Size of each: 34" high x 23" wide x 39" deep. Extends to 52 1/2" deep.

Small and gorgeously made antique chinese censor. Made of bronze with varying shades of brown and reddish tint. Side handles are elaborate Fu-dog faces placed just under lip of bronze opening. Marked on bottom with Inscription. Ching Dynasty Dimensions: 5" Diameter, 3" Tall

A dated gilded pink porcelain teapot, made very early in the Republic period, well decorated in Chinese Scholar's taste with peony flowers and poem. The cover reads Yi Pian Bing Xin - literally "Heart like Crystal" meaning "Pure and Noble Character". The top carries the characters for "Luck and Wealth"...

Large Chinese Ming Dynasty Stoneware Jar with Spout

This unusual jar was made during the Ming Dynasty (1368 - 1644). Apart from the short spout at the shoulder, it is a conventionally-shaped storage jar. The outer surface and inner mouth are coated in a black glaze. The glaze falls just short of the bottom of the jar leaving the concave base unglazed. Likewise, the inner surface also remains unglazed.

This is quite large jar with a height of 22.25cm, diameter 20.5 cm...

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm)...

A figure of kneeling woman, supporting on her right shoulder a hallow vessel and in her left hand a fan. Decorated with under glazed iron-black on the face and upper part of the stoneware body, base flat and unglazed. Sawankhalok ware 15th-16th century.Good Condition . High: 7cm.

Diameter approximately 22 cm. There are some cracks at the body. Ge-type inside the bowl. There are no missing parts.

Antique Japanese two section isho tansu from the Sakata region, made with gorgeous Keyaki (elm) wood in original reddish brown finish. Each drawer has an iron lock incised like a flower over crossing leaves. Meiji Period (1868 - 1912) Wonderful original condition. Size: 44" height, 35 width, 16.5" depth

Egyptian Faience Yellow Flower Amulet 1,2 cm

Faience is a glazed ceramic known for producing bright colours, especially blues, turquoises and greens. It is produced from quartz or sand crystals mixed with other compounds and can be cast into moulds to create beads or amulets like these ones. Faience gimmers in the light and was believed by the Egyptians to represent rebirth and immortality...

An incredible Tibetan gilt bronze dynamic figure of Vajrabhairava, the wrathful form Manjushri. In Tibetan: dor je jig je, pa wo chigpa. In English: The Solitary Hero Vajra Terror. Vajrabairava is part of the practice of Yamataka (of the Gelug tradition). In this sculpture, Vajrabairava is locked in tantric embrace with his female counterpart. He has 9 faces, the central face being of a buffalo and the uppermost head that of Manjushri...

This is Japanese Indigo dye Stripe and zanshi weave futon Cover from the Edo era to the Meiji era(1800-1880). This material is cotton. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It was made all by hand. It does not have a stain and damage and is in a very good state. size:148cm x 100cm (58.3" x 39.4")

A nice piece of qingpai bowl shard. It has a high foot rim with recess base and a U-shaped body with an everted mouth rim. The body is lightly incised with slanted lines. A character, which is not very clear is painted in the centre of the foot rim.

Condition as shown in all the photographs.

The dimesnion of the qingpai bowl: the height is 6.5 cm and the diameter estimate is 12.5cm.

An antique Japanese kuruma tansu coming from the Mikuni region. The tansu is fitted with iron fittings to retain the condition of the tansu and to protect the vulnerable areas of the chest. The tansu has two wooden bars to lock the drawers of the chest. The chest is made from keyaki wood. Age: 19th century. Size: height 48" width 28.75" length 53.25"

Ca. 1700 – 1720
Kangxi Period, Qing Dynasty
Porcelain with underglaze cobalt blue
d: 15.5 cm / 6.1 in
Basically perfect condition, typical fritting to rim
From a Dutch private collection

Women often represent an aesthetic ideal in Chinese art. In particular, early 18th century Chinese portrayals of women feature willowy, svelte beauties–at once wistfully gracefully, and at once sensuous...

An antique Indian miniature panting of a noble man with his harem. Five beauties vie for his attention. Two musicians play music in the foreground. In the background is the architecture of elaborate archways and doors which lead to the inner courtyard. The edges of the paper are decorated with sprays of flowers.
Wealthy residences had a protected area where all the women of the house lived. This scene takes place just inside the antahpur (inner courtyard) of such an area...

Finely cast bronze censer on four linked feet with very elegant flower décor on the body and fretwork on the rim, patinated in a rich brown. Bottom decorated in low relief with repeating, extremely fine fretwork of faces. Seal on bottom: Dai-Nihon Bunsei nen Seimin sei. Japan, Edo period, early 19th century.
H H 2-7/8 x diam. 6 ½ inches.
Excellent condition

Murata Seimin (1761-1837), bronze sculptor active in Edo, well-known for his fine casting of bronze vessels and animals.