A wonderful Chinese Five dynasties white glaze foliated dish, Xuanzhou ware, Anhui province. Dia 16cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

A fine Chinese Tang dynasty red clay camel. Ht. 31cm. Lt. 24cm. Condition: no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

Antique Indian miniature painting of Adharanishvara, the combination of the God Shiva and his consort Parvati in one body. The half male, half female represents the union of opposites, the universal principles: masculine, Purusha and feminine, Prakriti. In this painting, Parvati is easily identified by her beauty and crown. Shiva is identified by the snake the encircle both their neck, his tiger cloth, and his long hair which is secured on top of his head...

Antique Indian miniature painting of Radha and Krishna in the garden. Best known for their love to each other, the God Krishna and his true love, the Goddess Radha are two of the most adored deities in Hinduism. While strolling the hills, Krishna often played his flute for the grazing cows. A young and beautiful gopi (caretaker of cows) heard his flute and the two fell in love. In this painting we see the young couple flanked on either side by two attendant girls...

Polychrome celadon ceramic four-lobed tray with two fish yôkai dressed in yukata, a light kimono worn in summer. The yôkai are supernatural creatures from Japanese folklore. Most of the ceramic is glazed, except for the brown skin of yôkai which has a matte finish.
Unidentified mark.

Japan - Taishô era (1912-1926)
Height: 1.2 in. (3.4 cm) - diameter: 6.3 in. (16.3 cm)

Long suzuribako (calligraphy box) with nashiji lacquer background, plum tree decoration in a lake landscape in takamaki-e, kôrin maki-e and kirigane. The plum tree (ume), which blooms at the beginning of the year, announces spring. Its flower is a symbol of protection against demons. On the inner lid, decoration with seven flying birds near a coast with clouds...

Ivory netsuke of a human skull.

Japon – Meiji era (1868-1912)
Height 1.2 in (3 cm) – length 1.4 in (3.5 cm) – width 1 in (2.5 cm)

Horn netsuke of an reclining ox.

In Japan, the ox (ushi) is the second sign of the zodiac. It is considered usefulness and willingness. Reclining, it is the emblem of Sugawara Michizane (845-903), a great scholar, minister of emperor Daigo (897-930) and statesman of the Heian period. Under the pressure of the Fujiwara family, he was driven into exile to the island of Kyûshû and he rode away upon a bull. Unfairly punished, his memory is rehabilitated after his death...

Okimono sculpture in bronze of a crow perched on a tree stump in varnished wood. Its eyes are in shakudo.
In Japan, the crow (karasu) is a symbol of gratitude and family love. It is also considered as the divine messenger of good omen. The Kojiki (713) relates that the crow Yatagarasu guided the mythical founder of Japan, Emperor Jinmu (660-585 BC), on a military campaign to Yamato.

Signed under the crow within an oval cartouche 義光, Yoshimitsu...

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era...

Interesting larger stone head carved in Vulcanic stone on the Iberian peninsular, Iberian-Roman or Celt-Iberian manifacture, around 3rd. cent. BC-1st. cent. AD.

From a collection of an artist and once bought at a London dealer for ca. $8000. The head depicts a bearded older man, perhaps a leader or even a god. Typical celt-Iberian features, but also inspired by grecco-roman art.

Size: c. 17 cm. tall and 12 cm...

Antique Chinese pair of porcelain bowls, glazed white and with detailed overpainting in orange and gold of dragons and flaming pearl. Each bowl has two five-clawed dragons on either side of the pearl. Eyes are green and black and every scale is finely outlined in gold. Daoguang (1821-1850) mark on the bottom.

Age: Qing Dynasty (19th century)

Dimensions: 4" high x 6 1/2" wide each (5 1/2" high on stand)

Antique Japanese ikebana basket for flower arranging. Round body with wide split bamboo and twisted rope bamboo foot and neck. The dramatic, arching handle is made of gnarled wisteria branches. Beautiful deep reddish finish and dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 17 3/8" high x 11 1/2" wide x 9 1/2" wide.

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years. Although counted as one of the an...

Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm

An antique Japanese Ryo Biraki Tansu made of Suginoki (Cryptomeria) wood. All original hand forged iron hardware including the Warabite handles and the natural Urushi lacquer. The two hinged doors hide 6 drawers of varying sizes. Constructed using straight dovetail Japanese joinery and hardened wooden nails.

Age: Meiji Period (1868-1912)

Dimensions: 36 1/2 Wide by 21 1/4" High by 17" Deep.

Height: 8.5 cm (3.4 in)
Width: 8.4 cm (3.4 in)

Fine Chinese porcelain Daoguang Period famille rose lidded pot; depicts figures in a rural setting; iron-red Daoguang marks on lid and bowl; old German label inside; good condition; email for more pictures

An antique Japanese rare tall Tansu with 7 drawers made of Kirinoki (Paulownia) wood. Also known as a Chobako, it was used by a merchant to store his business records and small valuables. A rare feature is the original custom built hinged door that was made for a left handed merchant allowing the door to easily open from right to left with the left hand. All original hand forged iron hardware. A secret hidden box can be accessed behind one of the drawers.

Age: Late Edo Period (1800-...

An antique Japanese Nihon Matsu Kasane (stacking chest on chest) Tansu made entirely of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Warabite handles. Lock plates feature double Chrysanthemum knobs with flying butterfly security catch plates. Each handle has upper and lower Atari in the form of Plum blossoms. The hinged safe door hides two small drawers where valuables were kept.

Age: Early Meiji Period (1868-1880)

Dimensions: 44 1/4" Wide by ...

Sagemono made of armor’s fragments. Probably mounted during the early Edo with elements dating from the Muromachi period. 9 x 6,5 x 6 cm.

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motif of the picture in the lower part is “Gonin-dachi Kashima Odori”, five people performing Kashima dance which is the group folk dancing originated from Kashima-jingu Shrine in Ibaraki Pref. The design is katazome (stencil-resist-dye) and vegetable indigo dyed and pigments. It was performed...

A Fine/Large Korean Koryo Two Dragon Bronze Mirror/Dark Green Patina: Korea, Koryo dynasty, 14th century. A large round bronze mirror, cast in the center with a pierced knob encircled by flower petals, well molded with a pair of sinuous dragons, each pursuing a flaming pearl through clouds, and the outer band with clouds around, rim raised higher thank the design, the face of the mirror with a partially mottled, green patina with some dark-brown encrustation. It is in good condition wit...

There is one silver buckle. The belt consists of eleven silver engraved boxes. Weight approximately 354 g. In good condition.

Antique Chinese ovoid form ink stone carved of green serpentine and inscribed with calligraphy on one side and archaic script on the reverse. The text on the front of the ink stone references a quote from the Analects of Confucius:
子曰：“不患人之不己知，患不知人也。 Which translates as Xue Er: The Master said, "I will not be afflicted at men's not knowing me; I will be afflicted that I do not know men." There is a key difference however in the middle of the phrase. ...

An antique Chinese Qing Dynasty 19th century silk brocade tapestry woven with dragons & cloud patterns; the silk ground is coral red color, backed with light brown linen; probably made for the imperial household; Excellent condition, minimal sign of use. Measurements- Overall 86" x 55" ( There is a seam in the middle, 2 pieces of 27.5" wide joined together )

This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous. It does not have a damage and is i...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are inspired directly by nature.

Born the second son of Raku VII, Chônyû (1714 - 1770), Ryônyû took over the title of Kichizaemon (head...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea. One of Keinyu’s classic creations, this tea bowl highlights his honed sense of proportion, his versatility as a potter, and ...

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

Antique Chinese Song Jian Zhan chawan (tea cup) with beautiful cafe au lait coloring and subtle hare's fur effect. Made specifically for the appreciation of whisked tea.

19th century or earlier

Dimensions: 3" high x 5" wide

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement. Generally speaking, it is more common for Tea Masters to certify and endorse pieces of known origin,...

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters. Here we see a str...

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

An antique Japanese Okidoko (display stand for a Tokonoma, a reception room) made of Kakinoki (Persimmon) and Keyaki (Zelkova) woods. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays. It will work in a contemporary setting to elevate and display any myriad of items.

Age: Early Taisho (circa 1912-1920)

Dimensions: 47 1/2" Wide by 5" High by 16 1/2" Deep

Kato Harutake (1886-?) Shino Ware Chawan (Tea Bowl) for Tea Ceremony

Kato Harutake is of the same lineage as Seto ware founder Kato Kagemasa (1168-1249), and was born into a family that passed down the name Kato Buemon from generation to generation. Kato himself inherited the title of Buemon VII.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
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Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs. Sen no Rikyu, the most famous Tea ma...