An exceptional early image of Buddha in meditation, Indonesia, Java, late 8th century-mid 9th century AD.

The buddha is expertly carved in a high quality Andesite stone. The vulcanic stone is dense and finely polished with inclusions of other stones, incl. a fantastic green hardstone in his forehead...

A finely carved jade dragon plaque dating, most likely, to the Warring States - Eastern Han period. The plaque measures 3-3/4"in length and is 1-1/2" at the widest. The stone is a grayish-green nephrite. Guaranteed authentic.

An authentic marble stele fragment depicting an Apsara, measuring 4-3/4" in height by 3-1/2" in width. The carving is very well done and the details are crisp. The surface retains its original patina. A very fine example, mounted on a custom stand (the base of the sculpture has been drilled with a hole to accommodate the shaft). Please see the photos, as they are a part of the description.

This pieces was made in Jingdezhen kiln on North Song dynasty era, stunning blueish white that is the feature of Jingdezhen kiln. It is flower shaped and has carved peony pattern at the inside surface. YouTube: https://www.youtube.com/watch?v=bnDlIGh4uOI Size:12.7cm(D)4.5cm(H) Accessary: new made wooden box signed by Noriki Shimazu Certification: by Noriki Shimazu the famous researcher with Asian antiques in Japan.

Lovely large figural stele of Pavati, Eastern Java, Early Majapahit, c. 13th.-14th. cent. AD.

The figure is carved in grey-black Vulcanic rock with red iron-oxide patination.

In this sculpture the Hindu goddess Parvati, consort of Siva is represented. It was customary in Javanese sculpture of this period to identify local rulers with cult deities and it is possible that this image of Parvati is intended to represent a deceased east Javanese queen...

This is a Bakumatsu item. This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues...

A Chinese cloisonne circular box and cover decorated to the top with formal lotus, the sides with flower groups. 10.5cms diam. Qing dynasty. The gilded base incised with a Jiajing mark in a vertical line. Provenance: L. Wannieck, Paris (label). A London collection. Previously the property of a professor in Seal Beach, California. Originally purchased in Pasadena.

Rectangular-shaped (nadekakugata) iron tsuba decorated with two dragonflies with copper tara-zogan inlay.

Japan – Edo period (1603-1868)
Width: 2.4 in. (6.2 cm) – depth: 2.7 in. (7 cm)

Bronze dropper (suiteki) representing a chubby guardian lion, called komainu in Japanese or shishi in Chinese.

The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to repel evil, it appears on both sides of the entrance to the doors or gates of shrines and temples.

The suiteki is a small container used to hold water that is added to the ink stone during the grinding of the ink stick, used for calligraphy...

A large powerful and deep repousse Tibetan piece with features raised almost 5/8", measuring 4-1/4" in height by X 3-3/4" in width. In excellent condition with complete original gilding intact. Minor loss to the flaming aureole. Excellent detail. A substantial early depiction of a great subject.

An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery...

This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains and one very small hole, but is in very good condition. Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)

Standing in samabhanga, with her right hand raised, left arm broken. Naked upper body with well defined breast. Wearing a sarong elegantly carved and secured with a decorated belt secured at her waist. This splendid rare piece is 75 cm (29.5 In) height not including display stand and 85 cm (33.5 In) on the mount...

A striking soft-glazed six-sided incense burner by Maki Hokusai decorated with white flower blossoms on soft flesh colored glaze surmounted by a silver lid pierced with the character Kotobuki (Fortune) by Hata Zoroku. The pot itself is 10 cm tall, plus the sliver lid. It comes in an ancient wooden box signed by Zoroku.
Hata Zoroku I (1823-1890) learned metalwork techniques in the studio of Ryubundo in Kyoto...

A Chinese parcel gilt bronze incense-burner and cover modelled as an immortal on a mule, late Ming dynasty. 23 cms.

A large and thick seal carved in a large-corned attractive brown stone, Western Mesopotamia, Kingdom of the Mittani, 1550-1350 BC.

The seal is decorated with a high relief 'eye pattern' / Rhomboid design inside a dotted frame.

The Mitanni Kingdom (Hurrians) was a strong regional power limited by the Hittites to the north, Egyptians to the west, Kassites to the south, and later by the Assyrians to the east...

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations...

Small Kagamibuta (button that acts as a netsuké in traditional Japanese clothing). However the size of this one is unusually too small. To my knowledge, there is no Kagamibuta of this size (32mm) usually the diameter of these exceeds 50mm. This is not the only particularity of this jewel, indeed the presence of glass paste is absolutely exceptional, there too, I do not know of any other netsuké, manju or kagamibuta created in this material...