A Very/Fine Buddhist Painting “A Judge of the Hell”-19th C. Korea, Joseon dynasty, 19th century. Framed with plexi glass. A quite large Buddhist painting with an inscription on the right top, a judge sentencing with a guardian (secretary), painted in a very colorful natural mineral pigments on silk, It’s in very fine condition but it has a water stain on the lower bottom, now it removed from a frame, it measures 31”x 20.25” (79cm x 51.5cm).

Chinese Qing dynasty bronze censer / Incense burner, Xuande mark. 17,2 cm wide. 11,5 cm mouth diameter. 7 cm high. 1078 gram weight. Good conditions .

A very rare sancai original, three color, glazed Tang duck cup probably used for drinking rice wine. Three colors with some blue cobalt. Check the closeup photos of the glaze with the natural cracking of the glaze due to long burial. It shows the authenticity of the piece. Size: L.16cm,H.9cm,W.8cm. Condition: Small chip on the rim. See photo #5.

Statue of a fertility goddess, standing, wearing a necklace, her hands joined in praying posture. Terracotta, painted white. Indus Valley Civilisation period (3300-1300 B.C.), Harappa region. Height: 14.5 cm. Soil encrustations, otherwise very good condition.

Antique Japanese Buddhist Diamond Realm Mandala thangka painting (Kongokai Mandara). In Vajrayana Buddhism, the Diamond Realm (vajradhatu kongokai) is a metaphysical space inhabited by the Five Wisdom Buddhas. The Diamond Realm Mandala is based on an esoteric Buddhist sutra called Vajrasekhara Sutra. Shuji Mandala of the Two Worlds, Vajradhatu Mandala does not directly express the forms of the buddhas but expresses them in Sanskrit character (Siddham) called Shuji seed letter...

This covered box of a Sawankhalok underglazed black stoneware has an unusual design including six raised bands dividing petal-shaped segments. This type of Sawankhalok ware was produced in Sisatchanelai kilns, Thailand during the fourteenth to fiftheenth centuries. Height: 11 cm. Very good condition. Provenance: Acquired in Singapore in 1990 from MoonGate, owner Mr K. T. Goh, a famous local antique dealer.

Relief fragment representing Buddha standing beside a column, his right hand holding his robe, his left hand in blessing posture, with a worshipper kneeling in front of him. Grey schist. Graeco-Buddhist art, Gandhara period, 1st to 3rd century. Height: 17 cm. Mounted on a plexi stand. Good condition. Provenance: Christie's Amsterdam auction sale 1993.

Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning...

Antique Chinese carved cinnabar lacquer screen, 4 panels in a deep red color with wooden frame. Intricately carved with 16 separate and unique reserves depicting detailed scenes of court figures and animals in a garden pavilion setting. The area around the reserves is carved with a geometric design of flowers. Ching dynasty 19th century.

Dimensions: 65 1/2" high x 67 1/2" wide

Authentic ancient, 6th - 5th century B.C. Northern Black Sea Region, Scythian iron short sword – dagger Akinakes, Acinaces, Akinak. Comprising a sturdy, straight double-edged tapering blade, the flattened handle with lobed (Butterfly) guard and double-loop pommel, often called "antenna" pommel. 

REFERENCES: Weapons of the Ancient East by M.V.Gorelik.

Page: 202-203. No.36.

Page 204-205. No.42.

Page 206-207...

In the shape of two dragons chasing the flaming pearl. High grade silver with enamelled details, 11 smaller coral beads, diameter 9 mm. And one large coral bead, diameter 15 mm. The bracelet is 9 cm wide and 7,5 cm tall. The widest inner size is 6,5 cm. China, late 19th/early 20th century.

Chinese seal carved from amber. The top of the seal carved with pair of resting sheep, the 8th animal of the Chinese Zodiac. The base is carved with 3 character signature. When held up to the light, the color of the seal is reddish amber.

Dimensions: 1 5/8" x 1 5/8" x 1"

Framed Chinese 17th century Ming dynasty Imperial dragon robe fragment. This greenish yellow ground five claws dragon fragment is the shoulder to chest part of a dragon robe and needs to combine with another pieces in order to finish a whole robe. The horns and eyebrows seem to be missing but is meant to leave space, visually form the eyebrows and the horns by the surrounding patterns and colors...

Framed Chinese 18th century imperial blue ground gold dragon kesi fragment. This twisted gold dragon is surrounded by five color lingzhi shaped clouds. Dragon robes for the emperor contain nine dragons on them and this fragment pretty much sure is the front badge because of the empty space at the upper left corner where is to reserve for the edge to do extra work and decoration to sew buttons to the side of the robe...

Chinese early Qing dynasty imperial brown ground double dragon brocade. One dragon is holding a firing pearl and watching to another dragon behind him while the other one is chasing a firing pearl. This brocade is well design and fully decorated, dragons are surrounded by colorful clouds and sea waves...

Framed pair of Chinese Imperial Kesi 5 claws gold threads dragon fragments, Qianglong Period. These pieces are fully decorated, blue ground five claws dragon with 卐 "Wan" characters, Lingzhi shaped clouds and cross shaped floral patterns. Both Dragons are gazing to their own firing pearl. These pair are probably made for the shoulders part of a dragon robe. Dimensions: 32 x 23 cm each without frame, 92 x 46 cm with frame...

Framed Chinese Qing dynasty blue ground gold thread dragon flying above the sea with auspicious items and chasing firing pearl. Dimensions: 70 x 20 cm without frame, 98 x 49 cm with frame. Condition: no repair, overall in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. More pictures available upon request.

A Hirado ware porcelain figure of a kirin (in Chinese, qilin). The mythical creature is part lion with the body of a dragon and the hooves of a deer. It represents good fortune, protection, prosperity, longevity and fertility. The recumbent kirin figure is executed with masterful attention to detail and form.

Meiji Period (1868 - 1912)

Dimensions: 5 1/2" x 1 3/4" x 3 1/2"