Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling.
Size: 10.8cm(D) 28.0cm (H)
Accessary: old wooden box
Hanten, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. This one is made of asa (hemp) and both warp and weft are hand-plied...
A Rare Chinese ‘SHEN DE TANG BO GU ZHI’ Bowl, 16th ~ 17th Century
A fine and large porcelain bowl with a brown glaze draining from the mouth and leaving the rim with an attractive white line showing off the foliate edge. Within the foot-rim can be found the six-character mark shen de tang bo gu zhi, which may be translated, 'Antique made for the Hall for the Cultivation of Virtue'. The clear glaze has a distinct pale blue-green tinge...
An unusual Arita wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.
In 52 years of business I have found only two of these unusual vases, this one I kept for my collection.
Approximately 16.7cm long...
An eye-catching combination of red lacquer and gold repairs on a classic Karatsu tea bowl dating from Edo. Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...
From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...
An antique Japanese hibachi (brazier) cast in bronze and hand crafted with a dragon and thunder bolts flying amidst the stormy clouds on one side and a crouching tiger with its playful partner hanging from a bamboo limb in a forest of bamboo on the opposing side. The handles feature converging phoenix birds with their tails as the apex...
An antique Japanese Sakata Kotansu (personal storage chest) made of Kirinoki (Paulowani) wood. All original hand forged iron hardware and natural Urushi lacquer finish. Main lock plates feature stylized Chrysanthemums and their leaves. Five drawers for spacious storage and a hinged security door that hides two small drawers where valuables were kept...
A Kutani “Yoshidaya Revival” dish, early 19th century.
The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways...
Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu also known as Nonko. It was made around 1650 and was named 'chidori' which means 'a thousand birds' or 'plover'.
It is in great antique condition and has one of the best and finest Kintsugi gold repair landscapes I have ever seen. You can still find the tong mark on the bowl - please look at picture number 9 and 4.
Born the eldest son of Jôkei...
Antique Japanese large bronze sculpture of a hawk perched on a gnarled pine branch with wings extended. Beautiful and dramatic with lovely attention to detail. In two sections.
Age: Taisho Period (1912-1925)
Dimensions: 25 1/2" high x 22" wide x 12" deep.
This Edo period scroll depicts Meota Iwa—a famous Japanese landmark in Mie. Symbolizing the union between two divine deities, Izanagi (said to be the larger rock, though there is no consensus on this point) and his wife Izanami, the two are joined by a shimenawa (heavy straw rope used in Japanese Shinto ceremonies). This straw rope is quite massive and must be replaced several times a year in a special ceremony...
A funny Chinese Han dynasty pottery covered box with a ring handle and painted 4 hearts to the lid. Dia. 18cm. Condition: crack lines to the body, please refer to the last enlargement, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.
A nice Chinese Liao to Jin Dynasty green glaze buddha. Ht. 20cm. Condition: minor glaze deterioration, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.
A wonderful Chinese Five dynasties white glaze foliated dish, Xuanzhou ware, Anhui province. Dia 16cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.
A fine Chinese Tang dynasty red clay camel. Ht. 31cm. Lt. 24cm. Condition: no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.
Antique Indian miniature painting of Adharanishvara, the combination of the God Shiva and his consort Parvati in one body. The half male, half female represents the union of opposites, the universal principles: masculine, Purusha and feminine, Prakriti. In this painting, Parvati is easily identified by her beauty and crown...
Antique Indian miniature painting of Radha and Krishna in the garden. Best known for their love to each other, the God Krishna and his true love, the Goddess Radha are two of the most adored deities in Hinduism. While strolling the hills, Krishna often played his flute for the grazing cows. A young and beautiful gopi (caretaker of cows) heard his flute and the two fell in love. In this painting we see the young couple flanked on either side by two attendant girls. In the background is the...
