Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

An antique Bayon bronze style meditation Buddha from the 13th cent., seated on a three-tired throne, with the flaring head of a giant Naga, the serpent King Muchalinda, rising behind protectively behind.

His hands are in the Dhyana mudra, the gesture of Medtiation. The Buddha's face is serene, with a naturalistic and warm expression; his head is topped by a detailed ushnisha, in the Bayon style. The serpent is well rendered and symmetrical...

Fine Large Tang Dynasty White Pottery Female Courtier with Oxford TL Test

One of the most desirable and collectable form of pottery sculpture from ancient China is, of course, the female courtier, or "fat lady", from the Tang Dynasty (AD 618 - 906). This exceptional example, with a height of 43 cm, is considerably larger than most known Tang dynasty "fat ladies"...

Chinese Neolithic Twin-Handled Pottery Jar - Qijia Culture (c. 2050 - 1700 BC)

This attractively-shaped pottery jar, or cup, was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. It is made from a fine-grained grey pottery that is fairly highly-fired. There are two "strap" handles joined at the waist and mouth edge. The surface has been burnished making it smooth to the touch...

Rare Chinese Han Dynasty Pottery Dish with Painted Fish Pattern

This rare pottery dish, or shallow bowl, was made during the Western Han Dynasty (206 BC - AD 220). Most known Han Dynasty pottery objects tend to be jars or figures with dishes and bowls being quite rare. This is quite a large dish with a diameter of 25 cm. It is made from a dark grey pottery that is relatively highly-fired...

Asa (hemp) furoshiki with four owner's names, hand-written with sumi(ink). Both warps and wefts are hand-plied. It has some holes and stains, however it is washed. Probably from Nagano prefecture or Tohoku district. The second half of the 19th century. W:126cm, L:132cm

Large porcelain bowl, decoration painted in red iron oxide on cracked glaze, gold details. On the outside, Buddhist lions (Shishi) are represented moving among peonies. Inside are finely drawn landscapes in reserves and elegant cranes in flight. Each landscape is annotated with Chinese characters which probably indicate what place it is. Under the Kutani kilns mark. Very nice example of this production and beautiful size...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box...

A Chinese export porcelain plate, Circa 1750. Excellent condition except for minor paint loss. Acquired at Christie’s Auction.

Pair of Qianlong porcelain plates. Vivid colors. A little paint loss, otherwise very good condition. Acquired at Sotheby’s Auction.

Chinese Ming dynasty Wanli period guan form jar with wide shoulders tapering to an unglazed foot and glazed, slightly recessed base decorated in underglaze blue with lotus flowers and scrolling foliage on a white ground. Short cylindrical neck and fully glazed interior. Measures 6 7/8” high. 16th century. No chips, cracks, or repairs. Minor scratches to the glaze are visible under magnification...

A concave cylinder seal in white-beige stone. The seal is carved with an elaborate pattern of Cruciforms and lines, Mesopotamia 3300-2900 BC.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay...

A set of 5 rare Dutch glass cups imported to Japan in the Edo period and formerly owned by the Confucian scholar Nakai Riken (1732-1817). They are enclosed in a custom made double sided wooden box with drop in doors titled on the side Yoi-O-Gozui (Five fortuitous ways to be drunken) with a long verse carved into each door. Of course, the meaning of the title goes much deeper, and the Gozui is also a Confucian concept...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

A radical Bizen Mizusashi with two lacquered wooden lids enclosed in a black lacquered wooden box with gold lacquer writing titled Samidare which is in turn enclosed in a kiri-wood storage box by the same title compartmentalized to allow the lids to be stored safely. Samidare is a poetic reading for Rain of the Fifth Month (June in the traditional calendar)...

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

This is a beautiful complex wire and wireless Japanese cloisonne vase. Though it is not signed, it was made by Gonda Hirosuke during the Meiji Era, circa 1910. All pieces like this we ever seen signed have been signed Gonda. Very few of these wireless fish vases were made by Gonda. The vase is in excellent condition and has silver rims. It was created before Japan began stamping rims with the "jun gin' silver mark in the early 1900's. It stands 7 inches tall and is 7 inches wide.

1900's Japanese Iron Mixed Metal Miniature Box by Komai Otojiro

It is 0.78 inches (2 cm) tall by 1.2 inches (3.1 cm) long and 1.6 inches (4.1 cm) wide. It is 54.6 gram.

It has tarnished, surface wears and scratches (as seen in the photos).

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