An authentic neolithic jade axe in a variegated light green jade. Biconically drilled from both sides. Please examine the photos. The piece measures 4.5" (11cm) in length and just over 2" (5cm) in width at the widest point. The piece is heavy and solid, measuring some 3/4" at its widest point. This is a genuine archaic piece and is guaranteed to be such to the original purchaser...

A Very Rare/Fine Korean True-View (實景山水) Landscape 10 Panel Screen by 백련(白蓮), 지운영[池雲英:1852-1935): This true view landscape colorful 10 panel screen is very rare and important painting by 지운영[池雲英] who was deeply involved in the late Joseon history. He was a literati painter, calligrapher, and patriot...

Antique Chinese soapstone carving of a seated arhat. Likely Pindola Bharadvaja sometimes called Ajita. Binduluoshe Zunzhe, the Long Eyebrow Arhat, Changme Luohan. This Pindola is the leader of the 18 Arhats and his long eyebrows represent longevity, seniority and leadership. In this representation he is also holding a small pagoda which is similar to another arhat but the long eyebrows identify him. Carved with intricate details and wearing robes painted in blues and reds...

Pair of zelkova elm temple 'Baku' bad dream devourers. 22cm long by 12cm tall and 7cm deep. Extremely well carved and very good condition. Ca. 1890 late Meiji Period. Ask for shipping quote.

Chawan, or tea bowl, for use in the the tea ceremony. Fine gray stoneware turned out rather thin of almost round shape, with a ‘soul’ in the bottom, standing on a bamboo shaped foot, a swirl inside the foot. Opaque yellow glaze with fine crackle covers the ceramic. Over the yellow a white slip hakeme brush stroke on the outside and on the inside.

Seto region, Japan, 19th century

H 3 x W 5.25 x D 5 in.

Two unprofessionally, but lovingly repaired chips at the lip...

Round chawan, bowl used in the tea ceremony, with straight sides and a foot with three incisions. The very fine clay has an incised décor of standing and flying cranes and three minogame, covered in a celadon green, translucent glaze with fine crackle.

Impressed seal next to foot: Akahadayama.

Akahada ware, Japan, prob. Meiji era, 1870s

H 2.8 x Diam...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting ...

Iron tsuba inlaid in nunomé zogan (damascened) of gold of different colors. Japanese work from the Edo period 18°-19° century, the artist's signature should give a precise date of creation. The scene finely cut in iron shows us a medieval fight on a bridge, perhaps that of Uji near Nara...

Snowy landscape, in the foreground pine branches (?) bending under the snow, in the distance a mountain, black crows contrast with the ambient whiteness and grayness of this freezing winter. Watercolor on extremely fine silk canvas. Beautiful composition good mastery of the brush, unfortunately no signature. It's hard to say if it's a Japanese or Chinese creation, but usually on Japanese landscapes when a mountain is represented it's almost always Mount Fuji, which is not the case here...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father...

John W. Wainwright; Presentation in 1886 by his Mother & Father. Rare 1872 Model in the original Multi-Colored hunting case with presentation dated in 1886. What's especially interesting is the image of the daughter, permanently fired on the inside surface of the front lid; all dressed up in her finest. The multi-colored solid gold case also features a Gold Harp on the back and a bow of flowers on the front. Rare. All completely original, clean, running and accurate...

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off. Around the eyes there are remnants of a light-colored pigment.

There are two small holes in the top of the ears in which the ...

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition. ...

A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

Diamater = +- 12 cm. From Song dynasty CONDITION : Perfect, no chips, cracks or hairlines and free from restorations.

Dimension 12 cm CONDITION : Perfect, no chips, cracks or hairlines and free from restorations.

Pair of Meiji (1868-1912) Japanese Koransha Porcelain Vase with Shoulo & Bamboo Figures Marked

They are 9.5 inches (24.1 cm) tall by 6.2 inches (16 cm) wide. They weigh 5 lb.

They have surface wears and scratches, rubbing of gold and paint, firing cracks, skip glazes, and stains (as seen in the photos).

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This porcelain chamber stick or candle holder was produced in Germany by Nymphenburg in the 1890s. It has both impressed shield and printed marking. It measures 4 3/4 inches in diameter and is 2 inches tall. The decoration is elaborate tapestry of flowers, ribbons and gold. The hand painting is precise and extremely fine. The colors are vivid and the gilding is bright. It is a lovely reminder of the past.