A late Edo period (19th century) image known as the Nehanzu, death of the Buddha. It is absolutely fantastic, one of the best painted I have ever seen. Mourners of all species surround the death bed of Buddha. His mother comes from heaven dropping a bag of magical medicine, which catches on the limb of a tree, unable to reach him in time. Hawk, tiger, elephant, Shishi,...

Description: An Yixing tea caddy was kept with original cap. All were in old charming patina and in perfect condition, the Yixing caddy was finely carved with crisp inscriptions and motif of bamboo troves. That made this Yixing caddy a piece full of literati taste. By literal translation, carved two bigger words were Sane Yun(Unique Atmosphere), and ended with- Carved by Shi Yun...

Gold clouds border a spectacular and rare scene of birds flying amid wisteria (fuji) on this fine 19th century gold screen. The screen is roughly 68 by 148 inches (172 x 376 cm). We are offering this screen as is, to allow the buyer to pursue restoration to a level they deem satisfactory. In need of restoration, there are scratches in the gold over the birds, three marks low in panel three and a number of thin tears along the lower portions of the 6 panels. For detailed photos please inquire...

 

 

 

What a fantastic expression worn by this Edo p. Seto Hand warmer (hibachi or properly Shuro/ Te-abure). The dark shiny Seto glaze suits well the beast portrayed. Coals would have been burned inside, heating the surrounding pottery walls, and the piece would have been placed on a step leading into the house for guests to warm their hands on or used within the house in a more formal room. It is 13 inches (33 cm) long and is in fine condition overall...

Description: A big Qingbai bowl was elegantly carved with motifs of dancing boys amid scrolled cloud. Believed as being a product from famed Hutien kiln of Jiangxi province of 9-12th century, the bowl was in pale blue tint and was in very good condition except one faint hairline at the cavetto(about 6.5cm that in half way to the cavetto). It was almost invisible without reminding. The bowl was believed to have been highly esteemed for its once framed mouth rim...

Oribe Green runs in a curtain over the pale yellow glaze of this Edo period andon-zara oil dish. It is unglazed on bottom, measuring 8 inches (20 cm) diameter and in excellent condition, enclosed in a custom kiri-wood box.

A humorous looking dragon twists up the paper canvas, eyes on the prize, a tama or Buddhist jewel underlying a dramatically written inscription. What is extraordinary is that the dragons scaled body is performed with a single stroke of the brush! Over this has been added a shadow for the back, and embellishment of the head. It is signed Fujiki Shuchokusai, and comes enclosed in the original signed and age darkened wooden box...

Description: A white-glazed Bowl of Ming dynasty was from sea wreckage. Kept though in perfect condition, the outer surface was partially loss of glaze and left with some yellowish incursion. Some adhesives were reserved at the foot ring. The bowl rings well when tapping by fingers. Date: Ming Dynasty(AD1368-1644), Width: 14.8cm, Height: 6.8cm. Provenance: Jindezheng, Jiangxi Province

Description: A lavender-tinted Jun bowl was shaped with straight wall. Before applying the random strokes of purple splashes, one on the outer wall and another at the inner side, the ancient potter must had been dipping the bowl in the glaze so swiftly as to leaving the body in the cavetto partially unglazed like the bottom side. By intentional purpose of the potter’s ingenuity or just a simple missed work, the well-molded bowl was therefore full of rustic joy of strong Zen spirits...

A Karatsu style shuhai sake cup with cream glaze decorated inside and out by the Zen Priest Nakahara Nantenbo, a priest who was instrumental in reviving the Zen tradition in the beginning of the 20th century. Circling the circumference is a seven character inscription, the first six reading Kaisei Fugetsu O Kan, the last we have not been able to read...

Description: A white jade pendant was carved as a Chinese characters-Suan Xi( double joys). In another good metaphor, a bat-Fu(good fortune) was carved on top of the word. A very good white jade piece like this one can ideally be threaded as a decent look pendant. Date: Qing Dynasty. Dimension:6.7cm x 4.5cm x 0.9cm

A mini Shan red lacquerware covered receptacle. Unusual to find these types in this size. It still has some dried flowers that came with the item. Age: Early 20th century. Size: H. 19.5cm. W. 8cm. Condition: No repairs. Some minor chips around the rims.

Description: A tripod bronze censer was in archaic Ding-type. Preserved rarely with original bronze water chestnut shaped stand and bronze reticulated and simplified Baosan typed cover, the censer was reserved with darkened patina. It was a small and elegant bronze censer which was used by accompanying with the ancient Chinese instrument Qin when it was playing. The bronze censer was therefor called as Qin censer...

Description: A bronze censer in elegant rectangular shape was rarely inscribed with scholar hall mark. Had been polished in some way, the excellent bronze quality was therefor revealed. A 18/19 century Qing piece was from a European provenance. Dimension:8.7cm x 7.4cm x 4.8cm

Description: A pair of wood figures were depicted as civil official and military official separately. With obvious contrasted facial expression, the military official held a hammer-like weapon when the civil official holding a Hu board ( Hu board was used by an official in a court meeting). Kept in very good condition-only with some decay at the bottom of the base of the military figure, the paired figures were used to be the guardians for a master deity...