Description: An elegant Chinese scholar box was made of a whole block of Suan-Zhi wood, simple and plain but with beautiful aged patina. Date: Late 18th century Condition is Good but with some cracks inside the bottom due to age.

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident...

Iyashiku mo tsune areba
hisashi hisashikereba onozu kara yoi kaori wo harau
If you perservere (with proper living), the years will grant you success. This was a famous last line from a treatise written by revered Han Dynasty scholar Cui Yuan (Cui Ziyu, 78–143). These same words were famously written by Kukai (Kobodaishi 774-835) the founder of Shingon escoteric Buddhism in Japan...

Chinese late Qing dynasty Guangxu period porcelain crocus vase with five lobes around a central cylindrical neck terminating in a bulb, decorated in the Hawthorn pattern with white branches of prunus blossoms set against a cobalt “cracked ice” ground. The base bears an apocryphal four-character Qianlong mark. Late 19th century. 10” high x about 7” diameter. Heavily potted...

A nicely carved Qing jade thumb ring with a stylized cloud carving. Size: Inside diameter.2.3cm. Outside diameter 3cm. W. 2.5cm. Condition: No repairs or chips.

Description:
A beautiful religious painting in ink and colors on paper. Depiction of the holy image of Manjusri, the painting was preserved very well with only some old stains left on the outer portion of the painting.
It measures 230cm long X 100cm wide for the work including mounting. Otherwise the painting measures 166cm X 85cm.

Date: Qing Dynasty.

Golden threads are woven into a home for the large three-dimensional spider crawling over the scrolling edge of this caramel-colored dish dating from the Meiji era. It comes enclosed in an age darkened wooden box titled Akahada Kashibachi (Akahada Sweets dish). It is roughly 16 x 18 cm (6 x 7 inches) and in excellent condition. The clay is consistent with the sandy texture of Akahada, however the color is quite unusual.
Akahada Pottery began in the Momoyama period (1573-1603)...

Wild chrysanthemum rise along a brief poem on the cream-colored sides of these Tokkuri by Seifu Yohei enclosed in the original signed wooden box titled Seizan Sakabin. They are 15 cm (just under six inches) tall and in excellent condition. There is a pre-firing imperfection in the rim of one of the Tokkuri.
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kanazawa prefecture...

This sleeve panel is made with light green silk fabric. It is decorated with floral designs in satin stitched blue silk thread with butterflies high-lighted with white,green and purple thread. Condition is very good. Each sleeve measures 3.5" X 30 inches Embroidered section measures 3" x 20"

19th century (Qing Dynasty) Chinese Manchu style robe embroidered in gold couched threads highlighted in copper and blue-grey metallic threads with 8 visible 5-clawed dragons, plus one hidden dragon on the inside flap, depicted in full-face and profile poses against a blue ground. Each dragon is chasing a flaming pearl (symbolizing the Buddhist notion of enlightenment) and is surrounded by clouds and various auspicious symbols...

Nice large size, this bronze urn measures 12 1/4" across to looped handles, is 9 1/4" high, and the top lip is 10 1/4" in diameter. Nice heavy weight, it has the remnants of a signature on the base, only a square now visible. The body of the urn is ringed with a series of scenes on a diamond textured background, and there is also a decorative band in the narrow area, depicting phoenix birds or pheasants next to foliate and landscape elements. The swing handles are affixed to a large button s...

This is a blue and white brush rest for a scholar study. The brush rest is manufactured in the likeness of blue and white wares on which Arabic and Persian inscriptions appear during the reign of emperor Cheng-Te, Ming dynasty. The painting is like a scroll work know as the “Muhammadan scrolls” with inter-twining foliage.

An Arabic inscription is found on both sides of the brush rest, in the centre of the brush rest, in a diamond shape medallion...

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed...

A radical image by the outlandish Doi Goga featuring a black devil and its child. The child reaches up to the monster, while the monster seems to be giving him a raspberry, his toungue flailing in the air. Ink on paper, it has been completely restored in beige cloth border with bone rollers reflecting the original mounting. The scroll is 42 x 181 cm (16-1/2 x 71-1/4 inches) ad is in excellent condition. Doi Goga (1818-1880) was a Confucian scholar of the late Edo to Meiji periods...

Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze...

Description:

A soapstone seal was well carved to top with a crouching Bixie.
Two Chinese word Qing Sun(Casually Treasuring) was regularly carved on printing side.
Inscriptions were on the side too.
The stone was in warm brownish tint and in greasy feel.

Qing Dynasty, 19th century.

Dimensions: 6cm x 2.9cm x 2.4cm.

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...

An unusual Ryoku Odoshi Ni-Mai-Do Gusoku armor of pleated horizontal plates and Armadillo scale mae-ate reminiscent of the leather covers on the front of older O-yoroi with an inscription inside the box lid attesting the armor to the property of Prince Arisugawa Taruhito. It features a black lacquered 62 plate suji kabuto with simple brass Tehen Kanamono and 6 lame shikoro with arisugawa crest on the fukigaeshi and genuine armadillo tail maedate. The mask is a Me-No-Shita Ho with prominent mou...