Finely cast in solid bronze, this pair of Komainu figures, also referred to as Shishi or guardian lions, are diminutive in size, measuring 3 1/8" high x 3", but maintain the fierce and powerful demeanor for which they are known. They have the traditional stance, and one has an open mouth, the other closed, with richly sculpted manes and tails. The patina is very dark, with some verdigris evident in the crevasses, and very light wear where they were handled...

Length 14 cm Height 8 cm Excellent conditions, no chips, cracks, or hairlines and free from restorations.

Length = 6 cm Excellent condition, no chips, cracks or hairlines and free from restorations, a minor tiny frit on the rim.

A fine 18th century Chinese molded celadon-glazed porcelain dish, finely decorated chrysantemum flower with foliated rim, covered overall in green glazed. DATE : Qianlong (1736 - 1795). SIZE : D = 28 cm CONDITION : very good condition, no chips, cracks, hairlines and free from restorations.

Dating to the 19th century, or late Qing, this Rose Medallion platter was made for the export market and features the traditional images of maidens, birds, flowers, and foliage, in six vignettes separated by green and rose foliate designs, highlighted with gold. The enamel decoration is in high relief, with good detail. The platter measures 14 3/4" x 12" and is 1 7/8" deep, and is nice heavy porcelain...

Ge type golden celadon glaze covering foot rim. Broad firing ring on base burnt red. Diameter = 12.2 cm Period : 14 th-15 th Century Longquan Kilns, Zhejiang Condition : no chips, cracks, or hairlines and free from restoration.

A very unusual Meiji period Suzuri Bako with cherry blossoms in black on black outside, a crescent silver moon rising beyond crashing gold waves within. The box is so subtle outside, that until very close, and at the correct angle, it simply looks black. Then one sees the cherry blossoms covering the entire outside, in the slightest texture only...

Japanese shin hanga woodblock print by Shoda Koho (1871-1946) titled "A Bridge in the Rainy Season." This image was originally printed by Hasegawa circa 1910-1920. This lifetime impression was published after the name change from Hasegawa to Nishinomaya Yosaku and dates circa 1936-early 1940s. The Nishinomaya publisher’s seal is in the lower right margin. The artist’s black ink signature and red seal are at the lower left corner of the image...

Measuring 5 1/2" square and 8 1/2" high to top of handle, this Tabako Bon, or tobacco box, is lacquer over wood, with brass fittings, round lidded container, and hibachi. The one large drawer contains the lidded brass container and an open compartment behind it, and the other two drawers fit the depth of the case. The hibachi on top may be removed, and locks in when turned, so that the entire piece may be carried by the handle...

A rarely encountered occupation era original Japanese shin hanga woodblock print titled "Tanigumi Temple, Mino" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15"V x 10 1/4"H (image size: slightly over 14 1/4"H x 9 1/2"V). Very good overall condition...

This lovely 19th century piece came from a Dutch private collection where it has been since the 1980's. It is 55 cm high and at the base it measures 25x25 cm. It has normal age wear and a wonderful old patina.

A raw earthen bottle hand formed for sake and engraved with a poem by Otagaki Rengetsu. It is 5-1/4 inches (13.5 cm) tall and in fine condition. The poem reads:
Fuyubata no On the Daikon Leaves
Oone no kuki ni In a winter field
Shimo Sae Te Frost gleams
Asatode Samushi Going out in the morning I feel cold
Okazaki no sato Here in Okazaki village
Much has been written about the life and work of poet/artist Otagaki Rengetsu...

Japanese Meiji period painting on silk finely rendered with three birds perched on a tree branch set against a rising full moon. Signed “Gokyo” (artist unidentified) with a red seal below. Appears to date from the 19th century to circa 1900. Measures 47”V x 19 3/4”H. Very good overall condition with minor discoloration from foxing and a faintly visible horizontal soil line at the mid-section. The painting is executed on fine silk gauze...

Large wooden sculpture of an Arhat, a disciple of Buddha. An impressive and well carved piece with a very nice expression and with the original polychrome. H. 68 cm. Condition: age cracks, wear to the painting, some damage to the fingers, the right shoe has been replaced. Chinese work, 19th century.

A complete old Tibetan ladies purse made of Yak leather and inlaid with silver and gilt carvings with a center piece of Turquoise. The front has carvings of two fish (representing the beginning of life)and flower design. The back has a center tree design. There is a silver woven chain attached to the top for carrying. Age: Late 19 Century. Size: Leather purse. L. 12cm. W. 7cm. Overall length. 32cm. Condition. Very good.No repairs. Normal ageing.

A dramatic pair of large trays　decorated with silver characters for sun and moon on dynamic black and red surfaces. Each comes in the original wooden box made by craftsmen at the Yabashi Studio in Gifu prefecture. They are 47 cm square and in fine condition.

An unusual image of a towering stone among pines by Yasuda Hanpo enclosed in the original signed wooden box dated 1935. It is titled Sosui Manken (In the shade of Towering Trees. Light pigment and ink on paper in a cloud-patterned satin border with large bone rollers. 46.5 x 207 cm (18-1/2 x 82 inches) and is in exceptional condition.
Yasuda Hanpo (1889-1947) was a Nanga artist studied under Mizuta Chikuho and Himejima Chikugai...

A fine antique Greek pottery kylix a grand tour example c.1890. Decorated in Classic greek figures two handles and pedestal stand. Measuring 18 x 14 x 8 inches. A beautiful example would enhance any interior.

Japanese literati painting finely detailed in the Chinese style with a snowy mountainous landscape scene featuring houses, figures, a waterfall, and gnarled trees. An inscription at the upper right is signed “Sorin Gaishi,” the pseudonym for Takaku Aigai (1796-1843), followed by two red artist seals. Takaku Aigai was a prominent Nanga School artist and a protégé of Tani Buncho...

Description:

A black-glazed stem cup was uniquely mold with decoration on the surface with thorn-like pattern.
It was a transition from early periods and was also a counterpart of metal wares of persian cultures which had been introduced into China 6th-8th centuries...

Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. This face cover is from the nomadic Harb tribe of Hijaz region of Saudi Arabia. It was purchased by a collector living in the region during the 1960's.

Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. This particular mask is from the Harb tribe of Hijaz region of Saudi Arabia. It was purchased by a collector living in the region during the 1960's.

A pair of Satsuma earthenware vases painted with two different continuous scenes of women and children in a landscape. Bases signed within a cartouche "Ryozan". Condition: fine, only little wear to gilding. Dimension: 23.8 cm high.

Antique Chinese carved dark red cinnabar covered box. The cover, with slightly convex top, intricately carved with four figures (two standing and two seated) in garden landscape with architectural structures and tall hills in the background. The carved flower motif on the sides of the cover also appearing on the sides of the bottom. The underside of the bottom with a repeating, star pattern centering a rectangular reserve now missing a cartouche. The bottom and cover with metal rims. Late Qing t...

An interesting comment on the circle of life, the huge cicada, with only a three day (above ground) life, is dissected and carried away by a line of tiny ants, birth and death, the mighty and the tiny, and the cycle of life continues. This image is by Ishikawa Chikuson and comes enclosed in the original signed wooden box. It is performed with ink and light color on handmade paper, mounted in a field of soft-blue silk extended with beige. The scroll is 22 x 48-1/2 inches (55 x 123 cm) and is i...

A nicely carved natural amber snuff bottle with two birds on one side and a floral design on the other. Size: H. 4.9cm. W. 3.4cm. Condition: No repairs, cracks or chips.

Japanese shin hanga woodblock print titled Maple" by Tsukasa Yoshida (1949 - ) dated 1970. The artist's red square seal is at the lower right. The print is pencil-signed in the lower right margin, dated and titled in Japanese in the left margin, and titled in English in the lower left margin. The known paper size is 16”V x 11 1/4”H (image: 14 1/2”V x 9 3/4”H). This print has been framed with UV glass and archival materials in a traditional 19"V x 15"H wood frame with rounded corners. I...

Chinese Qing dynasty scholar’s pear-form monochrome porcelain bud vase with wide mouth covered overall in a Junyao type purplish blue flambé glaze that extends into the interior. The slightly recessed base is brown washed. The wood stand and padded silk presentation box are included. Early 19th century to possibly late 18th. Vase: 3 1/2” high x 3” diameter. Silk presentation box: 7 1/2"L x 5"W x 4 1/2"H. Very good overall condition with no chips, cracks, or repairs. This piece is f...

The Guanyin seated on a lotus throne, accompanied by two attendants. At the back of the figure there is an opening where offerings or religious texts were kept. This piece is 35 cm tall and dates from the 18th century. Condition: paint loss, worm holes (treated), age wear, an ornament missing at the top of the back plate. From a Dutch private collection.

Rare limited original woodblock print by Paul Jacoulet (1896 Paris - 1960 Karuizawa) with glued title label in French "First Love - Young Girl from Yap", lavishly printed with gofun, mica and karazuri. Signed in pencil, red Daikoku's mallet seal, left margin with seal of printer Maeda and paper with artist's watermark. Reverse with red edition cartouche in kanji 48/150. Please refer to Richard Miles "The prints of Paul Jacoulet", No. 43 with picture. First impression, according to R. Miles there...

Large Chinese Qing dynasty Guangxu period bombe form censer (incense burner) with flared rim decorated in underglaze blue on a white porcelain ground with three horizontal rows of zhuanshu "shou" (longevity) ideographs extending around the circumference of the bulbous body. A key-fret border is above the calligraphy and a petal border is below it. Two underglaze blue concentric circles are on the recessed glazed base. The glaze extends up the interior of the unglazed foot rim. 6 1/4” diame...

A fine dark olive bronze by Living National Treasure Katori Masahiko enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. Katori Masahiko (1899-1988) was born into the family of prominent Bronze Artist Katori Hozuma in Chiba. He was internationally awarded at the Paris Exposition in 1925, the year he graduated The Tokyo University of Fine Arts (a student of Tsuda Shinobu). Heavily involved with the Teiten/Nitten National Art Exhibition, following the...

A blossoming plum rises majestically on the simulated matt-metal finish of this cloisonné vase by the Ando studio marked on the base. The interior is a rich dark blue, the exterior flat orange peel textured metal gray with the flower laden branches rising up in moriage. It is 30.5 cm (12 inches) tall, 18.5 cm (7 inches) diameter and in fine condition, enclosed in a wooden box.

A bridge and weeping-cherry (shidare sakura) draped over swirling eddies on this silver lidded Meiji period Koro incense burner on its original matching table. On the table a waterwheel is visible downstream from the same scene, tiny silver beads floating on the crests of the ripples. The incense burner has a silver lid and removable liner, with a nashiji gold-flaked bottom. It is 4-1/2 inches (11.5 cm) diameter and in fine condition. The table is 14-1/2 x 7 x 2-1/2 inches (37 x 17.5 x 6 cm)...

A large screen depicting a samurai replete with the Jakumei crest of the Takeda Clan rearing his horse in a shout of battle, wand extended at arms length giving the order to charge. The horse appears to be fighting panic, possibly at the deafening sound of the guns of Oda Nobunaga, a sound which brought in the modern era of warfare to Japan in a pitched battle between Oda forces and those of Takeda Shingen. The scene is depicted in a typical Meiji Rekishiga-style, light pigments on silk, wrapp...

Sitting demurely, legs folded with her back to the viewer, an oil painting by Yoshii Kosaburo dated 1937 and encased in the original period wooden frame. Oil on canvas, the painting is 15 x 18 inches (38 x 46 cm), the frame 21 x 23-1/2 inches (53 x 60 cm) and is in fine condition. The frame has marks and wear typical of age. It comes with some period documents (Japanese) on the artist. Yoshii Kosaburo was born in 1899, and initially studied under Imperial Art Academy Member Nakagawa Hachiro. ...