A finely carved female mask netsuke, showing the smiling Okame. The himotoshi edged with bone rings. Signed Shugetsu and with written seal "kakihan". Provenance: a gentleman's collection, Geneva - Switzerland. Condition: fine, only the green bone ring with chips. Dimension: 5.0 cm x 4.3 cm.

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century...

A beautiful quadratic prism shaped translucent brown jade with two ring carved on each end. The jade is strung with three old Chinese beads. Age; Song or earlier Size: 3.4 x 2.1cm. Condition: No chips.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible...

Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth...

A male back Mandarin square with a leopard, denoting the 3rd military rank. Silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The animal is standing on a rock above deep water, the ground with Taoist longevity symbols. The background was probably covered by peacock feathers, rarely survived to the present days. Reference: "Ladder to the Clouds" by Jackson & Hugus Berkeley 1999, page 192 - No. 13.011: very similar badge...

An elegant men's headgear dating around 1900, consisting of the cone-shaped indoor headdress and the outdoor heungnip or gat. Both are made of horsehair, the gat with a bamboo brim and gauze chin straps. The top part of the hat with a lacquered blossom. Condition: traces of usage, some splits near the bamboo brim. Dimension: gat: diameter 32 cm x c. 14 cm high, headdress: c. 14 cm high.

Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.

An exquisite Japanese koro incense burner carved from a piece of plum blossom colored agate and enclosed in a period wooden box. It is 3-1/2 x 5 x 4-1/2 inches (9 x 12.5 x 11.5 cm) and is in excellent condition, dating from the early 20th century.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings...

A Fine bronze by the modern master of the Japanese bronze tradition, world renowned Hasuda Shugoro, enclosed in the original signed wooden box. The modern form is belted in geometric patterns with a mottled olive and red patination, signed on the base Shu. It is 6 x 7 x 9-1/2 inches (17 x 15.5 x 23.5 cm) and weighs approximately 5.5 kg (12 lbs) in excellent condition.
Hasuda Shugoro was born in Kanazawa City in 1915...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo...

A very rare and beautifully carved blackwood table. The carvings represent good luck symbols with key fret designs,lingzhi fungus, floral, tendril, and coins. The front and the back are a mirror images of each other, and the two sides also have mirror image carvings on both ends. The legs are straight and not curved as seen in the wide angle photo. Size: L.116 cm W.40 cm H.84 cm. Condition: Small age crack. See photo.

Sennin, Daoist immortals, relax, Gamma with his three legged toad looking shocked upon his shoulder, Tekkai sending his spirit forth, the essential equipment of the Daoist life scattered about them. The painting is dated 1912 and signed Kodo. The artist has chosen a very humorous stance from which to depict his subjects. The silk image is mounted on a panel of applied gold flake and framed in striped Ebony,. The frame is 142 x 48 cm (58 x 19 inches). There are some minor abrasions to the su...

A pair of Chinese export porcelain plates with the tobacco leaf motif. Beautifully enamelled with a pair pheasants and two squirrels amongst bold overlapping leaves and flower sprays, in blue, other colors and some gold. Foot rim with some kiln grit. Condition: both plates have minor rim fritting (bubble burst), one plate with a small rim chip, the other with a short hairline. Dimension: diameter: 24.9 cm, 3.1 cm high.

Description:

By charming atmosphere and with mysterious beauty, an excavation piece of a jade Bi was presented in a unique form.
As seemly a remnant of a hardstone's boulder of making the jade Bis, the Bi was actually a formal ritual object despite the roughly shaped side and the original stone encrustation preserved.
In ancient times, jade pieces could be always so precious that nothing would be discarded even there're some defects.
Without further modifying work but with o...

Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles. The dishes feature a variety of decorative motifs and styles, including a graviata flower ball design on a blue ground; three graviata lime green, lavender, and pink dishes with floral motifs; a landscape against a white ground; a calligraphy poem inside...

An exquisite landscape circles the body of this voluminous ballister form by Eiraku Zengoro XV (Shozen) enclosed in the original signed wooden box. It is 15 inches (38 cm) tall, 7-1/2 inches (19 cm) diameter and in excellent condition.
Eiraku Shozen (1879-1932) was the backbone of the family tradition after the passing of his father in 1909, and worked tirelessly to maintain the family reputation. His works were preferred by the 12th generation head of Omote Senkei Seisai, and were also...

Creamy-feel, crackled glaze with old body clay revealed.

Height: 10.3cm

Date: Yuan/Ming periods.

A cotton box is included.

Antique gold gilt Thailand amulet exqusite ancient Buddha. Provenance purchased from and English ambassador to Thailand from his personal collection. Measuring 3" x 1.5" or 8cm x 4cm. In all original antique condition.

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927-2014) titled “Butterfly Girl” dated 1977. The print is pencil-signed, dated, and numbered 37/85 in the bottom margin. Image size: 10 5/8”V x 9 ¼”H (paper size: 16 ½”V x 13 5/8”H). Red Nakayama seal verso. Very good overall condition with silver metallic pigments. There are two pieces of brown tape at the top edge verso and there is a very faint mat line barely evident. This early image is illustra...

A Nandina (Jap.Nanten) grows up in brilliant red hues over a dark garden stone on thie black panels of this unique painting by Ono Tosaburo. Heavy pigment on paper mounted as a two panel screen with light cloth border and hardwood frame. This was exhibited at the 12th Nitten in 1956, and is visible in the catalog for that year. It is 85 x 74 inches (188 x 216 cm) open. Ono Tosaburo was born in Osaka in 1917 and studied under Konoshima Keika, The war interrupted his career, and he was first...

A pair of root-wood geese carvings 10 x 4 x 3 inches (24 x 10 x 9 cm) and 6 x 3 x 8 inches (14 x 6.5 x 20 cm) respectively. There are some minor losses around where the feet are attached to the natural form polished wood bodies, otherwise are in fine condition.

A pear-shaped vase freely painted with foliate designs in a dark chocolate brown glaze over a white slip. The slightly flared footrim is also painted in dark chocolate brown. Comes with a certificate from an auction in Beijing. Period: Song (10th Century) Size: Height = 22.5 cm (8-7/8") Condition: A very small chip at the foot-rim.

This seated figure, a Lohan or Scholar, is very nicely modeled, with good detail and form. It measures 3 3/8" high x 2 5/8" wide and is covered in a soft turquoise colored glaze, which is translucent, and varied in intensity of color, being deeper colored where the glaze has pooled. there are very tiny dark spots apparent in the glaze, some more visible on back and shoulders. There is a chip on the base, just below the hands, on the bottom of the flowing robe and at the edge of the form. It da...

Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century. Very good overall condition...

Measuring 7" high, and approximately 4" at the widest point of the body, this ceramic jar dates to the 17th century of the Safavid Empire, which was located in what is now Iran. The glaze is very heavy and is decorated with underglaze blue, and has areas of greenish tint, seen primarily at the shoulder and on the bottom. there are areas where brown pigments are visible in the glaze, also visible in photos. The blue decoration depicts arabesque forms with linear and foliate designs. The neck an...

An ancient southeast Asian (Thailand) pottery bowl from the Ban Chiang culture, dating to approximately 500 B.C. A wonderful piece measuring approx 10" x 8.5" in excellent ancient condition a small hair line at the top edge. This a distinctive vessel with a bold form and individualistic style, the body rises from a rounded base. The piece is adorned with exuberant painted curvilinear forms This striking earthenware vase was produced at the site of Ban Chiang, Thailand, and is typical of works ...

A very rare gilt figure of Buddha with hands in the earth-touching gesture. The facial features are characteristic of Burmese Buddhas of the time with very large ears and nose.

Burma 17th/18th Century

Size: Height = 14 cm.

Condition: Good. Has a nice patina.

A rare ancient agate bead made for wearing as a pendent or necklace. These beads date back to over 2,000 years. They have some kind of tiger influence in their shape and stripes.. Size: 4.2cm X 2cm. Condition: No breaks.

Large Japanese limited edition lithograph with hand-applied paint and red sumi-e brush stroke by Toko Shinoda (b. 1913) titled “Through the Ages.” This early undated image is pencil-signed, titled, and numbered 32/35 at the lower left. Paper: 35 5/8”V x 24 7/8”H (image: 22 x 32 ¾). Excellent condition (never framed). This print is from a Phoenix, Arizona estate.

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage. Inside bottom with some alteration of enamel...

An oil on canvas by Ono Sue titled “Inaka no Kyokai, Paris” or Rustic Church in Paris set into a double wood frame. The canvas is 15-1/2 x 18 inches (40 x 45 cm), the frame 24 x 27 inches (61 x 69 cm) and all is in excellent condition.
Ono Sue (1910-1985) was born in Niigata prefecture, and after serving as a school teacher for one year, moved to Kyoto in 1934 to pursue a career in oil painting under Yasui Sotaro. He began exhibiting with the Issuikai in 1938, garnering a number of ...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition. Artists mark on ...