"Vermont Maples" by Arthur B. Wilder (American, 1857-1949), oil on canvas, 24" x 29.25", signed and dated 1920 lower left and offered in its original Arts & Crafts gilt wood frame. This large autumnal landscape portrays the brilliance of Vermont's fall colors on a pastured hillside, typical of those in the environs of Woodstock. On the reverse are two early exhibition labels that provide the title...

Arthur B. Wilder (American, 1857-1949), original pastel on paper of a Vermont farm with pond. Signed lower right with date of 1941. Size: 11" x 14". Excellent condition. Arthur Wilder was a native of Vermont, and he developed an interest in drawing at an early age. He enrolled at the prestigious Art Students League in New York City and studied with such noted American painters as Thomas Dewing, Charles Yardley Turner and William Sartain...

Arthur B. Wilder (1857-1959), pastel on paper, 9.5" x 11" (sight), unsigned but bearing on the reverse the Arthur Wilder estate's stamp #105 and with provenance from the estate of Wilder's granddaughter, Joan Pearsons. Condition: Very good, with some minor spotting in sky. This covered bridge was located on Route 4 at the west end of Woodstock, and was replaced by an iron bridge, which has just recently again been replaced...

Arthur B. Wilder (American, 1857-1949), oil painting on artist board, circa 1930, 27" x 24", signed lower right. Excellent condition. We believe that the subject of this colorful painting is the porch of Arthur Wilder's Mountain Ave. home in Woodstock, Vermont, with his collie dog, Lady. His grandson, Lyle Pearsons, records Arthur's later years as follows: "During the 1930s he continued painting regularly until his wife died in 1938...

A small oil on board depicting an antiques auction by the Woodstock, VT artist Arthur B. Wilder (American, 1857-1949). Circa 1930-40s. Size: 8" x 10". Unsigned, but bearing on the reverse the Arthur Wilder estate's stamp and with provenance from the artist's granddaughter. Local auctions were held in the vicinity of River Street in Woodstock during the 1930s-1940s. Murray Fraser is most probably the auctioneer. Excellent condition; offered in the original estate framing under glass...

Description: A Zitan brush-rest was beautifully carved as a trove of Linzhi plant. Rested on a fitted boxwood stand from which the patina was in warm old condition and was preserved with the dirt residue due to age, this piece was in perfect condition. An inscription of San-Soon was under the boxwood stand. Date: Qing Dynasty(19th century), Width: 11.6cm, A CUSTOM-MADE SILK BOX IS INCLUDED.

A very rare and unusual root brush pot that is highly prized by the Qing Scholars. This is a very special type of root know in Chinese as "JinJinan" The pot has all the natural openings from the root. Age: Qing, early 18 century. Size: H. 29.3 cm. Diameter at the base. 19cm. Condition: No repairs to the root. An old repair on one leg of the base. One leg has been replaced. See photos.

A Yuan dynasty longquan celadon large dish, rounded side with raised rim and glazed base, dish decorated with carved large flower motif at interior and vertical ribbing suggesting flower petal motif at inner wall, dish covered with green glaze.
Size: 35.5 cm diameter.

This diamond cluster original period stick pin with a full pearl in the center is circa 1910’s. The 11 old-mine diamonds weigh approximately 0.55Ct. Some of the stones have sight nicks, but the over all condition of the piece is excellent. The high luster pearl in the center that measures 4.75 millimeters is POSSIBLY an oriental pearl but it was not X-rayed so it being considered and sold as a cultured pearl.

A very traditional pair of diamond and pearl earrings from the 1960’s is set in 14Kt yellow gold with a European leaver backs. These earrings can be worn dressy for occasions or sporty with jeans or basically all the time. The well matched high luster cultured pearls measure 6.8 millimeters and the approximate total weight of the two full cut diamonds is 0.10Ct.

 

Sourced from Rong Jiang area of China, the silver sectioned container was made and used by the Miao ethnic minority as a smoking accessory. Worn hanging from a belt, the collection of pipe cleaning tools would act as a toggle to counter weight the container at the other end. Made from low grade silver, the 3 sectioned container has an etched and pierced design and is held together with handmade chain...

A nicely carved jade pig done in the Han style. Pigs represent prosperity and jade pigs were were placed in the hands of the deceased. Many jade pigs were used for this purpose in later times and are sometimes mistaken for Han pieces. Size: L.10cm. H. 2.8cm. W. 2.3cm. Condition: No chips. Some calcification.

Description:
A black-glazed Jizhou bowl was preserved in a fine condition.
By a beautiful grayish image of freely painted plum branch in the cavetto against the black ground, the tea bowl was mold in a typical Wan shape when standing by a flat foot ring which was a strong characteristic for a Jizhou bowl.
The buff-tinted soft-feel paste revealed at the bottom was another obvious characteristic for this dated ware.
Despite some minute fret on the mouth rim, the glaze condition was qui...

Nonya ware or straits saucer decorated with phoenix and floral. Daoguang Six Character,overglaze iron red seal mark. Daoguang Period (1820-1850). D=10.5 cm. Condition, a tiny frit on the rim, no chips, cracks, hairline or restorations.

A fine 18th century Chinese celadon-glazed porcelain dish, finely decorated with incised floral decoration. DATE : Qianlong (1736 - 1795). SIZE : D = 34 cm CONDITION : excellent condition, no chips, no cracks, no hairlines and no repairs except firing flaw on the back near footrim (look at the picture).

A very unusual round Ming huanghuali box with a lid. The lid's center has a burl wood center of huanghuali. It is very rare to see burl wood huanghuali in huanghuali pieces. This is the only one I have ever seen. Size: Diameter: 15.5cm. H: 9 cm. Condition: One old small repair (see photo), a natural age crack on one side (see photo) and a small chip at the bottom rim.

Pair of rare sterling silver handmade ash or pin trays centered with a raised mythical pre-Columbian Quetzalcotal head designed and signed (c.1930's) by Taxco, Mexico artist William Spratling (1900-1967). Each measures 2 5/8" across. Contructed of heavy gauge silver. Weighs 19 grams. Beautiful vintage conditon with no dents or dings. Shipping and insurance included. Spratling was a contemporary of Hector Aguilar, Antonio Pineda, and Los Castillo.