One of a kind and absolutely rare: Very large Oni Shino Yohen Tsubo by Tsukigata Nahiko, enclosed in its originally signed double wooden box. A true masterpiece, 8,3 kg heavy, 28 cm high with a maximum circumference of 88 cm, imagine that.

Tsukigata Nahiko (1923-2006) actually needs no introduction. He was not only an accomplished ceramic artist, but also a musician, painter, calligrapher and sculptor...

Small compact vase of irregular shape on a wide foot. Brown clay with white mineral and tiny pebble inclusions typical for Shigaraki and Iga ware, with green and white ash glaze over cross hatched pattern on the shoulder.
A small metal loop on the shoulder in the back to hang the vase from a beam in the tokonoma.

Bottom unglazed. Impressed seal of artist: Kozan.
Japan, Iga ware, Showa/Heisei, circa 1970s-1980s.

H 3-3/4 in., W 4-3/4 in.

Mint condition

Morisato Kozan (b...

Additional Photos for Tanba Yaki Jar by Ichino Shinsui with Tomobako

Nancee Meeker hand thrown vase

9 1/2" tall

Gray to black gunmetal glaze with spreading accents of green moss hues

Beautifully made and well balance

Lightened areas are reflections from photographic lighting

Signed Meeker on bottom

Excellent condition with no issues to note

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. *Tachibana Daiki is well known that former Arkansas Gov...

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe...

In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique, the potter Furutani Michio (1946-2000) wrote several books later translated to English on the construction and use of the “anagama”—an earth-dug, wood-fired, small-batch kiln traditionally used in Japan—celebrated for the extraordinary results that often emerge from its fires...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Great Master has been challenging to the pieces comparable to antiques, this piece is made of celadon and copper glaze under celadon. Copper glaze turns beautiful purple color. The shape shows Japanese traditional drum "tsutsumi". YouTube: https://www.youtube.com/watch?v=2iR4V81RuAI Size: 10.0cm(D)/28.3cm(H) Accessary: wooden box signed by artist

This piece is with natural glaze that is made of burnt fire woods, melted ashes of fire woods of red pine tree and red skin by flames. The pieces are fired in the small kiln "anagama" for 10days and this piece was fired three times. Size: 9.0cm(D)/25.2cm(H) Accessary: wooden box signed by artist

This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea　goods...

A magnificent Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire (Blended Clay). The mixed earth creates a unique texture with green ash and burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln, each side is unique, and there is never a dull moment.
Size, D 12.4 cm H 23.1 cm
Condition, Excellent
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964...

A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).

Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III. He grew up with his brother (Rakusai IV) watching his father's work, eventually becoming a Shigaraki ceramist himself.
He studied at the Saga Ceramic Research Center, Kyoto Prefectural Ceramists’ Technical Institute and, after mastering his skills, he established his own kiln in 1968.
He has been...