An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting...

Inspired by ancient Korean Sueki pottery this bowl features attractive and elegant design and excellent natural ash glazing.
It changes its appearance with time and can be enjoyed for many years ahead.

Seihou Hasegawa is one of the leading names in Japan in reviving the old techniques of Mino-Momoyama pottery.

Seihou Hasegawa
1953 Born in Tokyo 　
1983 Independently established in Fujino-cho, Kanagawa Prefecture (currently Midori-ku, Sagamihara), building a...

A tea bowl with stunning glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. His tea bowls are not common, and purple ones are quite rare. Piece is simply titled Tea Bowl (Chawan 茶碗), it is glazed stoneware, from Shōwa Period, late 1970...

Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations...

Rare Japanese Celadon Tea Bowl, which was made by one of the greatest Japanese potters of the 20th century, Ryūzan Aoki (1926-2008).

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter & his profile are also included.

Aoki Ryūzan was born in Arita as the eldest son of a porcelain merchant. In 1951, he graduated as a Nihonga-style painter from Tama Art College...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).

Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated...

This piece is a new work recently launched, it is called "madara" glaze made of ashes of rice straw. The condition of glaze is very calm and warm. Please see on YouTube https://www.youtube.com/watch?v=UgYgFQK-4tk Size : 14.2cm(D) 7.9cm(H) Accessary: double wooden box signed by artist

A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...

A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964...

Beautiful golden Kyo-yaki tea bowl by Murata Toshimitsu in perfect condition with the design of hand painted iris flowers. It was made 50 years ago and comes with originally signed and sealed wooden box.

Murata Toshimitsu 村田俊光 was born 1941. After graduating from Kyoto Ceramic Training School, he started training in ceramics under the guidance of his father Murata Toen and succeeded the family business...

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. It makes interesting pattern mixed green and red. It is also possibly used as a small vase, not only as a sake sever. Size: 8.0cm(D) 15.8cm(H) Accessary: none

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. This piece also has traditional pattern by iron glaze. It is also possibly used as a small vase, not only as a sake sever. Size: 8.7cm(D) 19.0cm(H) Accessary: none

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.