Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide...

Fantastic vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This was made using the colored clay technique that he was best known for— such pieces are exceedingly rare, most being found in numerous museums world-wide, and a shrinking number of private collections...

Colorful vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This was made using the colored clay technique that he was best known for— such pieces are exceedingly rare, most being found in numerous museums world-wide, and a shrinking number of private collections...

Sugimoto is very famous for achievement of reproduction of Raku founder Chojiro piece, and now he has developed the method and he has made new excellent works. Black raku chawan is regarded one of most important things in tea ceremony. YouTube movie: https://www.youtube.com/watch?v=td_-c4Kp2W4 Size: 11.5cm(D) 8.4cm(H) Accessary: double wooden box signed by artist

A tea bowl with beautiful glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. His tea bowls are not common. Piece is simply titled Tea Bowl Air (Chawan Chiyū 茶碗宙), it is glazed stoneware, from Heisei Period, circa 2000...

Charming small vase by Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is from the mature celadon period, when he focused on added texture to the pieces that enhanced the glaze. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. Piece is playfully titled Longevity Crystal Celadon Square Vase (寿晶瓷方瓶). Miyashita loved to give poetic names to his pieces...

A playful piece with beautiful glaze from a series Yasutaka did in late 1990s and early 2000s, as part of celebrating 30 years of making ceramics and the New Millennium, adorned with a tortoise, as a wish for longevity and prosperity. Vase is 21.4 x 16.1 cm, made in stoneware with underglaze iron-oxide decoration, and in perfect condition. Comes with artist signed wooden box and potter’s biography in Japanese...

Charming fresh water container (Mizusashi) by Oshio Shōzan III 三代 大塩昭山 (b. 1935), an important potter working in Akahada ware that is produced in Nara Prefecture. Akahada potters are famous for tea ceremony wares. Piece is for late 1970s, stoneware with overglazed enamel, it is 14.6 x 14.4 cm. Potter’s seals on the bottom Akahadayama (赤膚山) and Shōzan (昭山)...

Koie Ryoji (1938-2020) Korean Style Handmade Tsubo Vase

Size
Height 27.5cm
Width 17cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji 鯉江良二 emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...

A perfectly thrown and golden glazed contemporary Kutani Chawan made by one of the best Kutani-yaki artists, Hasegawa Suiko - please see! The beauty of the painted poetic motifs is simply breathtaking. Waves, a crescent moon and a toki, the Japanese crested ibis bird, so significant for Japan. The exceptional purity of the golden glaze is not found in any other work by Suiko as high class as in this tea bowl.

Hasegawa Suiko, born in 1958, lives in Ishigawa Prefecture...

Stoneware covered box form glazed in my Kuro-Oribe surface with Johnny Hart B.C. and Prometheus inspired finial.

Box measures approximately 17.5 x 13.5cm

Stoneware and glazes

Decorative, functional and food safe

Stoneware covered dome box form glazed in my Kuro-Oribe surface and cornucopia inspired knob.

Box measures approximately 17 x 14.5cm

Stoneware and glazes

Decorative, functional and food safe

This sake cup is made as a miniature of red raku chawan made by Honami Koetsu in 17th century. YouTube movie: https://www.youtube.com/watch?v=DkIc18gBIkk Size: 6.7cm(D)5.3cm(H) Accessary: wooden box signed by artist

Coming next month solo exhibition of Izumita Yukiya. There will be over 100 new works, from tea ware and sake ware to vases and sculptures. Mr Izumita will be present at the opening day. Exhibition dates: May-24-May 30 2023. Looking forward to welcoming everyone for this first Izumita Yukiya exhibition in Kyoto.

Well fired and purposeful wood fired chawan by Aomori potter, Imai Rikei fired in the longest kiln in Japan at over 103 meters long (as certified by the folks at Guinness Records). This chawan appears to defy gravity as all of the ash runs up the pot culminating in spots in deep, brown-green bidoro drips as the chawan was fired upside down where the bottom and foot of the bowl are covered in ash making for a satiny smooth surface...

Eye-catching Hirokazu Ichikawa art deco ceramic vase. B.1959 Ichikawa has won many prizes including the Kyoto Art Exhibition 4x, Asahi Pottery Exhibition twice and many more. With original box. Ask for shipping quote.

Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing...

Kogo, box to keep incense, in the shape of a reclining boar, head and nose turned up. Red-brown stoneware with gray and pink glazes, typical for Hagi ware. Inside bottom and cover covered in gray glaze over pink.

Seal impressed in bottom: Tobei.

Japan, Hagi ware, ca. 1981

H 2 x L 3.25 x D 1.1 in.p> Perfect condition.

Comes with the original wrapping cloth with seal of the artist and with original tomobako inscribed Hagi inoshishi (boar) kogo, and signed Tobei XII wit...

A contemporary Hanaire, flower vase of Oribe yaki by Sone Yoshiyuki Powerfully build vase in the distinctive colours of Oribe, fresh green glaze capturing the atmosphere of forest undergrowth and spring moss. It comes with artist’s information paper, a stamped cloth and fully inscribed and signed storage box. H 25 x 16 cm. Perfect condition. Sone Yoshiyuki (1951- ).
Born in Toki City, Gifu Prefecture. Graduated from the Ceramics Department of Tajimi Technical High School. After gradu...

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

Inspired by ancient Korean Sueki pottery this bowl features attractive and elegant design and excellent natural ash glazing.
It changes its appearance with time and can be enjoyed for many years ahead.

Seihou Hasegawa is one of the leading names in Japan in reviving the old techniques of Mino-Momoyama pottery.

Seihou Hasegawa
1953 Born in Tokyo 　
1983 Independently established in Fujino-cho, Kanagawa Prefecture (currently Midori-ku, Sagamihara), building a...

A tea bowl with stunning glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. His tea bowls are not common, and purple ones are quite rare. Piece is simply titled Tea Bowl (Chawan 茶碗), it is glazed stoneware, from Shōwa Period, late 1970. Piece is 6.9 x 13.8 ...

A beautiful vessel / seashell Kara of organic shape with a sideways, seedpod opening in mat mottled turquoise glaze producing a feeling of underwater ambiance. The rest of outer body and the side, elongated shell is done with his usual technique of grooving the surface with needles and rubbing iron into the grooves resulting in those great dark brown and white lines. The contrast between the two techniques is producing a fantastic visual effect. Signed: Tanoue Shinya. ***** Tanoue Shinya (...

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b. 1947) learned first pottery under his older brother Kotaro and in ...

Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations. The salt gaze was imported from Europe.

Accompanied by its original transport box with signature and seal of the ce...

Rare Japanese Celadon Tea Bowl, which was made by one of the greatest Japanese potters of the 20th century, Ryūzan Aoki (1926-2008).

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter & his profile are also included.

Aoki Ryūzan was born in Arita as the eldest son of a porcelain merchant. In 1951, he graduated as a Nihonga-style painter from Tama Art College. Initially, he was a teacher at various schools until his ...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).

Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III. He grew up with his brother (Rakusai IV) watching his father's work, eventually becoming a Shigaraki ceramist himself.
He studied at the Saga Ceramic Research Center, Kyoto Prefectural Ceramists’ Technical Institute and, after mastering his skills, he established his own kiln in 1968.
He has been...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

This piece is a new work recently launched, it is called "madara" glaze made of ashes of rice straw. The condition of glaze is very calm and warm. Please see on YouTube https://www.youtube.com/watch?v=UgYgFQK-4tk Size : 14.2cm(D) 7.9cm(H) Accessary: double wooden box signed by artist

A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu establ...

A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964. His father died while he was still young, and the boy was sent to Bizen to study with Living National Trea...

Of squat shape with a centre hole, inspired by the cosmic black hole. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 11 x 19,5 x 19,5 cm circa. From 2015. Perfect condition. The last picture show both pieces. Watanabe T...

Japanese Contemporary Ceramic, Progressive Ceramic Art Form. Watanabe Taichiro. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 16,5 x 15 x 15 cm circa. From 2015. Perfect condition. He never sign his pieces, they are sign...