This is an oil on canvas painting (measuring 7 3/4" by 9 3/4", plus very thin simple wood frame), laid down on a board, by the noted Northern California artist JOHN HENRY RAMM (1879-1948). It is titled on the reverse in the artist's own distinctive handwriting "Looking Down Bush Street" and initialed and dated 1930 (not signed on front, but, this is definitely the artist's way of signing; I have handled a number of his works in the past)...

Oil on canvas, relined, measuring 17" by 21" (24" by 28" as framed) signed at upper left in red by listed Italian painter CLAUDIO RINALDI (and below which he wrote "Firenze"---where he was active between the 1860's and 1890's). There doesn't seem to be a lot of information available on the artist, but the subject matter and the handling of the faces are consistent with a number of other works by his hand that have appeared on the market in Europe and America...

Oil on canvas of a female dancer in a long, flouncy dress, cheered on by a number of spectators in the background, measuring 32" by 25" and 39" by 32" framed, signed at lower left by noted, well-listed Spanish twentieth century painter FRANCISCO RODRIGUEZ SANCHEZ CLEMENT (1893-1968). (His father, born 1861, died 1956, painted in very much the same style, and often I believe the works of the two, similarly signed, are confused)...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California...

Oil on canvas painting of trees in a tawny dry landscape, 12" by 20" and 1" wide old wood frame, signed at lower left by artist S. J. TUJAGUE. At first I had difficulty reading the signature but some net research showed this to be by an artist apparently at least originally hailing from Louisiana, there being a number of pieces, some still life works, having been auctioned in New Orleans. A famous restaurant in that city goes by this name...

This is a really poetic work by FRANCIS LE COADIC (1912-), listed French artist, showing a country church and houses, a few figures, and a distinctively French telephone pole at the right side of the composition. The work, like a lot of Le Coadic's work, reminds one of Maurice Utrillo. Indeed, Le Coadic did paint a lot of works showing Montmartre in the snow, and other street scenes around Paris. He seems to be little known, and underrated; there are some auction records, but not many...

Oil on canvas laid on board, 18" by 12", (25 1/2" by 19 1/2" in its quality gilt frame), apparently faintly signed at lower right and bearing the artist's red estate stamp on the reverse. This is an impressionistic view of a mother or nanny and her two young children, one in a baby carriage, by a well listed painter...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24"...

Oil on canvas, 18 1/4" by 27 1/2" plus 3 1/2" wood frame, signed at lower right by the artist in Cyrillic and dated "51". This is a work of Russian impressionist LEONID BORISOVICH IANOUSH (1897-1978). His name has been spelled also as "Yanush". This is a finely executed work. Quite underrated currently, the artist was definitely professionally trained and very talented, his paintings spanning landscape, nudes and interiors...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California...

Oil and maybe sand mixed in, on paper backed by masonite, 19 3/4" by 24 1/4" (22 3/4" by 27 1/2" as framed), signed "CALZADA" at upper right. The subject is a Picasso-esque harlequin with a haunting, intense, soul-stirring stare, his hands clasped at bottom center, a mysterious drape separating face and hands, all by the noted listed Spanish artist and humanist, LUIZ SAENZ DE LA CALZADA (1912-1994)...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house. The overall style reminds of Dutch 17th and 18th century Old...

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression. No do...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards". (His name has been variously spelled as "De Berg", "DeBourg", etc.). I can say it is possi...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right. The ref...

Oil on masonite painting of industrial dockside scene, 15" by 19" and 1 3/4" of liner and frame, signed at lower left and dated "58". The artist, MARIO LORIETO (1919-2003) was a significant figure in the Uruguayan art scene, having studied in the Taller Torres Garcia (Jose Torres Garcia, the major Uruguayan artist), and with Jose Gurvich, Julio Alpuy, and Augusto Torres. He traveled in Europe and has been exhibited in museums in Latin America, Spain, and Italy. Note the use of baby blue and ...

Oil on canvas scene of a central Parisian plaza by the Seine in the late 19th century, including an advertising kiosk, horse drawn wagons, and figures dressed in the manner of the times, the Seine and domed building in the background, 20" by 24" (28" by 32" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's or Pissarro's famous scenes of Paris, and a number of other impressionist artists who favored the always p...